The quiet suburb of Oakleigh may never be the same again... From the shores of Mykonos to Melbourne Australia, The Greek Gods of Oakleigh find that, sometimes in life or death, true love is worth fighting for.

In the quiet of Wessex's Oakleigh Manor, young Oriana knows nothing of the troubles plaguing far-off Faërie, but her sheltered existence is fast coming to an end. Possessed of burgeoning powers she can neither control nor comprehend, Oriana finds herself taken to worlds beyond her own where she comes face-to-face with the dreaded Lych-priest of Malgorod! Along the way, Oriana is met by some difficult decisions and unexpected peril and, in the end, is asked to sacrifice the one thing she desires most. In her choices reside not only the fate of her world but that of the Faërie realm too! Will Oriana Oakleigh be able to stave off the Lych-priest and accept her role in the future of Faërie, or will she be devoured by the Primrose Path? Join new author W. R. Cooper in Oriana Oakleigh and the Primrose Path—the first book in this epic historical fantasy series set against a backdrop of war-torn Saxon England. At once thrilling, humourous, and provocative, the magic, mythology, and threat of spreading industrial despair found within the pages of Oriana Oakleigh and the Primrose Path will throw you into the action and keep you on the edge of your seat, hoping beyond hope that Oriana will find the answers needed to save the imprisoned Faërie queen before it's too late.

Kenneth McLeish's definitive translations of the most successful French dramatist of the Belle Epoque Georges Feydau (1862-1921) was the most successful French dramatist of the belle epoque and is now widely regarded as one of the greatest of farce-writers. His series of dazzling hits match high-speed action and dialogue with ingenious plotting. Reaching the heights of farcical lunacy, his plays nevertheless contain touches of barbed social comment and allowed him to mention subjects which would have provoked outrage in the hands of more serious dramatists. This volume of new, sparkling translations by Kenneth McLeish contains his two masterpieces, Heart's Desire Hotel (L'Hôtel du libre échange) and Sauce For the Goose (Le Dindon), with three other plays from the peak of his career, The One That Got Away (Monsieur Chasse!), Now You See It (Le System Ribadier) and Pig in a Poke (Chat en poche).

Georges Feydeau, now widely regarded as one of the greatest farce writers, had a succession of hits in turn-of-the-century Paris. This first volume of his collected works includes some of his early successes as well as more mature masterpieces.

"Sporting with the Gods examines the rhetoric of "game" and "play" and "sport" in American culture from the time of the Puritans to the 1980s. Focusing on writers and public figures who dominated public discourse, Oriard shows how the trope of game and play in fiction and in religious, social, and economic writings can be used to graph changes in the religious and social climate from the Puritans through the Transcendentalists to the Social Darwinists and from the Beats and hippies to the New Age spiritualists of the present decade. He also uses the trope to graph the shifting attitudes toward work (and play) in the game of business, as the United States moved to industrial capitalism and then to a postindustrial society of consumerism and leisure. The result is a history of this country from its inception, through the lens of a single trope, resonating with implications at every strata of American culture." --from back cover.

Of Gods, Kings and Heroes is a detailed telling of the links between history and family, written with affection and insight. This book explores the triumphs and truths of Greek Cypriot history whilst relating the contemporary story of Christopher whose experience on visiting the land of his forebears is touched by myth and mystery. A book for those who appreciate the power of great ancestral stories told within the folds of family life today.Ann Rennie The last thing Christopher saw was a golden hawk.Then, he was centuries away from home. At eleven years of age, Christopher Nikitas thought his greatest challenge would be convincing his parents to allow him to walk to and from school without his yiayia, his Greek Cypriot grandmother. What he didnt count on was being thrust back in time, when Cyprus was divided into ten kingdoms, to carry out the legends of his ancestors: King Evagoras I, King Nicocles and King Pnytagoras II. Through this journey of self-discovery, Christopher will uncover what it means to live a legacy and begin to question the meaning of life ... What is real? What is truth? What is a good life?

Walter Beuttler was a teacher in the Bible School that I attended. He personally knew and walked with the Lord as few have. I personally witnessed the effect and the outworking of the very unusual personal relationship which he maintained with the Lord. The Lord often visited the classroom, as he taught, to reveal Himself and manifestly move in the lives of the students who sat under his ministry. As a result, my life was both challenged and changed. He often exhorted his students to cultivate a personal, experiential knowledge of the Lord. He used his unique spiritual walk and experiences with the Lord as a means to provoke us to begin seeking the Lord in earnest. Walter Beuttler traveled extensively in overseas ministry, teaching the principles of the "Manifest Presence of the Lord," and "Divine Guidance," until close to the time of his death in 1974. --Wade Taylor This is the intimate story of a man who walked with God as friend.

Heathen gods are hard to find in Old English literature. Most Anglo-Saxon writers had no interest in them, and scholars today prefer to concentrate on the Christian civilization for which the Anglo-Saxons were so famous. Richard North offers an interesting view of Anglo-Saxon and Scandinavian paganism and mythology in the pre-Viking and Viking age. He discusses the pre-Christian gods of Bede's history of the Anglo-Saxon conversion with reference to an orgiastic figure known as Ingui, whom Bede called 'god of this age'. Using expert knowledge of comparative literary material from Old Norse-Icelandic and other Old Germanic languages, North reconstructs the slender Old English evidence in a highly imaginative treatment of poems such as Deor and The Dream of the Rood. Other gods such as Woden are considered with reference to Odin and his family in Old Norse-Icelandic mythology. In conclusion, it is argued that the cult of Ingui was defeated only when the ideology of the god Woden was sponsored by the Anglo-Saxon church. The book will interest students interested in Old English, Old Norse-Icelandic and Germanic literatures, Anglo-Saxon history and archaeology.

This volume is the sequel to Karl Schefold's Myth and Legend in Early Greek Art, and the second in his ambitious project to trace the representation of the Greek myths in Greek art from the beginnings down to the Hellenistic period.