"In this virtuoso collection, Paul Henry, poacher-like, tracks the journeys of the heart through landscape, love and loss. He takes his place as one of the most important Welsh poets now writing." – Carol Ann Duffy "This haunting, elegaic collection, about music, and made of music, leaves a reader's mind full of phrases, in both senses – verbal, and tonal – and exactitudes that catch and lodge in the memory." – Gillian Clarke From the sea of the poet's childhood to the stillness of a canal walked in middle age, The Glass Aisle moves between rage and stillness, past and present, music and silence. In the book's title poem, a telephone engineer repairs a line that crosses a canal to the site of an old workhouse. Tormented by the voices of former "inmates", he unwittingly connects the centuries, setting free the Victorian ghosts of poacher John Moonlight, lone parent Mary Thomas, and a host of others who haunt the poem's present-day walker. Elsewhere in this moving collection, love poems, elegies and familiar coastline "visitors", Brown Helen, Catrin Sands... define a nineteen-sixties childhood; a long poem, 'The Hesitant Song', "orchestrates silence" while playing "the sea's soft pedal" to convey the loss of a mother's songs. Lyrical and humane in its observations, The Glass Aisle is rich in the hallmarks readers have come to admire in Henry's poetry.

“I am deeply inspired by this heartwarming story of how two people found love and—even better—a way to get paid for drinking wine.” —Dave Barry Internationally renowned journalists Dorothy J. Gaiter and John Brecher present a captivating memoir about falling in love with each other and with wine. She grew up in the all-black environment of Florida A&M University in Tallahassee. He was raised in Jacksonville, Florida, where his was one of a handful of Jewish families. When they met on June 4, 1973, in the newsroom of The Miami Herald, she says, “I felt in my bones like I had known him forever.” And he says, “I felt the instant I saw her that we had always been together, and knew we always would be.” That passion for each other and for wine has made their column a must-read for millions of neophyte and veteran wine lovers, who also follow their appearances on Martha Stewart’s TV show. The annual global celebration of wine that they created, “Open That Bottle Night,” encourages readers to finally drink that special wine they have been keeping. As Dottie and John write, “Wine can conjure up memories in a way that few other things can,” whether it’s a rare Burgundy or a bottle of cold duck. Frank J. Prial of The New York Times said of their first book, The Wall Street Journal Guide to Wine, “Their enthusiasm for the grape . . . is exceeded only by their enthusiasm for each other. It spills over on every other page.” Indeed, John and Dottie say they don’t write a wine column; they write a column about more important things. This book follows them from love at first sight, through a life of journalism, to a triumph on the basketball court at Madison Square Garden. You’ll discover the joys of wine along with them, but you’ll also discover that wine is really about good times, bad times, moments shared with loved ones, and new friends. It’s about memories. It’s about life.

For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.