Following his wife’s tragic death, a rich man attempts to contact the god Pan, and his efforts yield spirited results in this classic occult novel. In her compelling way, Dion Fortune combines romance, suspense, and the search for truth and meaning in this psychological thriller that deals ultimately with the growth of consciousness and the path to self-knowledge. Wealthy, skeptical Hugh Paston, shocked by the death of his wife with her lover in a car crash, finds himself at a crossroads in his life. In search of a distraction, he wanders into the shop of an antiquarian bookseller who befriends him and sparks his interest in occult literature. Hugh is drawn to study the Eleusinian Mysteries and, determined to evoke Pan, the goat-foot god, he buys Monks Farm, a former monastery, long unused and sinking into ruin. With the aid of Mona Wilton, a young artist, Hugh refurbishes and revitalizes the property in preparation for the rites. In the ancient monastery, he is possessed by the spirit of a fifteenth-century prior, Ambrosius, who had been walled up in the cellar for practicing certain pagan rituals he had discovered in old Greek manuscripts in the monastery library—rituals dedicated to Pan.

From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan, now in paperback. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. And although ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence, and countless others. Pan: The Great God’s Modern Return traces his intoxicating dance.

First published in 1938 and 1956, neither Sea Priestess nor Moon Magic have been out of print and are enduring favorites among readers of esoteric fiction. 'New packages will update these classic novels and introduce them to a new generation of readers.

The Winged Bull is a tale of magic and sexuality. Down on his luck, Ted Murchison invokes the Winged Bull, a god of ancient Babylon, to come to his aid. Immediately, he is drawn into a vortex of weird events in which he is asked to rescue the daughter of an old friend from the clutches of a black magician.

The Tree of Life forms the ground-plan of the Western Esoteric Tradition and is the system upon which pupils are trained in the Fraternity of the Inner Light. The transliteration of Hebrew words into English is the subject of much diversity of opinion, every scholar appearing to have his own system. In these pages I have availed myself of the alphabetical table given by MacGregor Mathers in The Kabbalah Unveiled because this book is the one generally used by esoteric students. He himself does not adhere to his own table systematically, however, and even uses different spellings for the same words. This is very confusing for anyone who wishes to use the Gematric method of elucidation, in which letters are turned into numbers. When, therefore, Mathers gives alternative trans literations, I have followed the one which coincides with that given in his own table. The capitalisation employed in these pages may also appear unusual, but it is the one traditionally used among students of the Western Esoteric Tradition. In this system, common words, such as earth or path, are used in a technical sense to denote spiritual principles. When this is done, a capital is used to indicate the fact. When a capital is not used, it may be taken that the word is to be understood in its ordinary sense. As I have frequently referred to the authority of MacGregor Mathers and Aleistet Crowley in matters of Qabalistic mysticticism, it may be as well to explain my position in relation to these two writers. I was at one time a member of the organisation founded by the former, but have never been associated with the latter. I have never known either of these gentlemen personally, MacGregor Mathers having died before I joined his organisation, and Aleister Crowley having then ceased to be associated with it. The Society of the Inner Light, founded by the late Dion Fortune, has courses for those who wish seriously to pursue the study of the Western Esoteric Tradition. Information about the society may be obtained by writing to the address below. Please enclose British stamps or international postal coupons in your letter if you wish a response...

