I’m the selfish one. I suppose that’s the nicest thing people say about me. I’ve heard the other things, too. “Paige Owens is a pretty girl with nothing else to offer. She’s just a good time at a party. She’s stupid, heartless, cold and useless. All she cares about is getting a guy to look at her. Why would anyone want to be her friend?” Some of those things are true. Others were true. They’re all hurtful. None of it matters. I’m ready to make the hard choices. I’m ready to face the consequences. I’m ready to be the girl I was before, and I’m done being the one who lost her way. I’m ready to become the girl Houston Orr sees when he looks at me. Houston isn’t a star athlete. He doesn’t play in a band. He’s never going to be president, and his life is so far away from simple and easy it isn’t even funny. He wasn’t part of my plan. But I’m starting to think plans are overrated, and maybe our stories are what we make them. And mine depends entirely on me, and the choices I make…starting now. Houston is my fairytale. He’s perfectly imperfect. He’s poetry and life. He’s truth and heartbreak, all rolled up in a tall body with dark hair, broad shoulders and green eyes that lull me into submission. He’s nothing I ever thought I wanted, but the very thing I need. He’s the only guy I’ve ever really loved, and he thinks I’m a princess. I fell into him, and now I’m holding on. But sometimes life takes away our ability to choose. Sometimes…things aren’t in your control. Sometimes, it hurts to be selfless. My only hope is that when it comes time to choose, I get it right. Welcome to my once upon a time and wish for happily ever after.

THE GLOBAL BESTSELLER • Soon to be a BBC One and HBO Max limited four-part series, starring Gugu Mbatha-Raw (The Morning Show; Misbehaviour) and multiple Golden Globe, BAFTA, and Emmy-nominated actor David Oyelowo (Selma; Les Misérables) “A pitch-perfect novel of psychological suspense” (Lee Child) that spins one woman’s seemingly good fortune, and another woman’s mysterious fate, through a kaleidoscope of duplicity, death, and deception Please make a list of every possession you consider essential to your life. The request seems odd, even intrusive—and for the two women who answer, the consequences are devastating. EMMA Reeling from a traumatic break-in, Emma wants a new place to live. But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant—and it does. JANE After a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street she is instantly drawn to the space—and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home’s previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror, as the girl before. Praise for The Girl Before “Dazzling, startling, and above all cunning—a pitch-perfect novel of psychological suspense.”—Lee Child “The Girl Before generates a fast pace. . . . [J. P.] Delaney intersperses ethics questions on stand-alone pages throughout the book. . . . The single most ingenious touch is that we’re not provided either woman’s answers.”—The New York Times “J. P. Delaney builds the suspense.”—Vanity Fair “Immediate guarantee: You will not be able to put this book down. . . . Fans of Gone Girl and The Girl on the Train will realize that there’s not only more where that came from, but it’s also more thrilling.”—American Booksellers Association

In this powerful psychological suspense debut, when a woman’s life is shattered, she is faced with a devastating question: What if everything she thought was normal and good and true...wasn’t? Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara’s fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents. We see her now, sequestered in an institution, questioned by men and women who call her a different name—Diana—and who accuse her husband of unspeakable crimes. As recollections of her past collide with new revelations, Clara must question everything she thought she knew, to come to terms with the truth of her history and to summon the strength to navigate her future.

A crime thriller with a brilliant twist you won't see coming! You can't outrun the past...

In this twisty psychological thriller from the New York Times bestselling author of The Girl Before, an actress plays both sides of a murder investigation. “[A] rich, nuanced, highly literary take on the Gone Girl theme.”—Booklist (starred review) Claire Wright is desperate. A British drama student in New York without a green card, she takes the only job she can get: working for a firm of divorce lawyers, posing as an easy pickup in hotel bars to entrap straying husbands. But then the game changes. When one of her targets becomes the suspect in a murder investigation, the police ask Claire to use her acting chops to lure him into a confession. From the start, she questions the part she’s being asked to play: Is Patrick Fogler a killer? Or is there more to this setup than she’s being told? Claire will soon realize she is playing the deadliest role of her life. Praise for Believe Me “For readers who enjoyed the paranoia factor in A. J. Finn’s The Woman in the Window or the unreliable narrator of Paula Hawkins’s The Girl on the Train.”—Library Journal “Produces a bobsled run’s worth of twists.” —Publishers Weekly “An intense, stylish psychological thriller.”—Good Housekeeping “A dark and haunting thriller . . . A superb evocation of conflicted emotions, this never lets you guess what’s coming next.”—Daily Mail “I so enjoyed it—what a twisty, exciting read.”—Sabine Durrant, author of Lie With Me

