This book discusses how ancient Japanese mythology was utilized during the colonial period to justify the annexation of Korea to Japan, with special focus on the god Susanoo. Described as an ambivalent figure and wanderer between the worlds, Susanoo served as a foil to set off the sun goddess, who played an important role in the modern construction of a Japanese national identity. Susanoo inhabited a sinister otherworld, which came to be associated with colonial Korea. Imperialist ideologues were able to build on these interpretations of the Susanoo myth to depict Korea as a dreary realm at the margin of the Japanese empire that made the imperial metropole shine all the more brightly. At the same time, Susanoo was identified as the ancestor of the Korean people. Thus, the colonial subjects were ideologically incorporated into the homogeneous Japanese “family state.” The book situates Susanoo in Japan's cultural memory and shows how the deity, while being repeatedly transformed in order to meet the religious and ideological needs of the day, continued to symbolize the margin of Japan.

"This book discusses how ancient Japanese mythology was utilized during the colonial period to justify the annexation of Korea to Japan, with special focus on the god Susanoo. Described as an ambivalent figure and wanderer between the worlds, Susanoo served as a foil to set off the sun goddess, who played an important role in the modern construction of a Japanese national identity. Susanoo inhabited a sinister otherworld, which came to be associated with colonial Korea. Imperialist ideologues were able to build on these interpretations of the Susanoo myth to depict Korea as a dreary realm at the margin of the Japanese empire that made the imperial metropole shine all the more brightly. At the same time, Susanoo was identified as the ancestor of the Korean people. Thus, the colonial subjects were ideologically incorporated into the homogeneous Japanese "family state." The book situates Susanoo in Japan's cultural memory and shows how the deity, while being repeatedly transformed in order to meet the religious and ideological needs of the day, continued to symbolize the margin of Japan."--

This book discusses how ancient Japanese mythology was utilized during the colonial period to justify the annexation of Korea to Japan, with special focus on the god Susanoo. Described as an ambivalent figure and wanderer between the worlds, Susanoo served as a foil to set off the sun goddess, who played an important role in the modern construction of a Japanese national identity. Susanoo inhabited a sinister otherworld, which came to be associated with colonial Korea. Imperialist ideologues were able to build on these interpretations of the Susanoo myth to depict Korea as a dreary realm at the margin of the Japanese empire that made the imperial metropole shine all the more brightly. At the same time, Susanoo was identified as the ancestor of the Korean people. Thus, the colonial subjects were ideologically incorporated into the homogeneous Japanese “family state.” The book situates Susanoo in Japan's cultural memory and shows how the deity, while being repeatedly transformed in order to meet the religious and ideological needs of the day, continued to symbolize the margin of Japan.

Through extensive use of primary resources and fieldwork, this detailed study examines overseas Shinto shrines and their complex role in the colonization and modernization of newly Japanese lands and subjects. Shinto shrines became one of the most visible symbols of Japanese imperialism in the early 20th century. From 1868 to 1945, shrines were constructed by both the government and Japanese migrants across the Asia-Pacific region, from Sakhalin to Taiwan, and from China to the Americas. Drawing on theories about the constructed nature of the modern categories of 'religion' and the 'secular', this book argues that modern Shinto shrines were largely conceived and treated as secular sites within a newly invented Japanese secularism, and that they played an important role in communicating changed conceptions of space, time and ethics in imperial subjects. Providing an example of the invention of a non-Western secularity, this book contributes to our understanding of the relationship between religion, secularism and the construction of the modern state.

This book focuses on the long history of what is arguably the most prestigious and influential festival in Japan – Kyoto's Gion festival. It explores this history from the festival's origins in the late 10th century to its post-war revival, drawing on Japanese historical studies and archival materials as well as the author's participant observation fieldwork. Exploring the social and political networks that have kept this festival alive for over a millennium, this book reveals how it has endured multiple reinventions. In particular, it identifies how at each historical juncture, different groups have found new purposes for the festival and adapted this costly enterprise to suit their own ends. The history of this festival not only sheds light on the development of Japanese festival culture as a whole, but also offers a window on Kyoto's history and provides a testing ground for recent festival theory.

