Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Excerpt from The Golden Age of Classic Christian Art The date of the great pictorial cycle of mosaics decorating the interior of the basilica of 8. Maria Maggiore, Rome, has been hitherto universally accepted as fixed by the inscription on the Arch, as of the fifth century therefore. At the commencement of our studies we accepted this natural and apparently well-established conclusion; but on com paring the pictures in question with the works of art of the fifth century, both pictorial and plastic, and the theology they embody, with that of the great fifth-century theologians, Jerome and Augustine, we found that their artistic affinities were with the more classic art of the Antonines and their successors, and that the theology they clearly reflect was that of the age of the Apologists. Our work, which was considerably advanced before this opinion grew into a conviction, had to be thrown on one side therefore, and our studies recommenced from a new standpoint. Nor was the task on which we were embarking an easy one, as it was necessary to both project and design the path through the country which we were hereafter to explore as pioneers. The first principles underlying the critical analysis of the pictorial material had to be discovered. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite different from a binary story of simple opposition. The book’s point of departure narrates the relationship between images and conversions, analysing the mechanisms of hybridity, and proposing a new explanation for the representation of otherness as the complex outcome of a negotiation involving integration. Contributors are: Cristelle Baskins, Giuseppe Capriotti, Ivana Čapeta Rakić, Borja Franco Llopis, Francisco de Asís García García, Yonatan Glazer-Eytan, Nicola Jennings, Fernando Marías, Elena Paulino Montero, Maria Portmann, Juan Carlos Ruiz Souza, Amadeo Serra Desfilis, Maria Vittoria Spissu, Laura Stagno, Antonio Urquízar-Herrera.

This volume of the Golden Age of Illustration Series contains Hans Christian Andersen’s ‘The Red Shoes’. This classic fairy tale has been continuously in print in different editions since its first publication, with many, many, different artists illustrating the story over the years. This edition features a beautiful collection of the best of that art, taken from the likes of Arthur Rackham, Edmund Dulac, Harry Clarke, Honor Appleton, Jennie Harbour, among others. This series of books celebrates the Golden Age of Illustration. During this period, the popularity, abundance and – most importantly – the unprecedented upsurge in the quality of illustrated works marked an astounding change in the way that publishers, artists and the general public came to view this hitherto insufficiently esteemed art form. The Golden Age of Illustration Series, has sourced the rare original editions of these books and reproduced the beautiful art work in order to build a unique collection of illustrated fairy tales. ‘The Red Shoes’ was first published in April of 1845, as part of Andersen’s New Fairy Tales: First Volume, Third Collection. Andersen explained the source of the story as being an incident he had witnessed as a small child. His father, he stated, had been sent a piece of red silk by a rich lady, who wanted the material converted into a pair of dancing slippers. Andersen’s father produced the slippers, but the rich woman was horrified at the result, and in reaction to her harsh criticism, he cut the shoes up in front of her.

A quarterly review of religion, theology, and philosophy.