Meet Frida. Divorce lawyer, cynic and secret descendant of the immortal love god Eros. She's about to have a really bad day . . . When a handsome but clearly delusional man named Dan bursts into Frida's office and insists that she is fated to save the world, she has him ejected faster than you can say 'prenup'. But a creepy meeting, a demon or three and one attempted kidnapping later, Frida is beginning to face the inconvenient truth: Dan is in fact The Oracle, the gods of Greek mythology are real and Frida herself appears to be everyone's only hope. The world is doomed. Bridget Jones by way of Neil Gaiman, this smart and quirky story will change the way you look at love forever

The Adventures that Shaped the Western World First published in 1934, Gods, Heroes and Men of Ancient Greece has become one of the most popular, enduring--and captivating--retellings of the ancient myths for modern readers. Recognizing the sheer entertainment value of these timeless adventures, world renowned classical scholar W.H.D. Rouse delighted his students at the Perse School in Cambridge, England, with a conversational style and childlike wonder that made the legends come alive--a rare storytelling gift that continues to engage young and old alike. Many of the characters in this book are familiar to us--Helen of Troy, Icarus, Zeus, Athena, to name just a few--but rarely have their stories of war and adventure, bravery and romance, been so simply and thrillingly told. From the strong-arm heroics of Heracles, to the trickery of the Trojan Horse, from the seductions of Circe the sorceress, to the terrors of the Cyclops and Minotaur, these legends have outlived the culture that bore them. But while the ancient Greeks may be long gone, their fables and morals, their heroes and heroines, live on today…

Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity? The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.

Ancient Rome masterfully synthesizes the vast period from the second millennium BCE to the sixth century CE, carrying readers through the succession of fateful steps and agonizing crises that marked Roman evolution from an early village settlement to the capital of an extraordinary realm extending from northern Britain to the deserts of Arabia. A host of world-famous figures come to life in these pages, including Alexander the Great, Hannibal, Julius Caesar, Cleopatra, Augustus, Livia, Cicero, Nero, Hadrian, Diocletian, Constantine, Justinian, and Theodora. Filled with chilling narratives of violence, lust, and political expediency, this book not only describes empire-shaping political and military events but also treats social and cultural developments as integral to Roman history. William E. Dunstan highlights such key topics as the physical environment, women, law, the roles of slaves and freedmen, the plight of unprivileged free people, the composition and power of the ruling class, education, popular entertainment, food and clothing, marriage and divorce, sex, death and burial, finance and trade, scientific and medical achievements, religious institutions and practices, and artistic and literary masterpieces. All readers interested in the classical world will find this a fascinating and compelling history.

Takes in a wonderful diversity of things."-Nature. Now available in paperback, this final volume in the trilogy Language/Writing/Reading traces the complete story of reading from the time when symbols first acquired meaning through to the electronic texts of the digital age.

We all love stories--whether printed, passed down orally from generation to generation, or made into films. We love stories whether they are fictional, true, mythical, or legendary. Stories are part of our human history, and they help us understand being human. But there is one story that underpins all other stories--the story of why we exist. All great human stories must interact with this story. His Story explores this fundamental story by retelling the story of the Bible. His Story tells the Biblical story of how God has opened up a doorway into our universe and how this impacts the metanarrative of all of our lives. If you want to read the overarching story of the Bible in one short book, then His Story is for you. If you want to know the backstory of your life, His Story is for you. His Story is simply written, but doesn't oversimplify. It is a book for people who might call themselves Christians, but also for all those who are curious about the ultimate story. His Story--the story of why we are here.

Anna had everything figured out – she was about to start senior year with her best friend, she had a great weekend job and her huge work crush looked as if it might finally be going somewhere... Until her dad decides to send her 4383 miles away to Paris. On her own. But despite not speaking a word of French, Anna finds herself making new friends, including Étienne St. Clair, the smart, beautiful boy from the floor above. But he's taken – and Anna might be too. Will a year of romantic near-misses end with the French kiss she's been waiting for?

I-NEWS TOP TEN DEBUTS NETGALLEY TOP FEBRUARY READS WRITER'S GUILD AWARDS NOMINEE 'A proper page-turner! Suspenseful, mysterious, spooky and witty - and great fun' Justin Myers, author of The Last Romeo 'Adventurous, magical, and very, very funny!' Emma Jane Unsworth, author of Animals Meet Frida: divorce lawyer, cynic and secret descendant of the immortal love god Eros. She's about to have a really bad day . . . When a handsome but clearly delusional man named Dan bursts into Frida's office and insists that she is fated to save the world, she has him ejected faster than you can say 'prenup'. But a creepy meeting, a demon or three and one attempted kidnapping later, Frida is beginning to face the inconvenient truth: Dan is in fact The Oracle, the gods of Greek mythology are real and Frida herself appears to be everyone's only hope. The world is doomed. Bridget Jones by way of Neil Gaiman, this uplifting and laugh-out-loud story will change the way you look at love - and humanity - for ever. WHAT READERS ARE SAYING ABOUT THE GODS OF LOVE: 'Smart, witty, and refreshingly - wilfully - free spirited. Mostyn's deft touch with dialogue and incident powers the story along. I loved it.' Netgalley reviewer 'I really enjoyed this magical adventure, some really fun ideas about mankind and the search for love. The references to classic mythology were nicely done and the whole thing works well.' Waterstones Bookseller 'One of my top reads for 2018, and I will look forward to more from Nicola Mostyn . . . I have found a new favourite author to add to my all-time favourites list!' Netgalley reviewer 'More fantasy than romance. More gods than love. Grabs you in the first chapter and doesn't let go for the next three hundred pages.' Waterstones reviewer 'A super-heroine story for the modern age' Amazon reviewer

There was once a time in Amanda Hart's life when she did not know how to be secure in her own worth, was a stranger to self-love and found herself constantly trapped in a cycle of toxic relationships, coercive control and an overwhelming sense of lonliness. Somehow she summoned enough faith to form an astonishing connection with her guardian angels, which became the only remedy for emotional trauma she experienced from early childhood into adulthood. Amanda's angels taught her that we are all worthy of an authentic, non-judgemental love. Now she devotes her life to helping others open their hearts and receive angelic assistance. Talking with Angels of Love will show you how to accept your circumstances, love the skin you are in and recognise the difference between healthy love and toxic love. Filled with practical exercises, meditations to channel your angels' love, pages to record their loving messages and touching real-life stories about the healing power of love, this book will soothe your soul and help you to trust the goodness in others again. Amanda believes that if you open your heart to the angels their love is everlasting, and you will never be lonely again.

“Tahiti is far famed yet too little known.” Thus wrote J. M. Orsmond in 1848, and the same assertion can be made in 1972. Thousands of pages had been published about Tahiti and its neighboring islands when Orsmond uttered his judgment, and tens of thousands have been published since that time, but a unified, comprehensive, and detailed description of the pre-European ways of life of the inhabitants of those Islands is yet to appear in print. The present work, lengthy as it is, makes no such claim to comprehensiveness; rather, it is concerned mainly with the social relations of those inhabitants, and it serves up only enough about their technology, their religion, their aesthetic expressions, and so forth to place descriptions of their social relations in context and render them more comprehensible. Volumes 1 and 2 of this work are a reconstruction of the Islanders’ way of life as it was believed to have been just before it began to be transformed by European influence—a period labeled the Late Indigenous Era. Volume 3 covers events in Tahiti and Mo‘orea from about 1767 to 1815—a period labeled the Early European Era.