"Revised and expanded, this second edition of The Book of Yōkai features an all new yōkai picture gallery-with dozens of stunning color images-tracing the visual history of yōkai across centuries. With additional entries and fifty new illustrations, Michael Dylan Foster unpacks the history and cultural context of an even larger cast of yōkai, interpreting their varied meanings and introducing people who have pursued them through the ages. Monsters, spirits, fantastic beings, and supernatural creatures haunt the folklore and popular culture of Japan. Broadly labeled yōkai, they appear in many forms, from tengu mountain goblins and kappa water sprites, to shape-shifting kitsune foxes and long-tongued ceiling-lickers. Popular today in anime, manga, film, and video games, many yōkai originated in local legends, folktales, and regional ghost stories. The Book of Yōkai invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them"--

The story of filmmaker Hayao Miyazaki's life and work, including his significant impact on Japan and the world A thirtieth-century toxic jungle, a bathhouse for tired gods, a red-haired fish girl, and a furry woodland spirit—what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl’s Moving Castle, and The Wind Rises. Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese filmmaker to provide a definitive account of his oeuvre. Napier insightfully illuminates the multiple themes crisscrossing his work, from empowered women to environmental nightmares to utopian dreams, creating an unforgettable portrait of a man whose art challenged Hollywood dominance and ushered in a new chapter of global popular culture.

Yijiang Zhong analyses the formation of Shinto as a complex and diverse religious tradition in early modern and Meiji Japan, 1600-1868. Highlighting the role of the god Okuninushi and the mythology centered on the Izumo Shrine in western Japan as part of this process, he shows how and why this god came to be ignored in State Shinto in the modern period. In doing so, Zhong moves away from the traditional understanding of Shinto history as something completely internal to the nation of Japan, and instead situates the formation of Shinto within a larger geopolitical context involving intellectual and political developments in the East Asian region and the role of western colonial expansion. The Origin of Modern Shinto in Japan draws extensively on primary source materials in Japan, many of which were only made available to the public less than a decade ago and have not yet been studied. Source materials analysed include shrine records and object materials, contemporary written texts, official materials from the national and provincial levels, and a broad range of visual sources based on contemporary prints, drawings, photographs and material culture.

The Shikoku pilgrimage : history, legends, ascetics, and the structure of repetition -- Modern stimulations : money, health, time and commemoration -- Living on the pilgrimage : perpetual itinerancy and 'professional pilgrims' -- Attitudes, practices, schedules and triggers : addictive patterns and the intensity of performance -- Pilgrims and their cars : sociability, scenery, faith and enjoyment -- Walkers on the way : multiplicity, motivations, health and retirement -- Concluding comments and new challenges.

This book draws attention to a striking aspect of contemporary Japanese culture: the prevalence of discussions and representations of “spirits” (tama or tamashii). Ancestor cults have played a central role in Japanese culture and religion for many centuries; in recent decades, however, other phenomena have expanded and diversified the realm of Japanese animism. For example, many manga, anime, TV shows, literature, and art works deal with spirits, ghosts, or with an invisible dimension of reality. International contributors ask to what extent these are cultural forms created by the media for consumption, rather than manifestations of “traditional” ancestral spirituality in their adaptations to contemporary society. Spirits and Animism in Contemporary Japan considers the modes of representations and the possible cultural meanings of spirits, as well as the metaphysical implications of contemporary Japanese ideas about spirits. The chapters offer analyses of specific cases of “animistic attitudes” in which the presence of spirits and spiritual forces is alleged, and attempt to trace cultural genealogies of those attitudes. In particular, they present various modes of representation of spirits (in contemporary art, architecture, visual culture, cinema, literature, diffuse spirituality) while at the same time addressing their underlying intellectual and religious assumptions.