Meat Man is a regular at the Southern Cross pub in Sydney. With his tribe he sits and drinks and watches as life spirals around him. David Ireland’s novel tells his stories, about the pub, its patrons and their women, about the brutal, tender and unexpected places his glass canoe takes him.

Winner of the Miles Franklin Award in 1971. On the shores of Botany Bay lies an oil refinery where workers are free to come and go. But they are also part of an unrelenting, alienating economy from which there is no escape. In the first of his three Miles Franklin Award-winning novels, originally published in 1971, David Ireland offers a fiercely brilliant comic portrait of Australia in the grip of a dehumanising labour system. This edition of The Unknown Industrial Prisoner comes with an introduction by Peter Pierce. David Ireland was born in 1927 on a kitchen table in Lakemba in south-western Sydney. He lived in many places and worked at many jobs, including greenskeeper, factory hand, and for an extended period in an oil refinery, before he became a full-time writer. Ireland started out writing poetry and drama but then turned to fiction. His first novel, The Chantic Bird, was published in 1968. In the next decade he published five further novels, three of which won the Miles Franklin Award: The Unknown Industrial Prisoner, The Glass Canoe and A Woman of the Future. David Ireland was made a member of the Order of Australia in 1981. In 1985 he received the Australian Literature Society Gold Medal for his novel Archimedes and the Seagull. textclassics.com.au 'A harsh and remarkable work...it will leave you shaken mildly or terribly according to your life experience.' National Times 'When I think of my favourite Australian novels, two 1970s works by David Ireland are near the top of the list: The Unknown Industrial Prisoner and The Glass Canoe.' Stephen Romei

Demons is an extraordinary social satire whose ending will leave you reeling. It is the middle of winter. Seven friends travel to a remote coastal beach house for the weekend. Without phones, internet or television, they sit around the fireplace, telling stories, each exposing the foibles of humankind. But as a storm rolls in and torrential rain cuts the party off from the outside world, it soon becomes clear that some secrets are best kept hidden. Demons is an extraordinary novel by one of Australia's great writers. Wayne Macauley is the author of three highly acclaimed novels: Blueprints for a Barbed-Wire Canoe, Caravan Story and, most recently, The Cook, which was shortlisted for the Western Australian Premier's Book Award, a Victorian Premier's Literary Award and the Melbourne Prize Best Writing Award. He lives in Melbourne. 'Macauley has ingeniously refurbished an old tale to capture the perplexing vacuity of a generation...a fierce and uncomfortable novel about contemporary Australian life that drives us to ask why we are who we are, as it simultaneously makes us wish we were better.' Weekend Australian 'Absorbing.' Saturday Paper 'Brilliant, thought-provoking.' Otago Daily Times 'Absorbing, thought-provoking and altogether quite brilliant.' BookMooch 'The novel [has] the potential to resonate with Australians in the same way as Christos Tsiolkas's The Slap, only it's darker and more complex.' Herald Sun/Courier Mail 'Demons is a compelling, can't-put-it-down book. Not because of any thrilling action, but because of its ordinary, troubled characters, their ordinary everyday struggles and the stories they tell. In a way the novel is like a collection of short stories, although every one of them leads us to understand more about the teller and the listeners as they start to hit uncomfortably close to home. Each story and how it is told offers fascinating insight into human nature in a humorous, yet sharp critique of contemporary society and its many flaws.' Surf Coast Times 'The pace is headlong; the disintegration relentless. Startling, discomforting, and not likely to be underrated.' Auckland Herald

Build the fastest, most exotic sailboats around! Popular in Hawaii and throughout the South Pacific and Indian Oceans, outrigger canoes combine the romance of the South Seas with a ruthless efficiency of design and breathtaking sailing performance. This is the first book to present complete plans and building instructions for three outrigger sailing canoes. Based on traditional Hawaiian and Micronesian types, the designs are lightweight, easy to build, and screamingly fast. Author Gary Dierking shows you how to build these boats using stitch-and-glue and strip-planking construction, explains what tools and materials are required, how to rig and equip the boats, and more.

