Small towns have secrets. The dark mysteries of Emma's life are ready to be told. It has been more than a year since Emma Griffin stumbled upon a clue behind the dangerous secrets of her past. Now, she has the answers at her fingertips. The only question is will she survive long enough to find them? As Greg struggles to recover, Emma keeps watch over him. She's desperate for answers, answers locked inside him. And she will do whatever it takes to keep him safe. Her dangerous cat and mouse game with Catch Me, leads her to discover more about Dean and how their pasts truly collide. Is she who she has always believed? Or does her uncle know more about her than she would ever want to know? One thing is for certain, a small town full of deadly secrets still has more to tell. The Girl and the Deadly End is the seventh book in the Emma Griffin Mystery series, it can be read as a standalone.

On board an unstoppable train the truth of the past finally unfolds, but will it be at the expense of everyone's life on board the deadly express? FBI agent Emma Griffin is starting to get her life back on track. But as she gets used to the changes in her career and settling into her personal life, questions about her past continue to haunt her. When a mysterious letter appears from Feathered Nest asking Emma to help, suspicion arises. She's being lured onto the train and she doesn't know why. But she can't ignore it. This is her fight, and she won't back down. With Sam on the train an hour behind her, Emma begins the journey. Four hours closed in the train. A strange fellow passenger and a note appearing at her seat send her into an empty passenger car, where she finds the body of a murdered man, and a message addressed to her. Warned not to call police or let the train stop for any reason, Emma is drawn into a sick and twisted game where the painful memories of her family are used to taunt and threaten her. The minutes tick by, bringing her closer to destruction. A huge storm is brewing, and Emma must face it head on if she wants to survive long enough to learn the hidden secrets of her past. The Girl and the Deadly Express is the fifth book in the Emma Griffin Mystery series, it can be read as a standalone.

Catch me. The words that taunted FBI Agent Emma Griffin on the blood-soaked train ride from Sherwood continue to follow her. Drawn to Feathered Nest, she discovers that the horror is far from over and whoever is behind the dare has no intention of his brutal game slowing down any time soon. While in Feathered Nest, she revisits Cabin 13 to figure out the truth behind the necklace and search for more clues to discover the secret of the dead man that she found on its doorstep. As she tugs the threads of the mysteries that have haunted her, the life Emma thought she knew starts to unravel around her. How well did she really know her mother and father? How much can she trust Greg? Are the secrets in Feathered Nest really her own? Lives depend on Emma's skill and instinct. Some she has the chance to save. Others are long lost, but she can ensure they are remembered for what they were. As she pieces together the stories of her past, she begins to realize they are far bigger than she could have imagined. But only Emma can determine how they end. There is no turning back now. It is catch or be caught. Hunt or be hunted. The Girl and the Hunt is the sixth book in the Emma Griffin Mystery series, it can be read as a standalone.

A serial killer is hiding in plain sight. No one is safe in this seaside town. Not even FBI Special Agent Tanya Stone and her K9, Max. Enjoy this NEW twisty crime thriller series by award-winning author, Tikiri Herath. Paradise Cove is the perfect vacation getaway. So, FBI Agent Tanya Stone thinks... Until a Porsche slams into the café where she and her detective friends are enjoying a morning coffee. To their horror, the driver shoots a man dead. Then, she turns the gun on herself next. The sheriff is quick to call it a case of extreme road rage, but Tanya realizes not all is well in this idyllic community. The sinister secret behind this brutal crime lies buried deep in the nearby woods. But no one wants to see the truth. With the help of her friends and her K9 partner, Max, Tanya becomes obsessed with unraveling the deadly mystery. But the more lies she exposes, the more dangerous it is to stay in town. A killer is hiding in plain sight, watching her.... ______________ *This book is the first in this series.* There is no graphic violence, heavy cursing, or explicit sex in this book. No dog is ever harmed but the villains always are. ______________ What readers are saying about this book: ⭐⭐⭐⭐⭐ "Wow. All I can say is I was hooked right away after reading the prologue. If you love mystery and murder this is the book for you. So good. Just wow." ⭐⭐⭐⭐⭐ "Read SO fast! This needs to be a movie. Downloading the sequel right now!!" ⭐⭐⭐⭐⭐ "It has twists and turns that had my jaw on the floor most of the time, I just kept going…. It's my first in the thriller genre, and now I'm into reading more thrillers." ⭐⭐⭐⭐⭐ "It's so refreshing to read a fast-moving tale without vulgar language and graphic sex scene, yet the pages keep turning faster!" ⭐⭐⭐⭐⭐ "This book will grab you from the start and will not let up until the last paragraph. It will have you on the edge of your seat holding your breath! I didn't want to stop reading to sleep or run errands. It's just that good. I will definitely be reading more books in this series!" ⭐⭐⭐⭐⭐ "A BIG FIVE STARS. This is a slam dunk, adrenaline pumping, stomach churning novel. Tikiri is on her A Game throughout. The characters are dynamic, the story -riveting- the scenes-explosive. I can't praise this book enough. Very Highly Recommended." ______________ The TANYA STONE FBI K9 MYSTERY THRILLERS for fans of Kendra Elliot, Melinda Leigh, and Wendy Dranfield. • Her Deadly End • Her Cold Blood • Her Last Lie • Her Secret Crime • Her Perfect Murder • Her Grisly Grave “I write spine-tingling psychological mystery thrillers that feature strong female detectives who hunt the killers…and make them pay.” ~ Tikiri

Seventeen-year-old Zhong Ning'er, a wily young thief, must use her wits to survive in an alternate, futuristic Beijing.

Is he her darling Big BOOS? If he refused it, he would continue to use the "unspoken rules"! Finally, in front of others, she became his new superstar, and behind her, she became his contracted lover ... The woman's lips curved into a strange smile. "The prey has taken the bait. Revenge has just begun!"

In recent years, environmental and human rights advocates have suggested that we have entered the first new geological epoch since the end of the ice age: the Anthropocene. In this new epoch, humans have come to reshape unwittingly both the climate and natural world; humankind has caused mass extinctions of plant and animal species, polluted the oceans, and irreversibly altered the atmosphere. Ironically, our efforts to make the planet more hospitable to ourselves seem to be driving us toward our inevitable extinction. A force of nature, humanity is now decentered as the agent of history. As Jennifer Fay argues, this new situation is to geological science what cinema has always been to human culture. Film, like the Anthropocene, is a product of the industrial revolution, but arises out of a desire to preserve life and master time and space. It also calls for the creation of artificial worlds, unnatural weather, and deadly environments for entertainment, scientific study, and devising military strategy. Filmmaking stages, quite literally, the process by which worlds and weather come into being and meaning, and it mimics the forces that are driving this new planetary inhospitality. Cinema, in other words, provides an image of "nature" in the age of its mechanical reproducability. Fay argues that cinema exemplifies the philosophical, political, and perhaps even logistical processes by which we can adapt to these forces and also imagine a world without humans in it. Whereas standard ecological criticism attends to the environmental crisis as an unraveling of our natural state, this book looks to film (from Buster Keaton, to Jia Zhangke, to films of atomic testing and early polar exploration) to consider how it reflects upon the creation and destruction of human environments. What are the implications of ecological inhospitality? What role might cinema and media theory play in challenging our presumed right to occupy and populate the world? As an art form, film enjoys a unique relationship to the material, elemental world it captures and produces. Through it, we may appreciate the ambitions to design an unhomely planet that may no longer accommodate us.