This book describes the development of images of God, beginning in antiquity and culminating in Jung’s notion of the Self, an image of God in the psyche that Jung calls the God within. Over the course of history, the Self has been projected onto many local gods and goddesses and given different names and attributes. These deities are typically imagined as existing in a heavenly realm, but Jung’s approach recalls them to their origins in the objective psyche. This book shows how Jung’s approach avoids many of the philosophical problems produced by traditional anthropomorphic images of God and describes the myriad symbolic ways in which the Self may appear, independently of doctrinal images of God. By focusing on the empirical, psychological manifestations of the Self, Jung’s approach avoids arguments for and against the existence of a metaphysical God.

ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.

Answer to Job, dealing with the transformation of God through human consciousness, contains the essence of the Jungian myth. This down-to-earth study evokes that essence with unequaled clarity. Originally seminars given at the Jung Institute of Los Angeles.

This is a print on demand book and is therefore non- returnable. This study in theological anthropology considers man as the image of God, the meaning of the image, immortality, and human freedom, dealing always with living, actual man and his inescapable relation to God.

Misunderstandings about what it means for humans to be created in God's image have wreaked devastation throughout history -- for example, slavery in the U. S., genocide in Nazi Germany, and the demeaning of women everywhere. In Dignity and Destiny John Kilner explores what the Bible itself teaches about humanity being in God's image. He discusses in detail all of the biblical references to the image of God, interacts extensively with other work on the topic, and documents how misunderstandings of it have been so problematic. People made according to God's image, Kilner says, have a special connection with God and are intended to be a meaningful reflection of him. Because of sin, they don't actually reflect him very well, but Kilner shows why the popular idea that sin has damaged the image of God is mistaken. He also clarifies the biblical difference between being God's image (which Christ is) and being in God's image (which humans are). He explains how humanity's creation and renewal in God's image are central, respectively, to human dignity and destiny. Locating Christ at the center of what God's image means, Kilner charts a constructive way forward and reflects on the tremendously liberating impact that a sound understanding of the image of God can have in the world today.

Humans are created in the image of God, yet by choosing to rebel against God we become unfaithful bearers of his image. But Jesus, who is the image of God, restores the divine image in us. At the intersection of theology and culture, these essays offer a unified vision of what it means to be truly human and created in the divine image in the world today.

The idea of creation in the divine image has a long and complex history. While its roots apparently lie in the royal myths of Mesopotamia and Egypt, this book argues that it was the biblical account of creation presented in the first chapters of Genesis and its interpretation in early rabbinic literature that created the basis for the perennial inquiry of the concept in the Judeo-Christian tradition. Yair Lorberbaum reconstructs the idea of the creation of man in the image of God (tselem Elohim) attributed in the Midrash and the Talmud. He analyzes meanings attributed to tselem Elohim in early rabbinic thought, as expressed in Aggadah, and explores its application in the normative, legal, and ritual realms.