A “brilliant” vision of a future Earth populated by immortals—from the Nebula and Locus Award–winning author of The Shore of Women (The Seattle Times). When Josepha was a teenager, she tried to kill herself. But the pills she swallowed did not deliver the release she was seeking—and three hundred years later, she is still alive, thanks to the miraculous scientific breakthrough called “the Transition.” Like Josepha, the biologist Merripen can remember only too well what the world once was, before his groundbreaking work in genetic engineering rendered death obsolete. The “perfect” children he and Josepha bred together were unburdened by physical flaws and emotional defects. And now, centuries on, these undying offspring have an eternity to question the reasons for their very existence—and to seek answers in Death Cults and frightening new experiments in genetic manipulation. Vividly imagined, episodic in structure, The Golden Space is a profound and disturbing meditation on humanity’s desire for immortality from “one of the genre’s best writers” (The Washington Post).

DK Readers now have a fresh new look featuring redesigned jackets and interiors, and up-to-date vocabulary throughout! Stunning photographs combine with lively illustrations and engaging age-appropriate stories in DK Readers, a multi-level reading program guaranteed to capture children's interest while developing their reading skills and general knowledge. With DK Readers, children learn to read — then read to learn!

Cleo is back at Yasiro Academy, recovering from the tragic events that occurred on planet Hykosis. She feels responsible for the death of her friend Zaid, and trains nonstop. And when she learns that the Golden Lion -- a star with immeasurable energy that could destroy them all if weaponized -- has been located, she goes alone to the snowy, icy planet Cada'duun to find it. There, she faces off with a new enemy who has been instructed to destroy the Golden Lion... and her.

JUNIOR ASPARAGUS IS in a pickle! After he breaks his dad's favorite bowling plate, a strange creature named Fib shows up and convinces him to lie about it. Junior is happy that his dad doesn't punish him, but now Fib seems to be growing! Before long, Junior's “little fib” becomes a 30-foot-tall monster, threatening all of Bumblyburg. Fortunately, LarryBoy, the superheroic cucumber, is there to save the day. This lesson in telling the truth, based on the bestselling DVD LarryBoy and the Fib from Outer Space!, is retold in a full-color Little Golden Book.

'Bursts with gloriously geeky detail.' The Telegraph Have you ever made someone you love a mix-tape? Forty years ago, a group of scientists, artists and writers gathered in a house in Ithaca, New York to work on the most important compilation ever conceived. It wasn't from one person to another, it was from Earth to the Cosmos. In 1977 NASA sent Voyager 1 and 2 on a Grand Tour of the outer planets. During the design phase of the Voyager mission, it was realised that this pair of plucky probes would eventually leave our solar system to drift forever in the unimaginable void of interstellar space. With this gloomy-sounding outcome in mind, NASA decided to do something optimistic. They commissioned astronomer Carl Sagan to create a message to be fixed to the side of Voyager 1 and 2 – a plaque, a calling card, a handshake to any passing alien that might one day chance upon them. The result was the Voyager Golden Record, a genre-hopping multi-media metal LP. A 90-minute playlist of music from across the globe, a sound essay of life on Earth, spoken greetings in multiple languages and more than 100 photographs and diagrams, all painstakingly chosen by Sagan and his team to create an aliens' guide to Earthlings. The record included music by J.S. Bach and Chuck Berry, a message of peace from US president Jimmy Carter, facts, figures and dimensions, all encased in a golden box. The Vinyl Frontier tells the story of NASA's interstellar mix-tape, from first phone call to final launch, when Voyager 1 and 2 left our planet bearing their hopeful message from the Summer of '77 to a distant future.

In 1977, two extraodinary spacecraft called Voyager were launched to the stars. Affixed to each Voyager craft was a gold-coated copped phonograph record as a message to possible extra-terrestrial civilizations that might encounter the spacecraft in some distant space and time. Each record contained 118 photographs of our planet; almost 90 minutes of the world's greatest music; an evolutionary audio essay on "The Sounds of Earth"; and greetings in almost sixty human languages (and one whale language). This book is an account, written by those chiefly responsible for the contents of the Voyager Record, of why they did it, how they selected the repertoire, and precisely what the record contains.

After a trip to outer space in his homemade space carrot, Bugs Bunny discovers a sad truth.

Blast off into outer space with Miles and all the characters from Disney Junior’s Miles from Tomorrowland. Children ages 2 to 5 will enjoy this full-color Little Golden Book, which retells an episode of the hit series in which Miles and his robo-ostrich, Merc, compete in an awesome space race.

John Wade grew up in the 1950s, a decade that has since been dubbed the 'golden age of science fiction'. It was a wonderful decade for science fiction, but not so great for young fans. With early television broadcasts being advertised for the first time as 'unsuitable for children' and the inescapable barrier of the 'X' certificate in the cinema barring anyone under the age of sixteen, the author had only the radio to fall back on - and that turned out to be more fertile for the budding SF fan than might otherwise have been thought. Which is probably why, as he grew older, rediscovering those old TV broadcasts and films that had been out of bounds when he was a kid took on a lure that soon became an obsession.For him, the super-accuracy and amazing technical quality of today's science fiction films pale into insignificance beside the radio, early TV and B-picture films about people who built rockets in their back gardens and flew them to lost planets, or tales of aliens who wanted to take over, if not our entire world, then at least our bodies. This book is a personal account of John Wade's fascination with the genre across all the entertainment media in which it appeared - the sort of stuff he revelled in as a young boy - and still enjoys today.