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Texts written in Latin, Greek and other languages provide ancient historians with their primary evidence, but the role of language as a source for understanding the ancient world is often overlooked. Language played a key role in state-formation and the spread of Christianity, the construction of ethnicity, and negotiating positions of social status and group membership. Language could reinforce social norms and shed light on taboos. This book presents an accessible account of ways in which linguistic evidence can illuminate topics such as imperialism, ethnicity, social mobility, religion, gender and sexuality in the ancient world, without assuming the reader has any knowledge of Greek or Latin, or of linguistic jargon. It describes the rise of Greek and Latin at the expense of other languages spoken around the Mediterranean and details the social meanings of different styles, and the attitudes of ancient speakers towards linguistic differences.

Preliminary Material /C. H. M. Versteegh -- THE FIRST CONTACT WITH GREEK GRAMMAR /C. H. M. Versteegh -- ARTICULATED SOUND AND ITS MEANING /C. H. M. Versteegh -- THE THEORY OF GRAMMATICAL CATEGORIES /C. H. M. Versteegh -- THE UṢŪL AN-NAḤW AND GREEK EMPIRICIST MEDICINE /C. H. M. Versteegh -- THE PERIOD OF THE TWO SCHOOLS /C. H. M. Versteegh -- THE INFLUENCE OF GREEK LOGIC /C. H. M. Versteegh -- THE USE OF LOGIC IN GRAMMAR /C. H. M. Versteegh -- THE MU'TAZILA /C. H. M. Versteegh -- THE ORIGIN OF SPEECH /C. H. M. Versteegh -- THE STOIC COMPONENT IN THE THEORY OF MEANING /C. H. M. Versteegh -- DIAGRAM OF THE MOST IMPORTANT ARABIC GRAMMARIANS /C. H. M. Versteegh -- LIST OF ABBREVIATED TITLES /C. H. M. Versteegh -- ARABIC AUTHORS QUOTED /C. H. M. Versteegh -- ORIGINALS OF THE ARABIC AND GREEK TEXTS QUOTED IN ENGLISH TRANSLATION /C. H. M. Versteegh -- INDEXES /C. H. M. Versteegh.

Dionysius of Halicarnassus has long been regarded as a rather mediocre critic. This book rehabilitates the Greek rhetorician by demonstrating the creative ways in which he integrated theories from different linguistic disciplines into a coherent programme of rhetoric.

The authors offer a clear, succinct and basic introduction to set theory and formal logic for linguists.

The authoritative guide to using the English language effectively, from “the greatest writer on grammar and usage that this country has ever produced” (David Yerkes, Columbia University). The author of The Chicago Manual of Style’s popular “Grammar and Usage” chapter, Bryan A. Garner is renowned for explaining the vagaries of English with absolute precision and utmost clarity. With The Chicago Guide to Grammar, Usage, and Punctuation, he has written the definitive guide for writers who want their prose to be both memorable and correct. Garner describes standard literary English—the forms that mark writers and speakers as educated users of the language. He also offers historical context for understanding the development of these forms. The section on grammar explains how the canonical parts of speech came to be identified, while the section on syntax covers the nuances of sentence patterns as well as both traditional sentence diagramming and transformational grammar. The usage section provides an unprecedented trove of empirical evidence in the form of Google Ngrams, diagrams that illustrate the changing prevalence of specific terms over decades and even centuries of English literature. Garner also treats punctuation and word formation, and concludes the book with an exhaustive glossary of grammatical terms and a bibliography of suggested further reading and references. The Chicago Guide to Grammar, Usage, and Punctuation is a magisterial work, the culmination of Garner’s lifelong study of the English language. The result is a landmark resource that will offer clear guidelines to students, writers, and editors alike. “[A manual] for those of us laboring to produce expository prose: nonfiction books, journalistic articles, memorandums, business letters. The conservatism of his advice pushes you to consider audience and occasion, so that you will understand when to follow convention and when you can safely break it.”—John E. McIntyre, Baltimore Sun

This book offers the first complete overview of Byzantine poetry from the 4th to the 15th century. By bringing together 22 scholars, it explores the development of poetic trends and the interaction between poetry and society throughout the Byzantine millennium; it addresses a wide range of issues concerning the writing and reading of poetry (such as style, language, metrics, function, and circulation); and it surveys a large number of texts by looking closely at their place within the social and cultural milieus of their authors. Overall, the volume aims to enhance our understanding of Byzantine poetry and shed light on its important place in Byzantine literary culture. Contributors are Eirini Afentoulidou, Gianfranco Agosti, Roderick Beaton, Floris Bernard, Carolina Cupane, Kristoffel Demoen, Ivan Drpic, Jürgen Fuchsbauer, Antonia Giannouli, Martin Hinterberger, Wolfram Hörandner, Elizabeth Jeffreys, Michael Jeffreys, Marc Lauxtermann, Ingela Nilsson, Emilie van Opstall, Andreas Rhoby, Kurt Smolak, Foteini Spingou, Maria Tomadaki, Ioannis Vassis, Nikos Zagklas.

The Gorgias Encyclopedic Dictionary of the Syriac Heritage (GEDSH) is the first major encyclopedia-type reference work devoted exclusively to Syriac Christianity, both as a field of scholarly inquiry and as the inheritance of Syriac Christians today. In more than 600 entries it covers the Syriac heritage from its beginnings in the first centuries of the Common Era up to the present day. Special attention is given to authors, literary works, scholars, and locations that are associated with the Classical Syriac tradition. Within this tradition, the diversity of Syriac Christianity is highlighted as well as Syriac Christianity's broader literary and historical contexts, with major entries devoted to Greek and Arabic authors and more general themes, such as Syriac Christianity's contacts with Judaism and Islam, and with Armenian, Coptic, Ethiopian, and Georgian Christianities.

A founding father of the “art of philology,” Aristarchus of Samothrace (216–144 BCE) made a profound contribution to ancient scholarship. In his study of Homer’s Iliad, his methods and principles inevitably informed, even reshaped, his edition of the epic. This systematic study places Aristarchus and his fragments preserved in the Iliadic scholia, or marginal annotations, in the context and cultural environment of his own time. Francesca Schironi presents a more robust picture of Aristarchus as a scholar than anyone has offered previously. Based on her analysis of over 4,300 fragments from his commentary on the Iliad, she reconstructs Aristarchus’ methodology and its relationship to earlier scholarship, especially Aristotelian poetics. Schironi departs from the standard commentary on individual fragments, and instead organizes them by topic to produce a rigorous scholarly examination of how Aristarchus worked. ​ Combining the accuracy and detail of traditional philology with a big-picture study of recurrent patterns and methodological trends across Aristarchus’ work, this volume offers a new approach to scholarship in Alexandrian and classical philology. It will be the go-to reference book on this topic for many years to come, and will usher in a new way of addressing the highly technical work of ancient scholars without losing philological accuracy. This book will be valuable to classicists and philologists interested in Homer and Homeric criticism in antiquity, Hellenistic scholarship, and ancient literary criticism.