Select Hymns devoted to various deities, with descriptive notes, transliteration and translated into English by an authority on the subject. Perhaps the best book about the Vedas for the lay educated reader-Hymns of Agni, Indra, Varuna, Soma, Ashvins, Ushas, Yama, Mandukas, Pitaras, Purusha Sukta, Creation, Gambler etc.

The ?igveda is the first book of humankind and the most sacred scripture of Hinduism. It also happens to be the most ill-understood book of our times. Despite the extensive study by academic and religious scholars, the purpose and meaning of the ?igveda and many ancient Hindu scriptures remain unclear. In this pathbreaking book, the discovery of the ?igveda as a book of ancient cosmology is described, and related to the seals of ancient Indus Valley Civilization, thereby challenging our perception of humanity."The Vedas have always been lauded as containing the secrets of cosmogenesis. Raja Roy in his remarkable book shows how this is true not only from the yogic vison but according to the latest insights of modern physics. The book takes the reader on a vast panoramic journey through the universe of matter, mind and human history as well."David Frawley (Vamadeva Shastri), Director, American Institute of Vedic Studies"Roy presents a new framework for the understanding of the Vedic hymns from the point of view of physics and then he draws parallels with recent theories on the nature of the universe. We celebrate the new path he has hewn through the bush of old scholarship."Professor Subhash Kak, Oklahoma State University

The Rigveda is a monumental text in both world religion and world literature, yet outside a small band of specialists it is little known. Composed in the latter half of the second millennium BCE, it stands as the foundational text of what would later be called Hinduism. The text consists of over a thousand hymns dedicated to various divinities, composed in sophisticated and often enigmatic verse. This concise guide from two of the Rigveda's leading English-language scholars introduces the text and breaks down its large range of topics--from meditations on cosmic enigmas to penetrating reflections on the ability of mortals to make contact with and affect the divine and cosmic realms through sacrifice and praise--for a wider audience.

In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. They created no empires. Even the hallucinogenic plant, the soma, which appears at the centre of some of their rituals, has not been identified with any certainty. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now. Following the 'hundred paths' of the Satapatha Brahmana, an impressive exegesis of Vedic ritual, Ardor indicates that it may be possible to reach what is closest by passing through that which is most remote, as 'the whole of Vedic India was an attempt to think further'.