Historical novel. Set in France in the summer of 1789 through years of political and social intrigue.

Evariste Gamelin, painter, pupil of David, member of the Section du Pont-Neuf, formerly Section Henri IV, had betaken himself at an early hour in the morning to the old church of the Barnabites, which for three years, since 21st May 1790, had served as meeting-place for the General Assembly of the Section. The church stood in a narrow, gloomy square, not far from the gates of the Palais de Justice. On the fa�ade, which consisted of two of the Classical orders superimposed and was decorated with inverted brackets and flaming urns, blackened by the weather and disfigured by the hand of man, the religious emblems had been battered to pieces, while above the doorway had been inscribed in black letters the Republican catchword of "Liberty, Equality, Fraternity or Death." ƒvariste Gamelin made his way into the nave; the same vaults which had heard the surpliced clerks of the Congregation of St. Paul sing the divine offices, now looked down on red-capped patriots assembled to elect the Municipal magistrates and deliberate on the affairs of the Section. The Saints had been dragged from their niches and replaced by the busts of Brutus, Jean-Jacques and Le Peltier. The altar had been stripped bare and was surmounted by the Table of the Rights of Man. It was here in the nave that twice a week, from five in the evening to eleven, were held the public assemblies. The pulpit, decorated with the colours of the Nation, served as tribune for the speakers who harangued the meeting. Opposite, on the Epistle side, rose a platform of rough planks, for the accommodation of the women and children, who attended these gatherings in considerable numbers. On this particular morning, facing a desk planted underneath the pulpit, sat in red cap and carmagnole complete the joiner from the Place Thionville, the citoyen Dupont senior, one of the twelve forming the Committee of Surveillance. On the desk stood a bottle and glasses, an ink-horn, and a folio containing the text of the petition urging the Convention to expel from its bosom the twenty-two members deemed unworthy. ƒvariste Gamelin took the pen and signed. "I was sure," said the carpenter and magistrate, "I was sure you would come and give in your name, citoyen Gamelin. You are the real thing. But the Section is lukewarm; it is lacking in virtue. I have proposed to the Committee of Surveillance to deliver no certificate of citizenship to any one who has failed to sign the petition."

"Entertaining, disturbing, memorable, and sophisticated, this mortality tale will continue to haunt after the last pages are turned." – School Library Journal All Chris really wants is to be a normal kid, to hang out with his friends, avoid his parents, and get a date with Rebecca Schwartz. Unfortunately, Chris appears to be turning into a vampire. So while his hometown performs an ancient ritual that keeps Tch’muchgar, the Vampire Lord, locked in another world, Chris desperately tries to save himself from his own vampiric fate. He needs help, but whom can he trust? A savagely funny tale of terror, teen angst, suspense, and satire from National Book Award winner M. T. Anderson.

This book explores the path of recovery. James Nelson writes, as he lives, with a very special blend of insight, wisdom, humor, and humility. Sobriety sustainers and spirituality seekers will be encouraged and enlightened by his work.

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The Gods Will Have Blood a novel by Anatole France. It is a fictional story set during the French Revolution. The story of the infernal rise of Évariste Gamelin, a young Parisian painter, involved in the section for his neighborhood of Pont-Neuf, it describes the dark years of the reign the Reign of Terror in Paris. The long, blind train of speedy trials drags this idealist into a madness that cuts off the heads of his nearest and dearest, and hastens his own fall as well as that of his mentor Robespierre His love affair with the young watercolor-seller Élodie Blaise heightens the terrible contrast between the butcher-in-training and the man who shows himself to be quite ordinary in his daily life. Justifying this dance of the guillotine by the fight against the plot to wipe out the gains of the Revolution Gamelin is thirsty for justice, but also uses his power to satisfy his own vengeance and his hatred for those who do not think like him. The long, blind train of speedy trials drags this idealist into a madness that cuts off the heads of his nearest and dearest, and hastens his own fall as well as that of his mentor Robespierre in the aftermath of the Thermidorian Reaction. His love affair with the young watercolor-seller Élodie Blaise heightens the terrible contrast between the butcher-in-training and the man who shows himself to be quite ordinary in his daily life. Justifying this dance of the guillotine by the fight against the plot to wipe out the gains of the Revolution, in the midst of the revolutionary turmoil that traverses Paris, Gamelin is thirsty for justice, but also uses his power to satisfy his own vengeance and his hatred for those who do not think like him. He dies by that same instrument of justice that up until then has served to satisfy his own thirst for blood and terror. Gamelin's profession of painter also reflects on the book's theme. His best work is a depiction of Orestes and Electra, with Orestes resembling a self-portrait of the artist; Gamelin, like Orestes, is capable of killing his family. Élodie later comes to be identified with Electra - though, in her affair with Gamelin, where she loves him first for his mercy and then for his violence, and takes a less radical lover after he dies, she also represents France.