Children hear stories when they are quite small, fables, legends, fairytales, that take root like seeds, to grow and flourish, deep within their hearts. Sometimes these stories have a secret subtle power in shaping their destinies. Brother and sister, Billy and Stella, compete in the Junior Race with their dog-sledding teams. All kinds of dangers await them, not least the wolves. Their step-brother, Tom, a solitary Inuit, has angered the pack. Queen Wolf is missing. The wolves will make good their loss or else seek their revenge. At the heart of this story, Stella, a rookie musher, is on the threshold of womanhood. The Girl in The Red Cape is running with wolves, dancing across the virgin snow. All alone, it's Stella against the wilderness. But sometimes an invisible power supports her. And she has her comrades.This child, now grown, will catch a dream ...

A story of how the little things add up to be the big things even when we don’t realize it; of how our words are so powerful when we speak them to others; and that what we say and how we say it can really become our “superhero cape”, our way to really build each other up. It’s also the story of how this little girl’s mom makes her aware of all the good that she does, and praises her for it; that children learn from how we as adults respond to things, take notice, and treat people.

When Rosie's friend is being bullied at school, Rosie comes up with a plan to help her friend.

A Boy With A Cape(tm) is a story of how the little things add up to be the big things even when we don't realize it; of how our words are so powerful when we speak them to others that what we say and how we say it can really become our superhero cape. It's our way to build each other up. It's the story of how this little boy's mom makes him aware of all the good that he does and praises him for it; that children learn from how we as adults respond to things, take notice, and treat people.

The eleven contributors to The Girl's Own explore British and American Victorian representations of the adolescent girl by drawing on such contemporary sources as conduct books, housekeeping manuals, periodicals, biographies, photographs, paintings, and educational treatises. The institutions, practices, and literatures discussed reveal the ways in which the Girl expressed her independence, as well as the ways in which she was presented and controlled. As the contributors note, nineteenth-century visions of girlhood were extremely ambiguous. The adolescent girl was a fascinating and troubling figure to Victorian commentators, especially in debates surrounding female sexuality and behavior. The Girl's Own combines literary and cultural history in its discussion of both British and American texts and practices. Among the topics addressed are the nineteenth-century attempt to link morality and diet; the making of heroines in biographies for girls; Lewis Carroll's and John Millais's iconographies of girlhood in, respectively, their photographs and paintings; genre fiction for and by girls; and the effort to reincorporate teenage unwed mothers into the domestic life of Victorian America.

The Girl in the Red Cloak is the story of fifteen-year-old Lucy, a loud-mouthed girl from a Catholic orphanage, who makes a sudden decision to run away from her small woodwork town alongside her best friend Maribel Oakley.Despite the obstacles they faced in order to run away, it was an eventual success. However, Lucy and Maribel's greatest obstacle emerged in the miner's town of Flinchester, where Maribel Oakley succumbed to a life threatening disease.Desperate to save her dying friend, Lucy sets out into wolf infested woods seeking the Applewhite plant, which is only rumored to contain the healing abilities that will save Maribel. But just as all hope seems lost, Lucy encounters a strange white-haired daemon who claims to be able to save Maribel, even though he can't even save himself from his own presumed death.

This new collection examines important US historical fiction published since 2000. Exploring historical novels by established American writers such as Philip Roth, Joyce Carol Oates, E.L. Doctorow, Chang-rae Lee, James McBride, Susan Choi, and George Saunders, the book also includes chapters on first-time novelists. Individual essays in 21st Century US Historical Fiction: Contemporary Responses to the Past tackle prominent and provocative new novels, for example, recent Pulitzer Prize-winning fiction by Anthony Doerr, Viet Thanh Nguyen and Colson Whitehead. Interrogating such key themes as war, race, sexuality, trauma and childhood; notions of genre and periodization; and recent theorizations of historical fiction, scholars from the United States, Canada, Britain and Ireland analyze an emerging canon of contemporary historical fiction by an ethno-racially diverse range of major American writers.

Critics and audiences often judge films, books and other media as "great" --but what does that really mean? This collection of new essays examines the various criteria by which degrees of greatness (or not-so) are constructed--whether by personal, political or social standards--through topics in cinema, literature and adaptation. The contributors recognize how issues of value vary across different cultures, and explore what those differences say about attitudes and beliefs.

Rapunzel tries to live a normal life after her escape from the Wild and the fairy tale plots it imposes, but when the Wild takes over her town, it is her daughter Julie who tries to prevent everyone from being trapped in a story.

Storyton Hall, Virginia, is a top travel destination for book lovers and the perfect spot for literary events. But as a children’s book publisher hosts a gathering there, some folks aren’t going to live—happier ever after or otherwise . . . Jane Steward’s resort is hopping—not only is Peppermint Press’s conference in full swing, there are also lots of families staying on the premises, bringing their kids to events like a scavenger hunt through the Fairy Tale Forest. Then a woman dressed like Little Red Riding Hood is found dead from a plot device straight out of a fairy tale—with a rare and valuable copy of Grimm’s Fairy Tales in her basket. Not long after, a second victim is killed, with yet another treasure—a volume by Hans Christian Andersen worth thousands of dollars—nearby. It looks like a big bad wolf may be lurking among the guests, and Jane can’t just wait for a handsome prince to come to the rescue . . . “Readers will find themselves wanting to live in Storyton, no matter how many people end up dead there.” —Suspense Magazine on Murder in the Locked Library Visit us at www.kensingtonbooks.com