Contemporary children’s literature in Bangla celebrates irreverent, defiant and deviant boys whose subversive doings critique the parenting and schooling they go through, while the girl child is neglected and marginalised. The rare fictional girls who show resilience and demand a normal childhood are consciously silenced, or contained and assimilated within unwritten masculinist norms. This book –a compilation of translated works of the author, critic and academic, Sibaji Bandyopadhyay –focuses on gender and childhood in Bengal. The book includes a translation of his Bangla Shishusahityer Chhoto Meyera (Little Girls in Bangla Children’s Literature), as well as a translated essay on Thakurma’ Jhuli (Grandma’s Sack), a collection of Bangla folk tales and fairytales from early twentieth century that underscores the subaltern role of adolescent female characters with hardly any agency or voice in the oral legends and folklore of Bengal. The translation of the piece ‘An Incredible Transition’ from Bandyopadhyay’s Abar Shishushiksha (On Children’s Education Again) applauds the role of Indian social reformers and British educationists in initiating women’s education in Bengal, while questioning the erasure of protagonists who are girls in the nineteenth-century primers. Interrogating gendered constructions in diverse genres of literature while revisiting the subject of female education, this book will be of interest to students of children’s literature, comparative literature, popular literature, gender studies, translation studies, culture studies and South Asian writings.

In my Peasant Life in Bengal I make the peasant boy Govinda spend some hours every evening in listening to stories told by an old woman, who was called Sambhu's mother, and who was the best story-teller in the village. On reading that passage, Captain R. C. Temple, of the Bengal Staff Corps, son of the distinguished Indian administrator Sir Richard Temple, wrote to me to say how interesting it would be to get a collection of those unwritten stories which old women in India recite to little children in the evenings, and to ask whether I could not make such a collection. As I was no stranger to the Mährchen of the Brothers Grimm, to the Norse Tales so admirably told by Dasent, to Arnason's Icelandic Stories translated by Powell, to the Highland Stories done into English by Campbell, and to the fairy stories collected by other writers, and as I believed that the collection suggested would be a contribution, however slight, to that daily increasing literature of folk-lore and comparative mythology which, like comparative philosophy, proves that the swarthy and half-naked peasant on the banks of the Ganges is a cousin, albeit of the hundredth remove, to the fair-skinned and well-dressed Englishman on the banks of the Thames, I readily caught up the idea and cast about for materials. But where was an old story-telling woman to be got? I had myself, when a little boy, heard hundreds-it would be no exaggeration to say thousands-of fairy tales from that same old woman, Sambhu's mother-for she was no fictitious person; she actually lived in the flesh and bore that name; but I had nearly forgotten those stories, at any rate they had all got confused in my head, the tail of one story being joined to the head of another, and the head of a third to the tail of a fourth. How I wished that poor Sambhu's mother had been alive! But she had gone long, long ago, to that bourne from which no traveller returns, and her son Sambhu, too, had followed her thither. After a great deal of search I found my Gammer Grethel-though not half so old as the Frau Viehmännin of Hesse-Cassel-in the person of a Bengali Christian woman, who, when a little girl and living in her heathen home, had heard many stories from her old grandmother. She was a good story-teller, but her stock was not large; and after I had heard ten from her I had to look about for fresh sources. An old Brahman told me two stories; an old barber, three; an old servant of mine told me two; and the rest I heard from another old Brahman. None of my authorities knew English; they all told the stories in Bengali, and I translated them into English when I came home. I heard many more stories than those contained in the following pages; but I rejected a great many, as they appeared to me to contain spurious additions to the original stories which I had heard when a boy. I have reason to believe that the stories given in this book are a genuine sample of the old old stories told by old Bengali women from age to age through a hundred generations.

Folk Tales of Bengal: Life’s Secret (1883) is a collection of stories by Lal Behari Dey. Inspired by the stories told to him by village elders in his boyhood, Lal Behari Dey wrote Folk Tales of Bengal: Life’s Secret in order to portray the lives and traditions of Bengali peasants in a positive, human light. Praised by Charles Darwin for his novel Govinda Samanta: Or the History of a Bengal Raiyat, Lal Behari Dey was awarded a substantial prize for his literary achievements by a prominent Bengali zamindar, cementing his reputation as a pioneering figure in Bengali literature. “I have reason to believe that the stories given in this book are a genuine sample of the old old stories told by old Bengali women from age to age through a hundred generations.” With this certificate of authenticity, Lal Behari Dey presents the stories of his youth in Bengal, stories of kings and queens, gods and monsters, of rich and poor and everything in between. In “Life’s Secret,” he tells the tale of Suo, a beautiful queen who has been unable to give birth to a son for her impatient, powerful husband. Just as she is ready to give in to despair, a mysterious healer presents her with a magical drug that will grant her the fertility she seeks. In “Phakir Chand,” two young friends on a journey to a foreign land encounter a princess held captive by a terrifying serpent. Saving her, they agree to remain at her palace, but only one of them can take her hand in marriage. Charming, instructive, and often surprising, Folk Tales of Bengal: Life’s Secret is an underappreciated masterpiece of Bengali literature from Lal Behari Dey. With a beautifully designed cover and professionally typeset manuscript, this edition of Lal Behari Dey’s Folk Tales of Bengal: Life’s Secret is a classic work of Bengali literature reimagined for modern readers.