At Santa Cruz Central High School, they called them the misfits, the outcasts, the weirdos. But most of us knew them as the Lost Boys...Miller Stratton is a survivor. After a harrowing childhood of poverty, he will do anything it takes to find security for himself and his mom. He's putting all his hopes and dreams in the fragile frame of his guitar and the beauty he creates with its strings and his soulful voice.Until Violet.No one expects to meet the love of their life at age thirteen. But the spunky rich girl steals Miller's heart and refuses to give it back.Violet McNamara's life hasn't been as simple as it looks. Her picture-perfect family is not so perfect after all. Her best friend Miller is her one constant and she is determined not to ruin their friendship with romantic complications.But the heart wants what it wants. As Miller's star begins to rise to stratospheric heights, what will it take for Violet to realize that she's the girl in all of his love songs?Lost Boys is a new series of interconnected, coming-of-age standalones from USA Today bestselling author Emma Scott, coming in 2020

From Tracey Garvis Graves, the bestselling author of The Girl He Used to Know comes a love song of a story about starting over and second chances in Heard It in a Love Song. Love doesn’t always wait until you’re ready. Layla Hilding is thirty-five and recently divorced. Struggling to break free from the past—her glory days as the lead singer in a band and a ten-year marriage to a man who never put her first—Layla’s newly found independence feels a lot like loneliness. Then there's Josh, the single dad whose daughter attends the elementary school where Layla teaches music. Recently separated, he's still processing the end of his twenty-year marriage to his high school sweetheart. He chats with Layla every morning at school and finds himself thinking about her more and more. Equally cautious and confused about dating in a world that favors apps over meeting organically, Layla and Josh decide to be friends with the potential for something more. Sounds sensible and way too simple—but when two people are on the rebound, is it heartbreak or happiness that’s a love song away?

A fascinating true story Chrissy grew up surrounded by the beauty of love and the ugliness of pain. The daughter of a pastor whose church was located in a rough-and-tumble area of Brooklyn, she witnessed the ravaging effects of the streets on the lives of the most desperate—drug addicts, derelicts, and other destitute people. Yet her own home was a haven of warmth, filled with affection and love. Then something happened that tore her away from it. With the flip of a switch, Chrissy fell deeper and deeper into deception where haunting images and songs pointed to one thing—perfection. Longing to be the girl in the song, she became entangled in an obsessive relationship. Before long, secret after secret led her down the path to becoming someone she didn’t even recognize. Locked in to an impossible life, Chrissy found release from a surprising direction. Girl in the Song tells the gripping, true story of a young woman whose choices led her to despair and incredible triumph. More than the story of one lost girl, Chrissy’s experience points to the power of hope to lead us away from destructive relationships and into a life that just might end happily ever after.

This “memorable and moving immigrant story” chronicles the life of the author’s father, a Hmong refugee and keeper of cultural memory (Booklist). Winner of the 2017 Minnesota Book Award in Creative Nonfiction A National Book Critics Circle Award Finalist In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses. He keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning memoir The Latehomecomer, Kao Kalia Yang now retells the life of her father, Bee Yang, the song poet—a Hmong refugee in Minnesota, driven from the mountains of Laos by America’s Secret War. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. The songs fall away in the cold, bitter world of a St. Paul housing project and on the factory floor, until, with the death of Bee’s mother, they leave him for good. But before they do, Bee, with his poetry, has burnished a life of poverty for his children, polishing their grim reality so that they might shine.

On 25 February 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter - now one of the most famous in all literary history - was recorded by Plath in her journal, where she described Hughes as a 'big, dark, hunky boy'. Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured Plath's life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth. After Plath's suicide in February 1963, Hughes became Plath's literary executor, the guardian of her writings, and, in effect responsible for how she was perceived. But Hughes did not think much of Plath's prose writing, viewing it as a 'waste product' of her 'false self', and his determination to market her later poetry - poetry written after she had begun her relationship with him - as the crowning glory of her career, has meant that her other earlier work has been marginalised. Before she met Ted, Plath had lived a complex, creative and disturbing life. Her father had died when she was only eight, she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide and had written over 200 poems. Mad Girl's Love Songwill trace through these early years the sources of her mental instabilities and will examine how a range of personal, economic and societal factors - the real disquieting muses - conspired against her. Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century's most popular and enduring female poet. Mad Girl's Love Songreclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice, a voice that, fifty years after her death, still has the power to haunt and disturb.

