A failed barista, a reclusive blacksmith. Can they avoid the call of the Irish Gods? Saoirse knows playing traditional music once a week in a local Dublin pub won't get her a career, but it's all she's got, especially after she's fired from her barista job. But then her father dies and her life is set into a spin, especially when an unknown grandmother comes calling.. Music is Smithy's one joy that is left to him that has a residue of the magic he lost long ago. Creating things in his forge, tucked away in rural Cork, increasingly reminds him of what he's lost and why he must resist the requests of the Tuatha De Danann. They want him to join their efforts to battle their biggest nemesis, a powerful god who is threatening the destruction of Eire, the land they hold so dear. But events and gods conspire to bring Saoirse and Smithy to the path that was meant to be. It's time for the gods to awake and answer the call to defend the land. But answering that call could mean risking death. A music-filled romantic urban fantasy with a Celtic twist that will delight fans of Charles de Lint.

The choice of a devotional book is more personal than most. This kind of reading is not merely for the purpose of leisure and enjoyment. No, with this kind of resource you’re expecting and praying for something more. You want to hear from God, receive His direction, and be refreshed in the depths of your soul. Only God’s Word can do that. So you need to choose wisely. With her first devotional book, Priscilla Shirer makes your choice easy. For even though she’s written multiple best-selling books and Bible studies, including the 2016 ECPA “Christian Book of the Year” (Fervent), even though she regularly speaks to thousands at conference venues and churches around the world, even though she was the lead actress in a #1 box-office feature film (War Room) . . . It all starts for Priscilla where it all starts for you. Alone with God. Alone with His Word. Eager to hear His voice. Prepared to humbly and obediently respond. She hopes, more than anything else, that the daily insights you receive in these pages will challenge, encourage, and strengthen you in every way. These ninety devotions from the heart of a mom, wife, encourager, and friend will Awaken you each day with fresh insights gleaned from the Spirit of God. Ready to help you mine the treasures of Scripture and fortify you for the day ahead. This devotional is . . . a good choice.

2020 Best Indie Book Award for Epic Fantasy and 2020 Next Generation Indie Book Awards Finalist In the sequel to his award-winning novel Gift of the Shaper, D. L. Jennings once again brings to life an epic tale of war and chaos as earthly armies fight for otherworldly prizes. Ancient powers lying dormant must be called upon, bringing strength to those who need it and conquest to those who seek it; battles will rage and cities will fall, but only the most desperate or reckless would seek to awaken the three. Beyond the Wastes of Khulakorum, a storm is rising. The Shaper of Ages is gone, and along with her, the Breaker -- yet gods are not the only threat to the peace of the living. Aldis Tennech, the once-great general of the armies of Gal'dorok, finds himself in exile. His only hope of reclaiming glory lies in the hands of a self-proclaimed emperor, and the unearthly powers that put him there. Meanwhile, improbable alliances are forged in the north as unexpected enemies rear their heads and threaten ruin-with a single thread connecting them all. “Awaken the Three is an epic fantasy tale of creation and destruction, of gods and mortals...high drama and suspense.” - Foreword Reviews Awaken the Three is a stand-alone, action-filled mytho-fantasy epic, and those who sense and savor its deftly woven story strands will doubtless rush to read the earlier book in the Highglade series and excitedly await the next installment. - Feathered Quill Book Reviews

The gods (the One and the Four) are at war. What they don’t know, maybe because they have been sleeping for millennia, is that two immortals are trying to usurp their power. Kayla, a human girl, is at the center of this plan. On the eve of her eighteenth birthday, when she and her twin are planning on running away to start a new life, Kayla is abducted, assaulted, and then lost in the Land of the Two Suns. And much to her dismay, everyone is trying to find and control her. Her new life has finally begun but not in the way she dreamed.

In the wilds of Southern Appalachia lies Wolter Mountain--a sarced place for the Indians and for their predecessors. But the land atop the mountain, taken over by two Englishmen, Brummitt and Hooper Voth, is undergoing frightening changes.

Safar Timura thinks he is safe: Iraj Protarus is dead and his kingdom in ruins. He begins a life in exile in the Valley of the Clouds with his adopted child Palimak, but his mountain paradise is invaded by giant wolves, intent on murdering him, and Iraj is back from the dead, with powerful magic.

Historian Bree Kirkland has always been in love with the past, but when she accidentally wakes an ancient Scottish warrior who's spent the past 150 years sleeping in her backyard, her present is suddenly fraught with danger. Original.

"Silly," "stupid," "irrational," "simple." "Wicked," "hateful," "obstinate," "anti-social." "Extravagant," "perverse." The Roman world rendered harsh judgments upon early Christianity--including branding Christianity "new." Novelty was no Roman religious virtue. Nevertheless, as Larry W. Hurtado shows in Destroyer of the gods, Christianity thrived despite its new and distinctive features and opposition to them. Unlike nearly all other religious groups, Christianity utterly rejected the traditional gods of the Roman world. Christianity also offered a new and different kind of religious identity, one not based on ethnicity. Christianity was distinctively a "bookish" religion, with the production, copying, distribution, and reading of texts as central to its faith, even preferring a distinctive book-form, the codex. Christianity insisted that its adherents behave differently: unlike the simple ritual observances characteristic of the pagan religious environment, embracing Christian faith meant a behavioral transformation, with particular and novel ethical demands for men. Unquestionably, to the Roman world, Christianity was both new and different, and, to a good many, it threatened social and religious conventions of the day. In the rejection of the gods and in the centrality of texts, early Christianity obviously reflected commitments inherited from its Jewish origins. But these particular features were no longer identified with Jewish ethnicity and early Christianity quickly became aggressively trans-ethnic--a novel kind of religious movement. Its ethical teaching, too, bore some resemblance to the philosophers of the day, yet in contrast with these great teachers and their small circles of dedicated students, early Christianity laid its hard demands upon all adherents from the moment of conversion, producing a novel social project. Christianity's novelty was no badge of honor. Called atheists and suspected of political subversion, Christians earned Roman disdain and suspicion in equal amounts. Yet, as Destroyer of the gods demonstrates, in an irony of history the very features of early Christianity that rendered it distinctive and objectionable in Roman eyes have now become so commonplace in Western culture as to go unnoticed. Christianity helped destroy one world and create another.