Discusses the cultural background and meaning of ten goddesses, including Aphrodite, Isis, Athena, Durga, Laksmi, and Sita

Discusses the cultural background and meaning of ten goddesses, including Aphrodite, Isis, Athena, Durga, Laksmi, and Sita

This text takes the story from the Renaissance to the Baroque. Each chapter focuses on a particular god and recounts the tales of that deity, not as they appear in classical literature but as they were re-created by artists like Botticelli, Titian, Poussin and Rembrandt.

The simple image of oneself reflected back by a mirror can be more empowering than most of us realize. In A LITTLE BOOK OF MIRROR MAGICK, best-selling author Patricia Telesco explains how to use mirrors as a tool for personal empowerment and transformation. Combining ancient wisdom with practical approaches, this book is perfect for anyone interested in self-realization, magic, and fun! Discover how to:Improve self-image and call upon specific Gods and Goddesses.Gain insight into the past, present, and future, interpret mirror visions, and redirect energies. Prepare mirrors for truth seeking, healing, or blessings as well as make your own magic mirror. Use sample meditations and rituals to practice in personal spaces or in magic circles. Learn how to use astrology and feng shui in connection with your mirror magic practices.

In order to find the whereabouts of her missing brother, Tiana must seek out the dismembered and scattered pieces of the immortal and pretty damn evil sorcerer Lamarred ...

The Sanskrit narrative text Devī Māhātmya, “The Greatness of The Goddess,” extols the triumphs of an all-powerful Goddess, Durgā, over universe-imperiling demons. These exploits are embedded in an intriguing frame narrative: a deposed king solicits the counsel of a forest-dwelling ascetic, who narrates the tripartite acts of Durgā which comprise the main body of the text. It is a centrally important early text about the Great Goddess, which has significance to the broader field of Purāṇic Studies. This book analyzes the Devī Māhātmya and argues that its frame narrative cleverly engages a dichotomy at the heart of Hinduism: the opposing ideals of asceticism and kingship. These ideals comprise two strands of what is referred to herein as the dharmic double helix. It decodes the symbolism of encounters between forest hermits and exiled kings through the lens of the dharmic double helix, demonstrating the extent to which this common narrative trope masterfully encodes the ambivalence of brāhmaṇic ideology. Engaging the tension between the moral necessity for nonviolence and the sociopolitical necessity for violence, the book deconstructs the ideological ambivalence throughout the Devī Māhātmya to demonstrate that its frame narrative invariably sheds light on its core content. Its very structure serves to emphasize a theme that prevails throughout the text, one inalienable to the rubric of the episodes themselves: sovereignty on both cosmic and mundane scales. The book sheds new light on the content of the Devī Māhātmya and contextualizes it within the framework of important debates within early Hinduism. It will be of interest to academics in the fields of Asian Religion, Hindu Studies, Goddess Studies, South Asian Studies, Narrative Studies and comparative literature.

First English translation of both a novel and two play excerpts based on tales of the goddess Chen Jinggu, an eighth-century shaman and present-day cult deity. This book offers the first translation into English of the Chinese novel Haiyouji, as well as excerpts of a marionette play based on the cult lore of the goddess Chen Jinggu (766–790), a historical shaman priestess who became one of Fujian’s most important goddesses and the Lüshan Sect’s chief deity. The novel, a 1753 reprint of what is possibly a Ming dynasty novel, was both a popular fiction and a religious tract. It offers a lively mythological tale depicting combat between the shaman goddess and a snake demon goddess. Replete with the beliefs and practices of the cult of this warrior goddess, the novel asserts the importance of Shamanism (i.e., local religious beliefs) as one of the four religions of China, along with Confucianism, Buddhism, and Daoism. To further develop the links between literature and local religion, Fan Pen Li Chen includes translations of two acts from a Fujian marionette play, Biography of the Lady, featuring the goddess.

Many books have discussed the development of the notion of God in Western monotheistic traditions, but how have non-Western cultures conceptualized what those in the West might identify as "God"? What might be learned by comparing different visions of the Divine, such as God, gods, Brahman, Nirvana, and Emptiness? James L. Ford engages these fascinating questions, exploring notions of "the Divine" or "Ultimate Reality" within Jewish, Christian, Hindu, and Buddhist traditions. Looking at a multiplicity of divine conceptions, even within traditions, Ford discusses the relationship between imagination and revelation in the emergence of visions of ultimacy; consequences and tendencies associated with particular notions of the Ultimate; and how new visions of the Ultimate arise in relation to social, cultural, political, and scientific developments. Ford reflects on what can be learned through an awareness of the various beliefs about the Ultimate and on how such disparate visions influence the attitudes and behavior of people in different parts of the world.