Record of a spiritual journey which led the author through the Church of England into Roman Catholic Church, by an English Benedictine abbot.

The title of Charles Taliaferro’s book is derived from poems and stories in which a person in peril or on a quest must follow a cord or string in order to find the way to happiness, safety, or home. In one of the most famous of such tales, the ancient Greek hero Theseus follows the string given him by Ariadne to mark his way in and out of the Minotaur’s labyrinth. William Blake's poem “Jerusalem” uses the metaphor of a golden string, which, if followed, will lead one to heaven itself. Taliaferro extends Blake’s metaphor to illustrate the ways we can link what we see, feel, and do with deep spiritual realities. Taliaferro offers a foundational case for the recognition of the experience of the eternal God of Christianity, in which God is understood as the fount of all goodness and the subject and object of our best love, revealed through scripture, tradition, philosophical reflection, and encountered in everyday events. He addresses philosophical obstacles to the recognition of such experiences, especially objections from the “new atheists,” and explores the values involved in thinking and experiencing God as eternal. These include the belief that the eternal goodness of God subordinates temporal goods, such as the pursuit of fame and earthly glory; that God is the essence of life; and that the eternal God hallows domestic goods, blessing the everyday goods of ordinary life. An exploration of the moral and spiritual riches of the Christian tradition as an alternative to materialism and naturalism, The Golden Cord brings an originality and depth to the debate in accessible and engaging prose.

Bede Griffiths was a Benedictine monk who achieved worldwide recognition for his pioneering efforts to bridge the great traditions of Christian and Hindu faith. He advocates a global spiritual friendship, rather than a global religion, cultivating respct for each other's spiritual practices.

Can Anna Bailey, a former slave who never learned to read or write, become the heroine everyone needs especially on Christmas Day, 1939? Will Clifton Matthews, wealthy entrepreneur, fight for Shelby’s love or allow Josh Green to steal her heart?

Bede Griffiths, who died in 1994, was an English Benedictine monk who settled in India in 1955 and went on to become one of the great mystical teachers of our time. In India, where he assumed the dress and ascetic discipline of a Hindu holy man, Griffiths established a Christian community following the customs of a Hindu ashram. Through his immersion in the scriptures of India, he found wisdom and inspiration for his own Christian faith. This volume, which draws on his autobiographical volumes and his many other books, presents the ideal entry to the cosmic and mystical spirituality of a great spiritual guide.

This book is an account of a ten-year experiment, whereby the scientist became an entrepreneur so as to experience his own theoretical model applied in a live social system (society). Profit motives and the clinical nature of science became muddied with norms, rules, and laws of social systems and how different people applied and responded to these rules. The insights to be gained from this journey are often surprising. The book highlights many counter-intuitive outcomes. It also reveals how certain individuals interpret society's rules and norms despite their design to ensure fair and equitable social systems. Indeed, the manipulation of social laws and standards by those with strong fields of power is self-evident, and it is explored in a unique manner. Understanding how the field of power can be manipulated suggests that no matter how bleak one's current position may be, it is very possible and relatively easy to escape conditions of poverty, oppression, and subjugation, vital issues that citizens in all countries face today.

Book Authority • 36 Best Textile Design eBooks of All Time A briskly told, 30,000-year history of textiles that “will make you rethink your relationship with fabric” (Elle Decoration). From colorful threads found on the floor of an ancient Georgian cave to the Indian calicoes that fueled the Industrial Revolution, The Golden Thread illuminates the myriad and fascinating histories behind the cloths that came to define human civilization—the fabric, for example, that allowed mankind to shatter athletic records, and the textile technology that granted us the power to survive in space. Exploring the enduring association of textiles with “women’s work,” Kassia St. Clair “spins a rich social history . . . that also reflects the darker side of technology” (Rachel Newcomb, Washington Post).

This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume One covers plays by Irish women playwrights written between 1716 to 1992, and seeks to address and redress the historic absence of Irish female playwrights in theatre histories. Highlighting the work of nine women playwrights from the eighteenth and nineteenth centuries, as well as thirteen of the twentieth century's key writers, the chapters in this volume explore such varied themes as the impact of space and place on identity, women's strategic use of genre, and theatrical responses to shifts in Irish politics and culture.

As in his other popular novels, Louis de Wohl, with humility and deep religious conviction, takes us into the mind and heart of a saint, giving at the same time an enthralling picture of the era in which he lived. Here is a skillful weaving of the story of St. Ignatius Loyola's conversion and pilgrimage with the colorful and dangerous history of Spain and Italy in the early sixteenth century. The life of the very human, very great Basque nobleman who founded the Jesuit Order, makes for one of de Wohl's finest novels. Seriously wounded at the siege of Pamplona in 1521, Don Inigo de Loyola learned that to be a Knight of God was an infinitely greater honor (and infinitely more dangerous) than to be a Knight in the forces of the Emperor. Uli von der Flue, humorous, intelligent and courageous Swiss mercenary, was responsible for the canon shot which incapacitated the worldly and ambitious young nobleman, and Uli became deeply involved in Loyola's life. With Juanita, disguised as the boy Juan, Uli followed Loyola on a pilgrimage to the Holy Land to protect him, but it was the saint who protected Uli and Juan. Through Uli's eyes we see the surge and violence of the turbulent period in Jerusalem, Spain and Rome. Louis de Wohl has again created an exciting and spiritually inspiring novel for all readers of historical fiction. all... God's own love for us.

After worrying with this situation of 'God' all of my live, I am reconciled that there is no God of the relationship I have always been taught. --'God' started this whole thing with a Big Bang? (Not if he looked anything like us or cared what we do, especially in this pitiable state of evolution). By studying our past we find that Man has always had a sense of longing to be better, someone or something to worship, but he was wise enough to call it what it is: his ideas. This does not encompass the other side of the coin, or dark side of our beings, which I have covered in this book. --We have discovered that we are so small in the whole scheme of things, an infinitesimal amount of energy, (like one grain of sand in the whole desert of all our world). Here we are one small atom in the galaxies of space, temporarily ruled by one set of mammals, does it really make a difference what we learn? --I suppose it does make a difference to us --(not that we can do anything about it, except to try).