The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.

"Monsters of the Market" investigates modern capitalism through the prism of the body panics it arouses. Examining "Frankenstein," Marx s "Capital" and zombie fables from sub-Saharan Africa, it offers a novel account of the cultural and corporeal economy of global capitalism.

The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.

This encyclopedic and exquisitely eerie guide is as elegant and menacing as the creature it describes. With nearly 200 photographs and illustrations, this entertaining and erudite collection of myth, folklore, literature and popular culture is seductively priced in its new paperback edition.

The nightmare of the dead rising from their graves and sucking the blood of the living has haunted us since prehistory. Legends, literature and terrifying case histories trace the survival of vampires from antiquity to the gaslit streets of London. From age to age, the same terrifying myth has adapted itself to the beliefs of the time. Today it is kept alive through fiction and the cinema, which have distilled our worst fears and most secret desires. The world of the undead lives on.

From Bram Stoker to present day Hollywood, the mythology of vampires has fascinated, horrified, and even titillated us. Shedding light upon the underground world of real vampires, Guinn takes a candid, in-depth look at people who appear ordinary but claim to be vampires. Written from personal interviews with actual vampires, Something in the Blood documents vampires' true natures and discloses their lifestyles and techniques.

From the earliest days of oral history to the present, the vampire myth persists among mankind's deeply-rooted fears. This encyclopedia, with entries ranging from "Abchanchu" to "Zmeus," includes nearly 600 different species of historical and mythological vampires, fully described and detailed.

During the colonial period, Africans told each other terrifying rumors that Africans who worked for white colonists captured unwary residents and took their blood. In colonial Tanganyika, for example, Africans were said to be captured by these agents of colonialism and hung upside down, their throats cut so their blood drained into huge buckets. In Kampala, the police were said to abduct Africans and keep them in pits, where their blood was sucked. Luise White presents and interprets vampire stories from East and Central Africa as a way of understanding the world as the storytellers did. Using gossip and rumor as historical sources in their own right, she assesses the place of such evidence, oral and written, in historical reconstruction. White conducted more than 130 interviews for this book and did research in Kenya, Uganda, and Zambia. In addition to presenting powerful, vivid stories that Africans told to describe colonial power, the book presents an original epistemological inquiry into the nature of historical truth and memory, and into their relationship to the writing of history.

It's been over a century since the humans lost the war for Earth. Cities have been reclaimed by nature, and the planet is quiet and empty by day. At night, feral vampires-more beast than man-roam the lands, hungry for blood. The few thousand surviving humans live on a massive airship that circles the Earth, moving with the rotation of the planet so it's always in sunlight. Alexandria Goddard is a member of the elite Ground Mission Team, a group tasked with making dangerous runs to the planet's surface for the supplies needed to keep the ship airborne. But even as the team fights for their people's survival, dangerous forces are working against them. A growing movement aboard the airship believes it's time for humans to resettle the Earth, and they are willing to go to extreme measures to make their vision a reality. As the situation aboard the ship becomes more desperate, Alex and her team discover a terrifying secret about the vampires infesting the Earth. P.T. Hylton, author of Regulation 19 and the Zane Halloway series, and Jonathan Benecke, a bold new voice in science fiction, bring you a post-apocalyptic vision of a world where vampires rule, humanity is on the run, and safety is an illusion as fleeting as a shadow.