A forensic, entertaining polemic from the author of The Pope's Children. Ireland is deeply in debt, beholden to the IMF, the EU and the bond markets. Its economy is frozen, and years of austerity are ahead. It didn't have to be this way - and it doesn't have to be this way. In The Good Room, David McWilliams, who spotted the dangers of the Irish property bubble and imbalances within the eurozone at a time when other commentators were cheerleading the boom, explains the bizarre economics behind Ireland's current predicament, and illuminates a different path for the country. He illustrates the consequences of debt and austerity for ordinary Irish people and explains why austerity can't work. And he shows that history offers numerous useful models for Irish recovery - provided we open our eyes to them. Economics is about people like you. The Pope's Children was the book that connected the dots between economics and daily life in Ireland during the boom years. The Good Room does the same for the Ireland of the bust, and is - in its call for a completely different approach - an even more urgent and necessary work. 'McWilliams has a great knack for bringing a complex economics story to life. He is also funny. In economics, that's a rare and persuasive combination.' Stephanie Flanders, Irish Times 'A gifted and often courageous polemicist who has done more to popularize the debate about economics in Ireland than anyone else' Irish Independent 'McWilliams makes a compelling argument for the need for a different approach to Irish and European economic management ... [A] realistic, pragmatic call for innovative policies that take account of proven economic theory' Sunday Business Post David McWilliams is Ireland's leading popular economist, and a columnist for the Irish Independent and the Sunday Business Post. He is the author of the bestsellers The Pope's Children, The Generation Game, and Follow the Money.

Palmyre. A city of questions and a family short on answers. And foremost on everyone’s mind is the question that matters most: Where is Grandpa Jack? After a long and arduous journey, the Sullivan family has made it to Palmyre. The initial joy over their reunion soon fades, however, when Grandpa Jack fails to arrive. With no way of seeking him out, they turn their attention to surviving in a town far different from anything they have experienced before. For some, it is a matter of learning who they are. For others, it is about learning what they are becoming. And for Grandpa Jack, well, he would have gotten to that damn town ages ago if there weren’t so many damn creatures, monsters, and gods in the way. As for Turkaletta…does anyone think of the turkey? Nooo. It’s all, “Where’s Grandpa Jack?” Couldn’t just one person say, “What about our turkey?” Sigh. Looks like she’ll have to do it her way.

This book is designed to teach undergraduate and beginning graduate students how to understand, analyse and describe syntactic phenomena in different languages. The book covers every aspect of syntax from the basics to more specialised topics, such as clitics which have grammatical importance but cannot be used in isolation, and negation, in which a construction contradicts the meaning of a sentence. The approach taken combines concepts from different theoretical schools, which view syntax differently. These include M. A. K. Halliday's systemic functional linguistics, the stratificational school advocated by Sydney Lamb, and Kenneth L. Pike's tagmemic model. The emphasis of the book is on syntactic structures rather than linguistic meaning, and the book stresses the difference between a well-formed sentence and a meaningful one. The final chapter brings these two aspects together, to show the connections between syntax and semology. Each chapter concludes with exercises from a diverse range of languages and a list of major technical terms. The book also includes a glossary as an essential resource for students approaching this difficult subject for the first time.

This is a practical, hands-on guide to a variety of recording environments, from modest home studios - where the guitarist must also act as the engineer and producer - to professional facilities outfitted with top-quality gear and staffed with audio engineers. This book will prepare guitarists for any recording situation and will help them become familiar with all facets of recording technology and procedure. Topics covered include: guitars and amps for recording; effects; mixer logic and routing strategies; synching music to moving images; and how to look and sound professional, with advice from Alex Lifeson, Carl Verheyen, Steve Lukather, Eric Johnson and others. Also includes complete info on the classic set-ups of 14 guitar greats, from Hendrix to Vai. 160 pages, 8 1/2 inch. x 11 inch.

what if i'm not funny though - what if i go out there and i'm not funny Steve Johnston, guided and inspired by his girlfriend, is a small-time comedian, raw, original and true. Until he's spotted by an agent, who suggests he could be so much more: his act just needs to change. It's a Faustian pact. As tension builds over the course of four gigs, so too do the audiences. But at what cost? Death of a Comedian by Owen McCafferty premiered at the Lyric Theatre, Belfast, in February 2015 in a co-production with the the Abbey Theatre, Dublin, and Soho Theatre, London.

