Although Americans are no longer compelled to learn Greek and Latin, classical ideals remain embedded in American law and politics, philosophy, oratory, history and especially popular culture. In the Western genre, many film and television directors (such as John Ford, Raoul Walsh, Howard Hawks, Anthony Mann and Sam Peckinpah) have drawn inspiration from antiquity, and the classical values and influences in their work have shaped our conceptions of the West for years. This thought-provoking, first-of-its-kind collection of essays celebrates, affirms and critiques the West's relationship with the classical world. Explored are films like Cheyenne Autumn, The Wild Bunch, The Track of the Cat, Trooper Hook, The Furies, Heaven's Gate, and Slow West, as well as serials like Gunsmoke and Lonesome Dove.

BOOK 14 IN THE CHRONICLES OF ST MARY'S SERIES, FROM THE MILLION-COPY BESTSELLER JODI TAYLOR. ⭐ ⭐⭐ ⭐⭐ 'Brilliant, hilarious, keeps you on your toes' Reader review 'The characters make me come back time and time again' Reader review 'I have not found another author who can tell a story involving time travel as well' Reader review ⭐ ⭐⭐ ⭐⭐ St Mary's is under investigation. Their director has been shot and Max is Number One Suspect. Can things get any worse? We all know the answer to that one. Max needs to get away - fast - and a Brilliant Idea soon leads her to a full-scale uprising in twentieth-century China. If she can come by a historical treasure or two in the process, even better. That is, if she makes it out alive. Then there's the small matter of Insight - the sinister organisation from the future hell bent on changing History for their own dark ends. Having successfully infiltrated their ranks, Max is perfectly placed to stop them. But she knows her cover will soon be blown - because it's already happened. Can Max take down Insight before they come after her? The circle is closing, and only one can survive... For fans of Terry Pratchett, Jasper Fforde, Richard Osman's Thursday Murder Club series and Doctor Who. WHAT PEOPLE ARE SAYING ABOUT JODI TAYLOR 'Once in a while, I discover an author who changes everything... Jodi Taylor and her protagonista Madeleine "Max" Maxwell have seduced me' READER REVIEW 'Jodi Taylor is quite simply the Queen of Time. Her books are a swashbuckling joyride through History' C. K. MCDONNELL 'This amazing series is anything but formulaic. Just when you think you've got to grips with everything, out comes the rug from under your feet' READER REVIEW 'Wonderfully imaginative' SFF WORLD 'Addictive. I wish St Mary's was real and I was a part of it' READER REVIEW 'Every page bubbles with energy' BRITISH FANTASY SOCIETY 'St Mary's stories are the much-anticipated highlight of my year' READER REVIEW 'Jodi Taylor has an imagination that gets me completely hooked' READER REVIEW 'A tour de force' READER REVIEW

Discover fun facts about the greatest figures from history through Basher's fresh and unique illustration style. History doesn't just happen; it was created by a crazy crew of characters from way back when. Find out why Archimedes said "Eureka!" in the bathtub, how Henry Ford changed the world, and whether or not Einstein's brain was bigger than an ordinary guy's. Discover what Abraham Lincoln, Gandhi, and Nelson Mandela did that made them famous for being so good, and what Attila the Hun, Hitler, and Stalin did that made them infamous for being so bad. Learn about great leaders like Charlemagne and George Washington and bold ones like Caesar and William the Conqueror. Superstars of History will feature fun text, loads of facts, and Basher's cool illustrations to bring history's greatest characters to life for 8 to12 year olds.

Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.

Lucas Corso, a rare book hunter, is called in to authenticate a fragment of the original manuscript of Alexandre Dumas's "The Three Musketeers," found in the possession of a murdered bibliophile, and soon finds himself involved in an adventure in which life imitates literature.

