This title provides readers with a wealth of information on every aspect of the Gothic War - from famous battles and military leaders to a fascinating history of the Ostrogoth tribe.

Rome's Gothic Wars is a concise introduction to research on the Roman Empire's relations with one of the most important barbarian groups of the ancient world. The book uses archaeological and historical evidence to look not just at the course of events, but at the social and political causes of conflict between the empire and its Gothic neighbours. In eight chapters, Michael Kulikowski traces the history of Romano-Gothic relations from their earliest stage in the third century, through the development of strong Gothic politics in the early fourth century, until the entry of many Goths into the empire in 376 and the catastrophic Gothic war that followed. The book closes with a detailed look at the career of Alaric, the powerful Gothic general who sacked the city of Rome in 410.

Procopius of Caesarea was born in approximately 500. He is generally considered to be the last major historian of the ancient world. His works have given us a unique and intimate account both of the Roman Military and its Emperor Justinian. A native of Caesarea in Palaestina Prima little else is known of his early life, and apart from assuming that he would have received a classical Greek Education the rest is deduction rather than based on known facts. In 527, the first year of Eastern Roman Emperor Justinian I's reign, he became the adsessor (legal adviser) for Belisarius, Justinian's chief military commander who was then starting out on what would become a brilliant military career, initially in the East of the Empire. After early successes Belisarius was defeated in 531 at the Battle of Callinicum and recalled to the Empire's heart in Constantinople. Justinian was without doubt clever but cruel. When part of Constantinople rose against him in the Nika riots of January, 532, he sent Belisarius and his fellow general Mundo to repress them in a savage massacre in the Hippodrome - witnessed by Procopius. The following year Procopius accompanied Belisarius on his victorious expedition against the Vandal kingdom in North Africa and took part in the capture of Carthage. Procopius remained in Northern Africa with Belisarius' successor, Solomon the Eunuch, when Belisarius returned to Constantinople. Procopius rejoined Belisarius for his campaign against the Ostrogothic kingdom in Italy and was there for the Gothic siege of Rome that lasted a year and nine days and ended in March, 538. He witnessed Belisarius' entry into the Gothic capital, Ravenna, in 540. However at some point in the next few years Procopius seems to have been moved away from working with Belisarius. When the latter was sent back to Italy in 544 to cope with a further outbreak of the war with the Goths, Procopius appears to have no longer been with Belisarius' staff. Procopius continued to record history and his works are both insightful and clear headed, distilling the complexities of the times into several classic books. His death is thought to have been around 560.

The vile and unholy shadow of Chaos falls across the Gothic sector at the onslaught of Warmaster Abaddon's infernal Black Crusade. Fighting a desperate rearguard action, the Imperial Battlefleet has no choice but to sacrifice dozens of worlds and millions of lives to buy precious time for their fleets to regroup. But what possible chance do they have when Abaddon's unholy forces have the power to kill men and murder entire planets?

In the context of the current explosion of interest in Gothic literature and popular culture, this interdisciplinary collection of essays explores for the first time the rich and long-standing relationship between war and the Gothic. Critics have described the global Seven Year’s War as the "crucible" from which the Gothic genre emerged in the eighteenth century. Since then, the Gothic has been a privileged mode for representing violence and extreme emotions and situations. Covering the period from the American Civil War to the War on Terror, this collection examines how the Gothic has provided writers an indispensable toolbox for narrating, critiquing, and representing real and fictional wars. The book also sheds light on the overlap and complicity between Gothic aesthetics and certain aspects of military experience, including the bodily violation and mental dissolution of combat, the dehumanization of "others," psychic numbing, masculinity in crisis, and the subjective experience of trauma and memory. Engaging with popular forms such as young adult literature, gaming, and comic books, as well as literature, film, and visual art, War Gothic provides an important and timely overview of war-themed Gothic art and narrative by respected experts in the field of Gothic Studies. This book makes important contributions to the fields of Gothic Literature, War Literature, Popular Culture, American Studies, and Film, Television & Media.

