The Good Life Elsewhere is a very funny book. It is also a very sad one. In it, Moldovan writer Vladimir Lorchenkov tells the story of a group of villagers and their tragicomic efforts, against all odds and at any cost, to emigrate from Europe’s most impoverished nation to Italy for work. This is a book with wild imagination and heartbreaking honesty, grim appraisals alongside optimistic commentary about the nature of human striving. The Good Life Elsewhere aims to present the complexity of a new Europe, where allegiances shift but memories are rooted in place. The book integrates small-scale human follies with strategic partnerships, unification plans, and the Soviet legacies that still hang over the former Eastern Bloc. Lorchenkov addresses the vexing question of what to do when many formerly pro-Soviet/pro-Russia countries want to link arms with their West European brethren. In Lorchenkov’s uproarious tale, an Orthodox priest is deserted by his wife for an art-dealing atheist; a mechanic redesigns his tractor for travel by air and sea; thousands of villagers take to the road on a modern-day religious crusade to make it to the promised land of Italy; meanwhile, politicians remain politicians. Like many great satirists from Voltaire to Gogol to Vonnegut, Lorchenkov makes use of the grotesque to both horrify us and help us laugh. It is not often that stories from forgotten countries such as Moldova reach us in the English-speaking world. A country where 25 percent of its population works abroad, where remittances make up nearly 40 percent of the GDP, where alcohol consumption per capita is the highest in the world, and which has the lowest per capita income in all of Europe – this is a country that surely has its problems. But, as Lorchenkov vividly shows, it’s a country whose residents don’t easily give up.

For the characters in Segun Afolabi's debut collection, 'elsewhere' is a place they must transform into home. In the award-winning 'Monday Morning' a refugee boy puzzles out his place in a new land. A bereaved father in 'Arithmetic' thinks back to a confusing, youthful sexual encounter that has left him emotionally scarred; Jacinta faces a long retirement with a husband she is not sure she likes in 'Jumbo and Jacinta' and 'The Wine Guitar' tells the story of an aging musician who pays a prostitute for the gift of her youth. These are tales of diaspora, of people making their lives in new lands. Moving, funny and occasionally shocking, Afolabi's stories reflect the way we live now. A Life Elsewhere was shorlisted for the Commonwealth Writers' Prize.

Presents a novel of hope, love, and redemption.

Presents a personal account of the author's youth, his parents, and the 1950s upstate New York town they struggled to escape, recounting the encroaching poverty and illness that challenged everyday life and the dreams his mother instilled that inspired his career.

The fifth and final book in The Books of Elsewhere, the award-winning, New York Times bestselling, fan-favorite series--absolutely not to be missed. Annabelle McMartin is gone for good, but something worse lurks just out of sight--watching, waiting, preparing to strike. Then a field trip to the local art museum reveals a shock. What Olive discovers will create a chain of events that propel her to discoveries she may not wish to uncover, involving Morton's vanished parents and the very deepest, darkest roots of Aldous McMartin's creepy painted world. In this fifth and final book, Olive must seek the full, complex story of Elsewhere, its magical origins, and its creator, and in so doing, face her own fears and limitations--and possibly the destruction of Elsewhere itself. How far will Olive go to save the people and home she loves? And what will be the final cost? A must-read fantasy series for fans of Pseudonymous Bosch, Coraline, and Septimus Heap. "It's like Coraline meets Harry Potter."—Nerdist "Hand these books to fans of Lemony Snicket, Pseudonymous Bosch, and Angie Sage.”—School Library Journal

'Utterly engaging.' - Sunday Times From her first life-changing solo trip to Australia as a young graduate, Rosita Boland was enthralled by travel. In the last thirty years she has visited some of the most remote parts of the globe carrying little more than a battered rucksack and a diary. Documenting nine journeys from nine different moments in her life, Elsewhere reveals how exploring the world – and those we meet along the way – can dramatically shape the course of a person’s life. From death-defying bus journeys through Pakistan to witnessing the majestic icescapes of Antarctica to putting herself back together in Bali, Rosita experiences moments of profound joy and endures deep personal loss. In a series of jaw-dropping, illuminating and sometimes heart-breaking essays, Elsewhere is a book that celebrates the life well-travelled in all its messy and wondrous glory.

