"On the God of Socrates" is a work on the existence and nature of demons, the intermediaries between gods and humans. This treatise was roughly attacked by Augustine of Hippo. It contains a passage comparing gods and kings which is the first recorded occurrence of the proverb "familiarity breeds contempt".Apuleius (/ˌ�pjᵿˈliːəs/; also called Lucius Apuleius Madaurensis and in Berber: Afulay c. 124 - c. 170 AD) was a Latin-language prose writer, platonist philosopher and rhetorian. He was a Numidian who lived under the Roman Empire and was from Madauros (now M'Daourouch, Algeria). He studied Platonism in Athens, travelled to Italy, Asia Minor, and Egypt and was an initiate in several cults or mysteries. The most famous incident in his life was when he was accused of using magic to gain the attentions (and fortune) of a wealthy widow. He declaimed and then distributed a witty tour de force in his own defense before the proconsul and a court of magistrates convened in Sabratha, near ancient Tripoli, Libya. This is known as the Apologia.His most famous work is his bawdy picaresque novel, the Metamorphoses, otherwise known as The Golden Ass. It is the only Latin novel that has survived in its entirety. It relates the ludicrous adventures of one Lucius, who experiments with magic and is accidentally turned into a donkey.

This study argues that to understand Socrates we must uncover and analyze his religious views, since his philosophical and religious views are part of one seamless whole. Mark McPherran provides a close analysis of the relevant Socratic texts, an analysis that yields a comprehensive and original account of Socrates' commitments to religion (e.g., the nature of the gods, the immortality of the soul). McPherran contends that Socrates saw his religious commitments as integral to his philosophical mission of moral examination and, in turn, used the rationally derived convictions underlying that mission to reshape the religious conventions of his time. As a result, Socrates made important contributions to the rational reformation of Greek religion, contributions that incited and informed the theology of his brilliant pupil, Plato.

An account of Socrates' encounter with divine revelation

This volume is a study of the relationship between philosophy and faith in Søren Kierkegaard's Philosophical Fragments. It is also the first book to examine the role of Socrates in this body of writings, illuminating the significance of Socrates for Kierkegaard's thought. Jacob Howland argues that in the Fragments, philosophy and faith are closely related passions. A careful examination of the role of Socrates demonstrates that Socratic, philosophical eros opens up a path to faith. At the same time, the work of faith - which holds the self together with that which transcends it - is essentially erotic in the Socratic sense of the term. Chapters on Kierkegaard's Johannes Climacus and on Plato's Apology shed light on the Socratic character of the pseudonymous author of the Fragments and the role of 'the god' in Socrates' pursuit of wisdom. Howland also analyzes the Concluding Unscientific Postscript and Kierkegaard's reflections on Socrates and Christ.

"In this outstanding and ambitious book, Ranasinghe argues powerfully that Plato's Apology has to be read in the light of Euthyphro, and that we can understand the implications Plato saw in Socrates' trail by studying the Crito in the light of those 'earlier' dialogues. It is essential reading for all with an interest in the 'last days of Socrates,' and will change the views of anyone who reads it." --Back cover.

Friedrich Solmsen’s book is a thorough exploration of Plato's ideas about God and religion. Solmsen focuses on Plato’s theology primarily as it is presented in Book 10 of the Laws, a work previously neglected as a source of Plato's conception of religion because of its problematic place within fifth-century discussions of new legal provisions concerning offences against the gods. The author, by way of introduction, outlines the role religion had played in the old Greek city-states, emphasizing the fact that there had been no religion of a nonpolitical character, and describes the way the old religion had been destroyed by the "Enlightenment" of the fifth century. Solmsen then traces the development of Plato's religious ideas, addressing such topics as Plato as the expurgator and reformer; his theological approach; the philosophy of movement; and the role of the Soul as the source of all movement. Plato's later religious philosophy, Solmsen shows, is marked by a more lenient attitude towards popular and poetic religion. He characterizes Plato's later thinking on religion, as disclosed in Book 10 of the Laws, as a revival of the old idea of a city religion. The content of this new Civic Religion, however, would be remodeled in accordance with Plato's own theological conceptions. Solmsen calls this attitude both archaic and Hellenistic. As to the Hellenistic element, the author points to the influence of the mystery cults and of Persian religion, the latter revealing itself most clearly in Plato's conception of the two antagonistic World-Souls. He also discusses at length such issues as Plato's ideas of a divine justice, his tendency towards monotheism, and the influence of his theology on later Greek philosophy and on Christian thought, especially Origen.

The popular author and Boston College philosophy professor, Kreeft, presents this introduction to philosophy to help beginners not only to understand philosophy but to fall in love with it. In his forty years of teaching philosophy, Kreeft says the most effective way to accomplish this purpose is to read Socrates. Philosophy means "the love of wisdom." Kreeft uses the dialogues of Socrates in this book to help the reader grow in that love of wisdom. He says that no master of the art of philosophizing has ever been more simple, clear, and accessible to beginners as Socrates. He focuses on Plato's dialogues, the Apology of Socrates, as a model partner for the reader to dialogue with. Kreeft calls it "the Magna Carta of philosophy," a timeless classic that is "a portable classroom."

Xenophon's Memorabilia is a principal source for the image of Socrates. Xenophon's argument about Socrates is here examined in its entirety for the first time in English as a product of his personal knowledge of Socrates, his use of rhetoric to persuade his audience, and of literary traditions which had already set in place the 'frame' for the acceptable image of the wise man. Xenophon innovates within these traditions to present a Socrates who innovated in the traditions of philosophy. The work is proven to have a unified and sustained rhetorical argument. It imitates the philosophical process that it attributes to Socrates. Xenophon's literary techniques and artistry, the nature of rhetoric and the literary traditions concerning the wise man are illuminated. Comparison with Plato is not a major focus, but the investigation increases awareness of the complexity of the 'Socratic problem'.