The first new fiction from Price in three years is a major novel that examines the profound and unexpected impact of major historical events on ordinary lives.

We all have a soundtrack to our lives, songs that as soon as we hear them we're transported to a moment in time. As the youngest child, and only girl, in a family of creative types, Myf Warhurst grew up with the music in her. Whether she was watching Daryl Braithwaite on TV on a Sunday night or listening to the crackle of the needle across vinyl as Agnetha and Anni-Frid took her from rural Victoria to Eurovision, music has always shaped Myf's life. Later her love of music (and the realisation that a professional pianist gig wasn't part of the plan) would shape her career. But music isn't just about memories. It's a safe place for people who feel different. Songs and lyrics helped Myf make sense of the world and deal with heartbreak and uncertainty. Music steered her hopes and fashion choices, cemented friendships and bonded family. In Time of My Life she shares funny, fabulous and occasionally fraught tales about growing up in a small country town with an unhealthy obsession with Countdown, then working in Australian radio and her experiences on the much-loved music quiz show Spicks & Specks. She spills the backstage beans on work, fame, feminism, failure, love and success. Like a sommelier matches food with wine, Myf matches hits with memory, and in the process reminds us all that, as Louis Armstrong said, 'Music is life itself.' A captivating and joyous memoir of wisdom, humour and heart that unleashes the music within us all.

Living in a quiet corner of rural Northern Ireland in the 50s and 60s, children had an idyllic freedom to explore plus a healthy respect for hard work and community spirit. Moving from this, to the bustle and confusion of London, enjoying a short spell living in historic Bath to then living in the Far East, was in itself a lifetime experience. But follow this on with a broken marriage, a protracted divorce and the harsh realities of living with the ‘troubles’ in Northern Ireland, was a route not experienced by everyone. Starting again, in the hitherto unknown world of a ‘word smith’ in Public Relations, which included working across the UK, Europe, Bosnia (during and post-conflict) and in Kosovo (post-conflict), was a new route. This process was an accidental rather than a deliberate choice. It flowed out of necessity, drawn by instinctive reaction to circumstances rather than by design. These experiences form the basis of this narrative.

Donna Russo's 'Vincent's Women' is the untold story of Vincent's loves: how they shaped his life, his art, and his death. It writes against the ‘myths,’ exploring the possibility that none of them are true. It is the only novel to bring into question his sexuality, how he lost his ear, who he lost it for, and how he might have died, all through the eyes of a woman. We learn of Her; we learn all of it through Her. The story is guided by Johanna van Gogh Bonger, Vincent's sister-in-law, as she decides to reveal the truth about Vincent to her son. We are then taken on a journey through Vincent's life, each section bringing a pivotal moment of Vincent's life alive while showing us the part she played in bringing it about. Between each woman, our guide, Johanna, gives us the transitional periods, right up to his death, which is now in question. Hundreds of the nearly thousand letters between Vincent van Gogh and his brother Theo, now considered one of the greatest documents of the human experience, were used to help construct this novel, its narrative, and dialogue, especially the dialogue of Vincent himself. Vincent van Gogh is one of the most well-known artists of all time. The world knows of his madness, traumas, and suicide. But what if all that we know isn’t true? What if this knowledge is based on rumors and nothing more? What if his true story is vastly different when based on factual material and forensic information? What if the truth of Vincent’s life—his madness and his genius—is defined by his never-ending search for love?

Winner of the Booker Prize – Roddy Doyle’s witty, exuberant novel about a young boy trying to make sense of his changing world It is 1968. Patrick Clarke is ten. He loves Geronimo, the Three Stooges, and the smell of his hot water bottle. He can't stand his little brother Sinbad. His best friend is Kevin, and their names are all over Barrytown, written with sticks in wet cement. They play football, lepers, and jumping to the bottom of the sea. But why didn't anyone help him when Charles Leavy had been going to kill him? Why do his ma and da argue so much, but act like everything is fine? Paddy sees everything, but he understands less and less. Hilarious and poignant, Paddy Clarke Ha Ha Ha charts the triumphs, indignities, and bewilderment of a young boy and his world, a place full of warmth, cruelty, confusion and love.