Published to coincide with Brazil hosting the 2014 World Cup, here is the lowdown on Brazil, its people, places and lifestyles. A’Barrow’s book is a combination of notebook, anecdote and travelogue, written from the staunchly personal perspective of an English man who married a Brazilian woman and has spent years learning about the mysteries of Brazilian culture. Anyone expecting a sanitised account of only those things that shine in Brazilian life will be advised to look elsewhere. This is an often hilarious ‘warts-and-all’ portrait of a country that is seen by many as the essence of Latin America. Not for the faint-hearted or the easily offended, it will give first-time visitors the essential information they need to get by in the beautiful, exotic and infuriating country that the author clearly loves with all his heart. Stephen A’Barrow worked for many years in the British and international education sectors, travelling throughout Latin America before settling in Brazil’s mountainous Minas Gerais region. He continues to travel to pursue his business interests, as well as writing about history and culture. He lives in Swanage, Dorset.

Gabriel Richardson Lear presents a bold new approach to one of the enduring debates about Aristotle's Nicomachean Ethics: the controversy about whether it coherently argues that the best life for humans is one devoted to a single activity, namely philosophical contemplation. Many scholars oppose this reading because the bulk of the Ethics is devoted to various moral virtues--courage and generosity, for example--that are not in any obvious way either manifestations of philosophical contemplation or subordinated to it. They argue that Aristotle was inconsistent, and that we should not try to read the entire Ethics as an attempt to flesh out the notion that the best life aims at the "monistic good" of contemplation. In defending the unity and coherence of the Ethics, Lear argues that, in Aristotle's view, we may act for the sake of an end not just by instrumentally bringing it about but also by approximating it. She then argues that, for Aristotle, the excellent rational activity of moral virtue is an approximation of theoretical contemplation. Thus, the happiest person chooses moral virtue as an approximation of contemplation in practical life. Richardson Lear bolsters this interpretation by examining three moral virtues--courage, temperance, and greatness of soul--and the way they are fine. Elegantly written and rigorously argued, this is a major contribution to our understanding of a central issue in Aristotle's moral philosophy.

It’s the roaring twenties, and San Francisco is a hotbed of illegal boozing, raw lust, and black magic. The fog-covered Bay Area can be an intoxicating scene, particularly when you specialize in spirits… Aida Palmer performs a spirit medium show onstage at Chinatown’s illustrious Gris-Gris speakeasy. However, her ability to summon (and expel) the dead is more than just an act. Winter Magnusson is a notorious bootlegger who’s more comfortable with guns than ghosts—unfortunately for him, he’s the recent target of a malevolent hex that renders him a magnet for hauntings. After Aida’s supernatural assistance is enlisted to banish the ghosts, her spirit-chilled aura heats up as the charming bootlegger casts a different sort of spell on her... On the hunt for the curseworker responsible for the hex, Aida and Winter become drunk on passion. And the closer they become, the more they realize they have ghosts of their own to exorcise…

Despite the past century's extraordinary advances in technology and scientific knowledge, today's world is still racked by economic insecurity, vast gulfs between rich and poor, violent conflicts, and daunting environmental problems. What's stopping us from building a world in which there's less inequality and more nurturing of the individual's potential to lead a satisfying life? Does the central role of self-interest in human nature necessitate economic arrangements that condemn us to living on a treadmill of consumerism and insecurity? Will the gap between rich and poor countries ever be bridged? These are the key questions that Brown University economist Louis Putterman's "The Good, the Bad, and the Economy" addresses in surprising new ways.

In the Nightside—that hidden area in the middle of London where time stands still at three A.M. and the sun won’t rise to refute it—nightmares go walking in borrowed flesh, and not everything that looks back at you with human eyes is really human. I’m John Taylor, a PI with a knack for finding things, helping those the Nightside has chewed up and is about to spit out. All things considered, my life lately had been bright, even in this shadowy place. So it was only a matter of time before everything hit the fan. Walker—the powerful, ever-present, never-to-be-trusted agent who runs the Nightside on behalf of the Authorities—paid me a visit. He told me he is dying and that he, too, has a job for me. An important job. His.