The era of Safavid rule (1501-1722) saw the finest flowering of the arts in Iran. In a time of dynamic religious and political developments, painting and textiles attained new heights of brilliance and opulence and architecture flourished with the growth of cities.

The era of Safavid rule was a time of religious and political development in Iran, when the arts attained new heights of brilliance and architecture flourished. This volume deals with Safavid painting and the conservation of works from this period.

The golden age of Persian art was the era of the Safavid dynasty. In this time of dynamic religious and political developments, painting and textiles achieved new heights of brilliance and opulence, and architecture flourished with the growth of cities. This resplendent volume provides a chronological history of the reign of each successive Safavid shah, including that of Shah 'Abbas I, who came to the throne in 1588. He not only built grand mosques and palaces, but also welcomed foreign travelers -- and their artistic influences -- to his court. The superb illustrations complement a much-needed text by a leading scholar in the field. This volume is sure to become a standard reference on this sublime period in Persian painting, architecture, illuminated manuscripts, ceramics, metalwork, and other decorative arts.

This illustrated book gives a unique introduction to the world of Shah 'Abbas and the beautiful mosque and shrines that he created and adorned in the so-called golden age of Persian art.

The Persians is a succinct narrative of Iranian history from thetime of Cyrus the Great in 560BC to the present day. A succinct narrative of Iranian history from the time of Cyrusthe Great in 560BC to the present day. Traces events from the rise of the Persian empire, throughcompetition with Rome and conquest by the Arabs, through to there-establishment of a Persian state in the sixteenth century, andfinally the Islamic Revoltuion on 1979 and the establishment of thecurrent Islamic Republic. Uses the most recent scholarship to examine Iran's political,social and cultural history. Focuses on rulership as a central theme in Iranianidentity. Also shows how land, language and literature relate to Iranianidentity.

Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period (1501–1732) and the impact which the influx of Chinese blue-and-white porcelain, heightened by the activities of the English and Dutch East Indies Companies after c. 1700, had on local production. The multidisciplinary approach of the authors (Lisa Golombek, Robert B. Mason, Patricia Proctor, Eileen Reilly) leads to a reconstruction of the narrative about Safavid pottery and revises commonly accepted notions. The book includes easily accessible reference charts to assist in dating and provenancing Safavid pottery on the basis of diagnostic motifs, potters’ marks, petrofabrics, shapes, and Chinese models.

The rich and varied traditions of Islamic book art

Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view. This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah. Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.

With many illustrations and diagrams, Images of Thought provides easy to follow ways in which to read Indian, Persian and European paintings in terms of composition, proportion, colour symbolism and references to myth. Yet it also provides the intellectual contexts of Islamic cultures which inform our perceptions of how this visual language works. The author uses salient aspects of critical theory, anthropology and theology to sensitise viewers to the diversity and difference of cultural readings but never loses sight of the primacy of the visual and formal characteristics, gestures, geometrical structures and their cooperation with myths and theologemes. The book provides access to one of the world’s major visual traditions whose characteristics continue to inform and elucidate Indian and Islamic contemporary thought today. Images of Thought is a major, scholarly and provocative contribution not only to our understanding of cultural individuality but it offers important examples of how to engage in transcultural understanding and ways of seeing.