One part mixtape, one part disorientation guide, and one part career retrospective, Kyle "Guante" Tran Myhre's debut looks you directly in the eye and doesn't let you flinch. Ranging from justice to love, community action to personal reflection, A Love Song, A Death Rattle, A Battle Cry is a dedication to craft. Clocking in before the rest of us are even awake, the book wastes no time. It does the work and beckons you to follow. A compilation of poems, lyrics and essays from the UN presenter, MC, and two-time National Poetry Slam champion, this book is a love song tucked into a grenade, a necessary call that demands a response.

The Girl in the Song tells the stories of 50 women who have inspired classic rock songs. Who was Emily in Pink Floyd's See Emily Play? What happened to Suzanne Verdal, immortalised in Leonard Cohen's Suzanne? Did life change for Prudence Farrow after John Lennon penned Dear Prudence? And whatever happened to 'the girl with mousy hair', an ex-girlfriend Bowie sings about in Life on Mars? This fascinating book explains how each song came about, when it was released, the impact it had on the charts and then gives a mini-biography of the song's muse. Suzanne Verdal was living a bohemian lifestyle by the river in Montreal when Cohen wrote his poem Suzanne, which he subsequently set to music. Later in life she tried to get in touch with the star who blanked her backstage at a gig. She was last heard of living in a car in California. Apart from songs, the book features sidebars on the performers who wrote about the women in their life - Syd Barrett famously included four girls in the same song. Other examples include:Under My Thumb - The Rolling Stones (Chrissie Shrimpton),She's Leaving Home - The Beatles, Layla - Derek and the Dominoes (Patti Boyd), Peggy-Sue - Buddy Holly (Peggy-Sue Gerron), Maggie May - Rod Stewart, Light of Day - Bruce Springsteen (Julianna Phillips), Sweet Caroline - Neil Diamond (Caroline Kennedy).

This debut romance follows a Latina teen pop star whose image takes a dive after a messy public breakup, until she's set up with a swoon-worthy fake boyfriend. Fake boyfriend. Real heartbreak? Natalie is living her dream: topping the charts and setting records as a Brazilian pop star... until she's dumped spectacularly on live television. Not only is it humiliating--it could end her career. Her PR team's desperate plan? A gorgeous yet oh-so-fake boyfriend. Nati reluctantly agrees, but William is not what she expected. She was hoping for a fierce bad boy--not a soft-hearted British indie film star. While she fights her way back to the top with a sweet and surprisingly swoon-worthy boy on her arm, she starts to fall for William--and realizes that maybe she's the biggest fake of them all. Can she reclaim her voice and her heart? "The perfect ode to falling in love while you're still finding your voice."--Jennifer Dugan, author of Hot Dog Girl "All the fun and excitement of your favorite summer bop, and all the heart of a love ballad."--Adiba Jaigirdar, author of The Henna Wars "YA rom-com perfection."--Nina Moreno, author of Don't Date Rosa Santos

New York Times bestselling author of On the Island, Tracey Garvis Graves, presents the compelling, hopelessly romantic novel of unconditional love. Annika Rose is an English major at the University of Illinois. Anxious in social situations where she finds most people's behavior confusing, she'd rather be surrounded by the order and discipline of books or the quiet solitude of playing chess. Jonathan Hoffman joined the chess club and lost his first game—and his heart—to the shy and awkward, yet brilliant and beautiful Annika. He admires her ability to be true to herself, quirks and all, and accepts the challenges involved in pursuing a relationship with her. Jonathan and Annika bring out the best in each other, finding the confidence and courage within themselves to plan a future together. What follows is a tumultuous yet tender love affair that withstands everything except the unforeseen tragedy that forces them apart, shattering their connection and leaving them to navigate their lives alone. Now, a decade later, fate reunites Annika and Jonathan in Chicago. She's living the life she wanted as a librarian. He's a Wall Street whiz, recovering from a divorce and seeking a fresh start. The attraction and strong feelings they once shared are instantly rekindled, but until they confront the fears and anxieties that drove them apart, their second chance will end before it truly begins.

A collection of four stories centering on love, hate, and loss, deal with a young woman who abuses her boyfriend; three sisters who share a secret; a high school misfit with psychic healing powers; and a girl on a space colony who wants to live on Earth.