The First General History in English of the Germanic People Who Sacked Rome in the Fifth Century AD and Established a Kingdom in North Africa One of the most fascinating of late antiquity were the Vandals, who over a period of six hundred years had migrated from the woodland regions of Scandinavia across Europe and ended in the deserts of North Africa. In A History of the Vandals, the first general account in English covering the entire story of the Vandals from their emergence to the end of their kingdom, historian Torsten Cumberland Jacobsen pieces together what we know about the Vandals, sifting fact from fiction.

Fantasy-roman.

The third century of the Roman Empire is a confused and sparsely documented period, punctuated by wars, victorious conquests and ignominious losses, and a recurring cycle of rebellions that saw several Emperors created and eliminated by the Roman armies. In AD 260 the Empire almost collapsed, and yet by the end of the third century the Roman world was brought back together and survived for another two hundred years. In this new edition of The Roman Empire from Severus to Constantine, Patricia Southern examines the anarchic era of the soldier Emperors that preceded the crisis of AD 260, and the reigns of underrated and sometimes maligned Emperors such as Gallienus, Probus and Aurelian, whose determination and hard work reunited and re-established the Empire. Their achievements laid the foundations for the absolutist, sacrosanct rule of Diocletian, honed to ruthless perfection by Constantine, whose reign transformed the pagan Empire into a Christian state. The successes and failures of the rulers of the Roman world of the third century, and the role of the armies and the civilians, are re-assessed in this revised and expanded edition of The Roman Empire from Severus to Constantine, which incorporates the latest thinking of modern scholars and has been extended to cover the reign of Constantine and the foundations he laid on which the Christian empire was built. This is a crucial volume for students of this fascinating period in Roman history, and provides invaluable background for anyone interested in the "fall of Rome", the adoption of Christianity, and the establishment of the Byzantine Empire.

What do tales of stalking vampires, restless Egyptian mummies, foreign master criminals, barbarian Eastern hordes and stomping Prussian soldiers have in common? As Gothic Invasions explains, they may all be seen as instances of invasion fiction, a paranoid fin-de-siècle popular literary phenomenon that responded to prevalent societal fears of the invasion of Britain by an array of hostile foreign forces in the period before the First World War. Gothic Invasions traces the roots of invasion anxiety to concerns about the downside of Britain’s continuing imperial expansion: fears of growing inter-European rivalry and colonial wars and rebellion. It explores how these fears circulated across the British empire and were expressed in fictional narratives drawing strongly upon and reciprocally transforming the conventions and themes of gothic writing. Gothic Invasions enhances our understanding of the interchange between popular culture and politics at this crucial historical juncture, and demonstrates the instrumentality of the ever-versatile and politically-charged gothic mode in this process.

Christian Jennings's At War on the Gothic Line tells the little-known story of the Allied effort to break the German defenses in Northern Italy—told through the eyes of the multi-national force that fought it. In the autumn of 1944, as Patton’s army paraded through Paris, another Allied force was gathering in southern Italy. Spearheaded by over 100,000 American troops, this vast, international army was faced with a grim task—break The Gothic Line, a series of interconnected German fortifications that stretched across the mountains of northern Italy. Striving to reach Europe’s vulnerable underbelly before the Red Army, these Allied soldiers fought uphill against entrenched enemies in some of the final and most brutal battles of the Second World War. In At War on the Gothic Line, veteran war correspondent and historian Christian Jennings provides an unprecedented look inside this unsung but highly significant campaign. Through the eyes of thirteen men and women from seven different countries, Jennings brings history to life as he vividly recounts the courageous acts of valor performed by these soldiers facing overwhelming odds, even as many experienced discrimination at the hands of their allies and superiors. Witness the courage of a young Japanese-American officer willing to die for those under his command. Lie in wait with a troop of Canadian fur trappers turned snipers. Creep along mountain paths with Indian warriors as they assault fortified positions in the dead of night. Learn to fear a one-armed SS-Major guilty of some of the most atrocious war-crimes in the European theater. All these stories and more pack the pages of this faced-paced, action-heavy history, taking readers inside one of the most important, and least discussed, campaigns of World War Two.