What you believe about God sets the foundation of the person you will become. In God Has a Name, pastor and New York Times bestselling author John Mark Comer invites you to rethink many of the prevalent myths and misconceptions about God and weigh them against what God actually tells us about himself. After all, what you believe about God will ultimately shape the type of person you become. We all live at the mercy of our ideas, and nowhere is this more true than our ideas about God. The problem is many of our ideas about God are wrong. Not all wrong, but wrong enough to form our souls in detrimental and disheartening ways. God Has a Name is a simple yet profound guide to understanding God in a new light--focusing on what God says about himself in the Bible. This one shift has the potential to radically alter how you relate to God, not as a doctrine, but as a relational being who responds to you in an elastic, back-and-forth way. John Mark Comer takes you line by line through Exodus 34:6-8--Yahweh's self-revelation on Mount Sinai, one of the most quoted passages in the Bible. Along the way, Comer addresses some of the most profound questions he came across as he studied these noted lines in Exodus, including: Why do we feel this gap between us and God? Could it be that a lot of what we think about God is wrong? Not all wrong, but wrong enough to mess up how we relate to him? What if our "God" is really a projection of our own identity, ideas, and desires? What if the real God is different, but far better than we could ever imagine? No matter where you are in your spiritual journey, God Has a Name invites you to step into a fresh and biblically rooted vision of who God is that has the potential to alter your life with God and shape who you become.

Dion Fortune encoded much practical magical lore within her novels, leaving it up to the reader to work out how to make use of it. Behind the novels were two major rituals, the Rite of Isis and the Rite of Pan, which Dion Fortune occasionally performed in public in the 1930s as part of her drive to open up occultism beyond the closed walls of esoteric fraternities. Now for the first time, these important magical workings have been released from her society's archive in their complete and original form. Edited and explained by Gareth Knight, this book contains the full text of the original Rite of Isis and Rite of Pan which formed the basis for Dion Fortune's Moon Magic, The Goat-Foot God, and The Sea Priestess. Further archive material elucidates the practical magical principles found in The Winged Bull. The book is supplemented by several articles written by Dion Fortune in the 1930s which shed further light on the practical content of her novels, including the essay Ceremonial Magic Unveiled, a review of the work of Israel Regardie in which she gives her views on the controversies within the Golden Dawn and frankly describes her own falling out with Moina MacGregor Mathers.

Pan, the Greek god of forests, shepherds and fertility, has long represented the pagan gods in general. With the advent of the Christian church communication with the pagan gods was very heavily suppressed by priests who have a vested interest in eliminating religious competition, by any means required, including, but not limited to lying, stealing, cheating, murder, mayhem, extortion, torture and blackmail. As a result, general public attention to the pagan gods disappeared about 2,000 years ago. PAN-God of the Woods assumes that the pagan gods may still be active, living beings. If any of the ancient gods are still around in the 21st century, what are they doing now? If they are here now -- still watching, still powerful, still immortal -- where or how might we contact them? If Pan is still around which of us mortals could not use the helping hand of a friendly god once in awhile? -- Lawrence R. Spencer

From the acclaimed author of Dispatches From Pluto and Deepest South of All, a harrowing travelogue into Mexico’s lawless Sierra Madre mountains. Twenty miles south of the Arizona-Mexico border, the rugged, beautiful Sierra Madre mountains begin their dramatic ascent. Almost 900 miles long, the range climbs to nearly 11,000 feet and boasts several canyons deeper than the Grand Canyon. The rules of law and society have never taken hold in the Sierra Madre, which is home to bandits, drug smugglers, Mormons, cave-dwelling Tarahumara Indians, opium farmers, cowboys, and other assorted outcasts. Outsiders are not welcome; drugs are the primary source of income; murder is all but a regional pastime. The Mexican army occasionally goes in to burn marijuana and opium crops—the modern treasure of the Sierra Madre—but otherwise the government stays away. In its stead are the drug lords, who have made it one of the biggest drug-producing areas in the world. Fifteen years ago, journalist Richard Grant developed what he calls "an unfortunate fascination" with this lawless place. Locals warned that he would meet his death there, but he didn't believe them—until his last trip. During his travels Grant visited a folk healer for his insomnia and was prescribed rattlesnake pills, attended bizarre religious rituals, consorted with cocaine-snorting policemen, taught English to Guarijio Indians, and dug for buried treasure. On his last visit, his reckless adventure spiraled into his own personal heart of darkness when cocaine-fueled Mexican hillbillies hunted him through the woods all night, bent on killing him for sport. With gorgeous detail, fascinating insight, and an undercurrent of dark humor, God's Middle Finger brings to vivid life a truly unique and uncharted world.