In January 2002, the Egyptian Ministry of Culture ran a competition for an innovative design for a new Grand Museum of Egypt. This two-volume publication contains sketches, plans, elevations and computer models of the prize-winning design and all other second-phase entries.

The Egyptian Museum houses the world's greatest collection of Egyptian treasures and antiquities, tens of thousands of stunning and fascinating objects dating from the earliest Predynastic times right through to the Greek and Roman Periods. Visitors to this great storehouse may become easily overwhelmed by the vast number of objects on display. But here for the first time is the world's best-known Egyptologist's personal introduction to the unmissable highlights of the Museum--Zahi Hawass's own selection of his favorite 200 exhibits. For each piece, he gives some background to its discovery and significance, and describes what it means for him in terms of the art or the history of ancient Egypt, and why it strikes a personal chord. "Due to my love of the Egyptian Museum, I thought that it would be wonderful to write a guide to its treasures, and to talk about my favorite objects within."--Zahi Hawass

"The Egyptian Old Kingdom (c. 2650-2150 BC) was an era of extraordinary artistic achievement-the period that gave us the Sphinx and the pyramids as well as a rich legacy of private tombs, wall paintings, reliefs, statuary, jewelry, and decorative arts. This book, the companion volume to a major traveling exhibition organized by New York's Metropolitan Museum of Art and the Louvre in Paris, showcases the most impressive assemblage of Egyptian art and artifacts since the Tutankhamun exhibition of the late 1970s. Scholarly essays and 650 illustrations bring to life a remarkable panoply of Old Kingdom objects-temple and tomb reliefs, striking gold jewelry, handsome stone vessels, monumental statues, stelae, and exquisite statuettes. Together, text and images create a stunning tribute to the world of the Pharaohs"--Publisher's description.

A documentation, using latest technologies, of the late anthropoid sarcophagi housed in Cairo's Grand Egyptian Museum This joint publication project of Cairo University and the University of T bingen scholars uses modern technologies, including electronic drawing boards, photo merging, and 3-D modeling, to catalogue the late anthropoid sarcophagi housed in Cairo's Grand Egyptian Museum. Most of this collection was previously known only from the entries in M.-L. Buhl's The Late Egyptian Anthropoid Stone Sarcophagi (Copenhagen, 1959). This catalogue draws on the efforts of eight team members, each chapter prepared by a joint Egyptian-German team, with the drawings made by the Egyptians and the translations provided by the Germans. The Egyptian Museum photographer Ahmed Amin provided the teams with hundreds of photographs, which were later merged together with the help of Adobe Photoshop. The hieroglyphic texts were composed by JSesh. This, the first catalogue of the Grand Egyptian Museum, was made possible through financial support from the German Academic Exchange Service (DAAD).

From about 2000 BCE onward, Egypt served as an important nexus for cultural exchange in the eastern Mediterranean, importing and exporting not just wares but also new artistic techniques and styles. Egyptian, Greek, and Roman craftsmen imitated one another’s work, creating cultural and artistic hybrids that transcended a single tradition. Yet in spite of the remarkable artistic production that resulted from these interchanges, the complex vicissitudes of exchange between Egypt and the Classical world over the course of nearly 2500 years have not been comprehensively explored in a major exhibition or publication in the United States. It is precisely this aspect of Egypt’s history, however, that Beyond the Nile uncovers. Renowned scholars have come together to provide compelling analyses of the constantly evolving dynamics of cultural exchange, first between Egyptians and Greeks—during the Bronze Age, then the Archaic and Classical periods of Greece, and finally Ptolemaic Egypt—and later, when Egypt passed to Roman rule with the defeat of Cleopatra. Beyond the Nile, a milestone publication issued on the occasion of a major international exhibition, will become an indispensable contribution to the field. With gorgeous photographs of more than two hundred rare objects, including frescoes, statues, obelisks, jewelry, papyri, pottery, and coins, this volume offers an essential and inter-disciplinary approach to the rich world of artistic cross-pollination during antiquity.

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

An exciting archeological exploration of ancient Egypt that examines the potential for discovering the remaining “lost” tombs of the pharaohs. Tombs, mummies, and funerary items make up a significant portion of the archeological remains that survive ancient Egypt and have come to define the popular perception of Egyptology. Despite the many sensational discoveries in the last century, such as the tomb of Tutankhamun, the tombs of some of the most famous individuals in the ancient world—Imhotep, Nefertiti, Alexander the Great, and Cleopatra—have not yet been found. Archeologist Chris Naunton examines the famous pharaohs, their achievements, the bling they might have been buried with, the circumstances in which they were buried, and why those circumstances may have prevented archeologists from finding these tombs. In Searching for the Lost Tombs of Egypt, Naunton sheds light on the lives of these ancient Egyptians and makes an exciting case for the potential discovery of these lost tombs.

This book presents the latest archaeological evidence that makes a case for Egypt as an early urban society. It traces the emergence of urban features during the Predynastic Period up to the disintegration of the powerful Middle Kingdom state (ca. 3500-1650 BC).

This 108-page book chronicles an Egypt tour with Ruth Shilling and All One World Egypt Tours as they make their way through Egypt by dahabiya sailboat up the NIle. Lots of photos of the sites along the way and historical perspectives that explain where each site fits within the 3,000-year context of Ancient Egypt.

The North Kharga Oasis Survey (NKOS) presents the results of archaeological exploration carried out over seven years in the northern part of Kharga Oasis, the largest and most southern oasis of Egypt's Western Desert. This area had seen limited archaeological exploration until 2001, when NKOS began. NKOS has discovered and documented sites dating to all eras, ranging from the Prehistoric to the Late Antique. They include temporary camps, rock art sites, settlements, tombs, temples, industrial areas, Roman forts, fields, complex irrigation systems, and a network of routes that connect the sites together, as well as linking Kharga to the Nile Valley, Dakhla Oasis, Sudan, and beyond. The distribution, types of sites, and water acquisition strategies illustrate the changing interactions between humans and the landscape, which has fluctuated between wet and dry over time. Illustrated with maps, plans, drawings and photographs, the archaeological heritage of North Kharga is revealed for the first time.