‘The new GIRL ON THE TRAIN’ Observer What did he do to ... The Girl Before You

She'll juggle your balls. For Stella Allesandro, chaos is good. She's a rising star at a leading sports publicity firm. She's known throughout the industry as the jock whisperer—the one who can tame the baddest of the bad boys in professional sports without losing her signature smile. But Cal Hartshorn is an entirely different kind of chaos. He'll fix your broken heart. This former Army Ranger and now-famous cardiothoracic surgeon fails at nothing…except talking to a woman he's adored from afar. Whether on the battlefield or operating room, he's exacting, precise, and efficient, but all of that crumbles when Stella is in sight. Cal always knows—and gets—what he wants, and now he wants all of her. His forever girl. But Stella isn't convinced she's anyone's forever.

Named one of "40 Gifts for the Book Lover on Your List," by Good Housekeeping: The definitive book about Joan Rivers' tumultuous, victorious, tragic, hilarious, and fascinating life. Joan Rivers was more than a legendary comedian; she was an icon and a role model to millions, a fearless pioneer who left a legacy of expanded opportunity when she died in 2014. Her life was a dramatic roller coaster of triumphant highs and devastating lows: the suicide of her husband, her feud with Johnny Carson, her estrangement from her daughter, her many plastic surgeries, her ferocious ambition and her massive insecurities. But Rivers' career was also hugely significant in American cultural history, breaking down barriers for her gender and pushing the boundaries of truth-telling for women in public life. A juicy, intimate biography of one of the greatest comedians ever -- a performer whose sixty year career was borne, simply, out of a desire to make people laugh so she could feel loved -- Last Girl Before Freeway delves into the inner workings of a woman who both reflected and redefined the world around her.

Each volume in this new series offers an in-depth exploration of one major work in MoMA's collection. Through a lively illustrated essay by a MoMA curator that examines the work in detail, the publication delves into aspects of the artist's oeuvre and places the work in a broader social and arthistorical context.

The author of Conversations with a Fat Girl—optioned for HBO—returns with the hilarious and heartfelt story of a woman who must learn how to be the heroine of her own life—a journey that will teach her priceless lessons about love, friendship, family, work, and her own heart. An account executive in a Mad Men world, Anna Wyatt is at a crossroads. Recently divorced, she’s done a lot of emotional housecleaning, including a self-imposed dating sabbatical. But now that she’s turned forty, she’s struggling to figure out what her life needs. Brainstorming to win over an important new client, she discovers a self-help book—Be the Heroine, Find Your Hero—that offers her unexpected insights and leads her to a most unlikely place: a romance writers’ conference. If she can sign the Romance Cover Model of the Year Pageant winner for her campaign—and meet the author who has inspired her to take control of her life—she’ll win the account. For Anna, taking control means taking chances, including getting to know Sasha, her pretty young colleague on the project, and indulging in a steamy elevator ride with Lincoln Mallory, a dashing financial consultant she meets in the hotel. When the conference ends, Anna and Lincoln must decide if their intense connection is strong enough to survive outside the romantic fantasy they’ve created. Yet Lincoln is only one of Anna’s dilemmas. Now that her campaign is off the ground, others in the office want to steal her success, and her alcoholic brother, Ferdie, is spiraling out of control. To have the life she wants—to be happy without guilt, to be accepted for herself, to love and to be loved, to just be—she has to put herself first, accept her imperfections, embrace her passions, and finally be the heroine of her own story.