A picaresque series of tales about an ordinary man's successful quest to survive, and a funny but unrelentingly savage assault on the very idea of bureaucratic officialdom as a human enterprise conferring benefits on those who live under its control, and on the various justifications bureaucracies offer for their own existence.

The collection of short stories entitled Behind the Lines: Bulguma and Other Stories draws on Hašek’s experience from revolutionary Russia. In a manner similar to that employed in his caricatures of the pre-war monarchy, he satirically captures events of the Bolshevik revolution from the perspective of a Red commissar in a combination of grotesque humor and sarcasm. Historical events serve merely as part of the historical mystification. Hašek presents them as he perceived them as a man and participant in historical events. He depicts them primarily as simple and human, pushing his critical view into the background. On the border of a comic exaggeration and a realistic depiction, an amusing story about a forgotten Tartar town of Bugulma unfolds featuring the Soviet commander of the Tver Revolutionary Regiment, drunk Yerokhimov, and Comrade Gašek, the Commanding Officer of Bugulma. Employing humor and exaggeration, Hašek demonstrates the zealotry of the revolutionary period as well as the stupidity and simple human insecurity of authoritarians. The collection of short stories, Behind the Lines, also includes other sketches by Hašek, written at the same time.

Theatre program.

The Good Soldier A Tale of Passion by Ford Madox Ford At the fashionable German spa town Bad Nauheim, two wealthy, fin de siecle couples - one British, the other American - meet for their yearly assignation. As their story moves back and forth in time between 1902 and 1914, the fragile surface propriety of the pre - World War I society in which these four characters live is ruptured - revealing deceit, hatred, infidelity, and betrayal. "The Good Soldier" is Edward Ashburnham, who, as an adherent to the moral code of the English upper class, is nonetheless consumed by a passion for women younger than his wife - a stoic but fallible figure in what his American friend, John Dowell, calls "the saddest story I ever heard."

The classic pacifist novel by a major Polish writer, who was nominated for the Nobel Prize At the beginning of the twentieth century the villagers of the Carpathian mountains lead a simple life, much as they have always done. Among them is Piotr, a bandy-legged peasant, who wants nothing more from life than an official railway cap, a cottage, and a bride with a dowry. But then the First World War reaches the mountains and Piotr is drafted into the army. All the weight of imperial authority is used to mould him into an unthinking fighting machine, forced to fight a war he does not understand, for interests other than his own. The Salt of the Earth is a classic war novel and a powerfully pacifist tale about the consequences of war for ordinary men.

A DEBUT NOVEL OF DARING ORIGINALITY, THE YID GUARANTEES THAT YOU WILL NEVER THINK OF STALINIST RUSSIA, SHAKESPEARE, THEATER, YIDDISH, OR HISTORY THE SAME WAY AGAIN Moscow, February 1953. A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent, Paul Goldberg's THE YID is a tragicomic masterpiece of historical fiction.

An entirely original novel in which a book—Joseph Roth's masterpiece Rebellion—narrates its own astonishing life story, from 1930s Germany to the present day, at the heart of a gripping mystery. “A powerful, powerful piece of work.” —Colum McCann, best-selling author of Apeirogon One old copy of the novel Rebellion sits in Lena Knecht’s tote bag, about to accompany her on a journey from New York to Berlin in search of a clue to the hand-drawn map on its last page. It is the brilliantly captivating voice of this novel—a first edition nearly burned by Nazis in May 1933—that is our narrator. Fast-paced and tightly plotted, The Pages brings together a multitude of dazzling characters, real and invented, in a sweeping story of survival, chance, and the joys and struggles of love. At its center are Roth, an Austrian Jewish author on the run, and his wife, Friederike, who falls victim to mental illness as Europe descends into war. With vivid evocations of Germany under Nazism and today, The Pages dramatically illuminates the connections between past and present as it looks at censorship, oppression, and violence. Here is a propulsive, inspiring tale of literature over a hundred years: a novel for book lovers everywhere that will bring a fresh audience to this acclaimed writer.

Hasek was a humorist and satirist of rare order long before he wrote his celebrated novel, The Good Soldier Schweik. This selection of 32 pre-1914 stories of Prague life-most were translated into English for the first time in this collection-revels i

A burlesque smorgasbord of international high jinks—the “biography” of a hapless, twelve-fingered, would-be assassin who lurches from Sarajevo to Paris to Hollywood to Chicago to Rio, leaving high-stakes chaos in his wake. Our hero, Dimitri Borja Korozec, is born in the late 1800s to a Brazilian contortionist mother and a fanatically nationalist Serbian linotypist father. Dimitri enrolls in a training school for assassins, where he excels—except for his troubling propensity for fouling things up at the last moment. Part Carlos the Jackal, part Woody Allen’s Zelig, part Inspector Clouseau, and part Forrest Gump, Dimitri is a schlemiel of an assassin and anarchist who can’t seem to kill anyone. He does, however, cause enough mayhem to help start World War I, spread Spanish influenza to the American continent, and unintentionally trigger various other significant events of the twentieth century by slipping and falling, misreading signs, and misunderstanding instructions. Along the way Dimitri runs into—and, sometimes, nearly over—a diverse cast of bit players: Mata Hari, Al Capone, Carmen Miranda, Marie Curie, Pablo Picasso, Jean Cocteau, Irving Thalberg, George Raft, and even Aleister Crowley make their appearances. Jô Soares weaves the lives of his characters in and out of modern history, creating odd synchronicities, uncanny coincidences, and the impression that this “biography” might almost be true. True or not, it’s a laugh-out-loud romp that provides an intriguing new perspective on the history and major figures of our time, blurring the line between fact and fiction—a line which, had he encountered it on his way to an assassination, Dimitri would most certainly have tripped over.