Richly emotive and darkly captivating, with elements of Shirley Jackson’s “The Lottery” and the imaginative depth of Margaret Atwood, Elsewhere by Alexis Schaitkin conjures a community in which girls become wives, wives become mothers and some of them, quite simply, disappear. Vera grows up in a small town, removed and isolated, pressed up against the mountains, cloud-covered and damp year-round. This town, fiercely protective, brutal and unforgiving in its adherence to tradition, faces a singular affliction: some mothers vanish, disappearing into the clouds. It is the exquisite pain and intrinsic beauty of their lives; it sets them apart from people elsewhere and gives them meaning. Vera, a young girl when her mother went, is on the cusp of adulthood herself. As her peers begin to marry and become mothers, they speculate about who might be the first to go, each wondering about her own fate. Reveling in their gossip, they witness each other in motherhood, waiting for signs: this one devotes herself to her child too much, this one not enough—that must surely draw the affliction’s gaze. When motherhood comes for Vera, she is faced with the question: will she be able to stay and mother her beloved child, or will she disappear? Provocative and hypnotic, Alexis Schaitkin’s Elsewhere is at once a spellbinding revelation and a rumination on the mysterious task of motherhood and all the ways in which a woman can lose herself to it; the self-monitoring and judgment, the doubts and unknowns, and the legacy she leaves behind.

In Life Is Elsewhere, Anne Lounsbery shows how nineteenth-century Russian literature created an imaginary place called "the provinces"—a place at once homogeneous, static, anonymous, and symbolically opposed to Petersburg and Moscow. Lounsbery looks at a wide range of texts, both canonical and lesser-known, in order to explain why the trope has exercised such enduring power, and what role it plays in the larger symbolic geography that structures Russian literature's representation of the nation's space. Using a comparative approach, she brings to light fundamental questions that have long gone unasked: how to understand, for instance, the weakness of literary regionalism in a country as large as Russia? Why the insistence, from Herzen through Chekhov and beyond, that all Russian towns look the same? In a literary tradition that constantly compared itself to a western European standard, Lounsbery argues, the problem of provinciality always implied difficult questions about the symbolic geography of the nation as a whole. This constant awareness of a far-off European model helps explain why the provinces, in all their supposed drabness and predictability, are a topic of such fascination for Russian writers—why these anonymous places are in effect so important and meaningful, notwithstanding the culture's nearly unremitting emphasis on their nullity and meaninglessness.

We first met Avery in two of the stories featured in Dana Johnson's award–winning collection Break Any Woman Down. As a young girl, she and her family escape the violent streets of Los Angeles to a more gentrified existence in suburban West Covina. This average life, filled with school, trips to 7–Eleven to gawk at Tiger Beat magazine, and family outings to Dodger Stadium, is soon interrupted by a past she cannot escape, personified in the guise of her violent cousin Keith. When Keith moves in with her family, he triggers a series of events that will follow Avery throughout her life: to her studies at USC, to her burgeoning career as a painter and artist, and into her relationship with a wealthy Italian who sequesters her in his glass–walled house in the Hollywood Hills. The past will intrude upon Avery's first gallery show, proving her mother's adage: Every goodbye aint gone. The dual–narrative of Elsewhere, California illustrates the complicated history of African Americans across the rolling basin of Los Angeles.

For fans of Small Spaces, Coraline, A Series of Unfortunate Events, and James Howe's Bunnicula classics comes the first book in the award-winning, New York Times bestselling Books of Elsewhere series. This house is keeping secrets . . . When eleven-year-old Olive and her parents move into the crumbling mansion on Linden Street and find it filled with mysterious paintings, Olive knows the place is creepy—but it isn’t until she encounters its three talking cats that she realizes there’s something darkly magical afoot. Then Olive finds a pair of antique spectacles in a dusty drawer and discovers the most peculiar thing yet: She can travel inside the house’s spooky paintings to a world that’s strangely quiet . . . and eerily sinister. But in entering Elsewhere, Olive has been ensnared in a mystery darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. With only the cats and an unusual boy she meets in Elsewhere on her side, it’s up to Olive to save the house from the shadows, before the lights go out for good.