Winner of the Patrick White Literary Award, 1999. Introduction by Wayne Macauley. There is no book in Australian literature like The Plains. In the two decades since its first publication, this haunting novel has earned its status as a classic. A nameless young man arrives on the plains and begins to document the strange and rich culture of the plains families. As his story unfolds, the novel becomes, in the words of Murray Bail, ‘a mirage of landscape, memory, love and literature itself’. Gerald Murnane was born in Melbourne in 1939. He has been a primary teacher, an editor and a university lecturer. His debut novel, Tamarisk Row (1974), was followed by ten other works of fiction, including The Plains and most recently Border Districts. In 1999 Murnane won the Patrick White Award and in 2009 he won the Melbourne Prize for Literature. He lives in western Victoria. Wayne Macauley is the author of three novels, Blueprints for a Barbed-Wire Canoe (2004), Caravan Story (2007) and The Cook (2011), and the short fiction collection Other Stories (2010). He lives in Melbourne. ‘Murnane is quite simply one of the finest writers we have produced.’ Peter Craven ‘A distinguished, distinctive, unforgettable novel.’ Shirley Hazzard ‘Gerald Murnane is unquestionably one of the most original writers working in Australia today and The Plains is a fascinating and rewarding book...The writing is extraordinarily good, spare, austere, strong, often oddly moving.’ Australian ‘A piece of imaginative writing so remarkably sustained that it is a subject for meditation rather than a mere reading...In the depths and surfaces of this extraordinary fable you will see your inner self eerily reflected again and again.’ Sydney Morning Herald ‘The Plains has that peculiar singularity that can make literature great.’ Ed Wright, Australian, Best Books of 2015 ‘Murnane touches on foibles and philosophy, plays with the makings of a fable or allegory, and all the while toys with tone, moving easily from earnest to deadpan to lightly ironic, a meld of Buster Keaton, the Kafka of the short stories, and Swift in A Modest Proposal...A provocative, delightful, diverting must-reread.’ STARRED Review, Kirkus Reviews ‘Known for its sharp yet defamiliarizing take on the landscape and an aesthetic of purity historically associated with it, The Plains is uniformly described as a masterpiece of Australian literature. Look closer, though, and it's a haunting nineteenth-century novel of colonial violence captured inside the machine's test-pattern image—a distant, unassuming house on the plains.’ BOMB

Parks and Recreation actor and Making It co-host Nick Offerman shares his humorous fulminations on life, manliness, meat, and much more in this New York Times bestseller. Growing a perfect moustache, grilling red meat, wooing a woman—who better to deliver this tutelage than the always charming, always manly Nick Offerman, best known as Parks and Recreation’s Ron Swanson? Combining his trademark comic voice and very real expertise in woodworking—he runs his own woodshop—Paddle Your Own Canoe features tales from Offerman’s childhood in small-town Minooka, Illinois—“I grew up literally in the middle of a cornfield”—to his theater days in Chicago, beginnings as a carpenter/actor and the hilarious and magnificent seduction of his now-wife Megan Mullally. It also offers hard-bitten battle strategies in the arenas of manliness, love, style, religion, woodworking, and outdoor recreation, among many other savory entrees. A mix of amusing anecdotes, opinionated lessons and rants, sprinkled with offbeat gaiety, Paddle Your Own Canoe will not only tickle readers pink but may also rouse them to put down their smart phones, study a few sycamore leaves, and maybe even hand craft (and paddle) their own canoes.

The fiddle at the Pacific Pastoral meat-packing works was a nice little earner for all concerned until Herb Gardiner reported finding a body in number 3 chiller. An accident, of course, but just the excuse a devious political operator might grab to stir up trouble with the unions. Enter Murray Whelan, minder and fixer for the Minister of Industry.

Just off the boat from Italy, Nino Culotta arrives in Sydney. He thought he spoke English but he’s never heard anything like the language these Australians are speaking. They’re a Weird Mob is an hilarious snapshot of the immigrant experience in Menzies-era Australia, by a writer with a brilliant ear for the Australian way with words.

A masterpiece of linguistics scholarship, at once erudite and entertaining, confronts the thorny question of how—and whether—culture shapes language and language, culture Linguistics has long shied away from claiming any link between a language and the culture of its speakers: too much simplistic (even bigoted) chatter about the romance of Italian and the goose-stepping orderliness of German has made serious thinkers wary of the entire subject. But now, acclaimed linguist Guy Deutscher has dared to reopen the issue. Can culture influence language—and vice versa? Can different languages lead their speakers to different thoughts? Could our experience of the world depend on whether our language has a word for "blue"? Challenging the consensus that the fundaments of language are hard-wired in our genes and thus universal, Deutscher argues that the answer to all these questions is—yes. In thrilling fashion, he takes us from Homer to Darwin, from Yale to the Amazon, from how to name the rainbow to why Russian water—a "she"—becomes a "he" once you dip a tea bag into her, demonstrating that language does in fact reflect culture in ways that are anything but trivial. Audacious, delightful, and field-changing, Through the Language Glass is a classic of intellectual discovery.

Venetian art connoisseur, interior designer, and hotelier Francesca Bortolotto Possati knows the intricacies of Venice. To have her as a guide is to experience firsthand her passion for the private side of the mythic city whose daily visitors outnumber its population. Join her to visit artists’ studios, elegant Venetian friends, and palaces’ secrets. Everywhere one wanders, a sense of history saturates the buildings and landscapes, harking back to the artists of the Renaissance and the chic masquerade balls of centuries past.The discerning eye of photographer Robyn Lea makes this book a revelation of the Venice of dreams, which will surely allow readers to see this iconic destination through new eyes.A sentimental foreword by Jeremy Irons perfectly complements this stunning volume.