The Spanish Renaissance--a period of glory that endured from the late 15th century through the 17th century--comes to life in 40 of its greatest poems collected in this remarkable new translation, rendered with passionate fervor and a stylistic brilliance.

A collection of poems by Abraham ibn Ezra, a key scholar, thinker, and poet in twelfth-century Al-Andalus

Reprint of the original, first published in 1843.

It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At the Golden Age Children's Polio Convalescent Home in Perth, he sees Elsa, a fellow patient, and they form a forbidden, passionate bond. The Golden Age becomes the little world that reflects the larger one, where everything occurs- love and desire, music, death, and poetry. It is a place where children must learn they're alone, even within their families. Subtle, moving and remarkably lovely, The Golden Age evokes a time past and a yearning for deep connection, from one of Australia's finest and most-loved novelists.

"Evgeny Boratynsky and the Russian Golden Age" is the first metrical and rhymed translation of nearly all the lyrics by Evgeny Boratynsky (1800-1844), one of the greatest poets of the Golden Age of Russian poetry. Also included is the translation of two narrative poems ("Banqueting" and "Eda") and the most characteristic passages from "The Gypsy" and "The Ball." Each work is followed by a full annotation, in which, in addition to the background necessary for the understanding of the work, one finds an analysis of its form. In many cases, the poems on similar themes by Pushkin, Lermontov, Tyutchev Yazykov and some later poets are included. In its entirety, the commentary provides a glimpse into Boratynsky's literary epoch, his ties with his environment (Russian, French and German), and the influence he exercised on later poets. A special feature of "Evgeny Boratynsky and the Russian Golden Age" is the translator's strict adherence to the form of the original. In all cases, Anatoly Liberman attempts to reproduce not only the rhyming and the metrical scheme of the poems but also the sound effects and some of the special features of Boratynsky's vocabulary, while remaining as close to the poet's wording as possible. The few previous attempts to present Boratynsky's mastery to the English-speaking world were less ambitious and considerably more limited in scope. A long introduction provides the expected biographical information and acquaints the reader with the poetic climate of the Golden Age and with the history of translating Boratynsky into English.

This is the first longer-format, middle-grade collection from #1 New York Times-bestselling author-illustrator Calef Brown. Moving away from the picture book format offers Calef the opportunity to tackle a variety of themes and poetry styles as well as reach a slightly older audience. Hypnotize a Tiger is chock-full of Calef's zany black-and-white artwork and features his wonderfully inventive characters and worlds-from the "completely nonviolent and silent" Lou Gnome to Percival, the impetuous (and none-too-sensible) lad who believes he is invincible, to Hugh Jarm (who has a huge arm, natch!). It's a whimsical world: creative, fun, and inspiring!

The fabled middle Tang dynasty of China lasted almost three hundred years (618â¬"905). These centuries embodied martial conflict, unbelievable wealth and opulence for a few, and horrible poverty for many. Through it all, an unwieldy caste system governed lord and serf alike. In this exotic, beautiful, and forbidding culture, poetry was revered and practiced by many. Three women poets, especially, endured through the centuries as the voices of their time. For the first time in English, the poetry of the Taoist priestesses, Le Yi and Yu Xuanji, and the slave, Xue Tao is presented.

the first time that these sonnets have been brought together in one book translations that are not just accurate guides to the meaning of the originals but also enjoyable sonnets in their own right Offers detailed and incisive critical commentary on each of the poems; a complete and readable introduction.

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.