“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

Rue believes she is going crazy until she learns that the strange things she has been seeing are real, and that she is one of the faerie creatures that mortals cannot see.

Cath is a photographer hoping to go freelance, working in a record shop to pay the rent and eking out her time with her manager Steve. He thinks her photography is detective work, drawing attention to things that would otherwise pass unseen and maybe he's right . . . Starting work on her new project - photographing murder houses - she returns to the island where she grew up for the first time since she left for Glasgow when she was just eighteen. The Isle of Bute is embedded in her identity, the draughty house that overlooked the bay, the feeling of being nowhere, the memory of her childhood friend Shirley Craigie and the devastating familicide of her family by the father, John Craigie. Arriving at the Craigie house, Cath finds that it's occupied by Financial Analyst Alice Rahman. Her bid to escape the city lifestyle, the anxiety she felt in that world, led her to leave London and settle on the island. The strangeness of the situation brings them closer, leading them to reinvestigate the Craigie murder. Now, within the walls of the Craigie house, Cath can uncover the nefarious truths and curious nature of John Craigie: his hidden obsession with the work of Richard Dadd and the local myths of the fairy folk. The Good Neighbours is an enquiry into the unknowability of the past and our attempts to make events fit our need to interpret them; the fallibility of recollection; the power of myths in shaping human narratives. Nina Allan skilfully weaves the imagined and the real to create a magically haunting story of memory, obsession and the liminal spaces that our minds frequent to escape trauma.

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‘Extremely fast paced and completely page-turning ... like a nerve-shredding fusion of James Patterson and Thomas Harris, with a terrifying final act that will stay in my mind for a long time’ B P Walter, Sunday Times-bestselling author of The Dinner Guest He isn’t who you think he is...

The New York Times bestseller: “A superb, thoughtful biography” of the creator and star of Mister Rogers’ Neighborhood (David McCullough). Fred Rogers was an enormously influential figure in the history of television and in the lives of tens of millions of children. Through his long-running television program, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work. King explores Rogers’s surprising decision to walk away from his show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations.

A number of nations, conspicuously Israel and the United States, have been increasingly attracted to the use of strategic barriers to promote national defense. In Do Good Fences Make Good Neighbors?, defense analyst Brent Sterling examines the historical use of strategic defenses such as walls or fortifications to evaluate their effectiveness and consider their implications for modern security. Sterling studies six famous defenses spanning 2,500 years, representing both democratic and authoritarian regimes: the Long Walls of Athens, Hadrian’s Wall in Roman Britain, the Ming Great Wall of China, Louis XIV’s Pré Carré, France’s Maginot Line, and Israel’s Bar Lev Line. Although many of these barriers were effective in the short term, they also affected the states that created them in terms of cost, strategic outlook, military readiness, and relations with neighbors. Sterling assesses how modern barriers against ground and air threats could influence threat perceptions, alter the military balance, and influence the builder’s subsequent policy choices. Advocates and critics of strategic defenses often bolster their arguments by selectively distorting history. Sterling emphasizes the need for an impartial examination of what past experience can teach us. His study yields nuanced lessons about strategic barriers and international security and yields findings that are relevant for security scholars and compelling to general readers.

This comprehensive presentation of Ai Weiwei's ambitious Public Art Fund exhibition Good Fences Make Good Neighbors--a reflection on the global refugee crisis--documents the work from conception to installation and reception.

The moral principles prescribed for friendship, civil society, and democratic public life apply imperfectly to life around home, where we interact day to day without the formal institutions, rules of conduct, and means of enforcement that guide us in other settings. This work explores how encounters among neighbours create a democracy of everyday life, which has been with us since the beginning of American history and is expressed in settler, immigrant, and suburban narratives and in novels, poetry, and popular culture.

Good neighbors invite you over for dinner, bring you baked goods to welcome you to the neighborhood, and wave hello at the mailbox. Good neighbors do not destroy your life. When Bryant and Harper Page move to Lancaster Mills, their first encounter with their new neighbors-Jason and Tori Fuller: beautiful, strange, and terrifying-is anything but a warm welcome. Despite their hesitations, the Pages are intrigued by the people they now share a street with. As their curiosity gets the best of them, they discover that there's much more to the Fullers than meets the eye. Their new neighbors have secrets, that much is obvious, but just how dangerous could they be? With two haunting shadows lingering over their house and lives, the Pages' relationship is tested in every way. What exactly makes a good neighbor? And what makes a good neighbor bad?