The Japanese form of Golden Age detective fiction was re-launched in the early 1980s as shin honkaku by Soji Shimada and Yukito Ayatsuji, but the original honkaku dates from the 1930s and one of its pioneers was Keikichi Osaka. The Ginza Ghost is a collection of twelve of his best stories, almost all impossible crimes. Although the solutions are strictly fair-play, there is an unreal, almost hallucinatory quality to them. Osaka, who died tragically young, was an early pioneer and master of the genre, whose work is only now starting to be re-discovered. Readers of LRI's The Decagon house Murders and The Moai Island Puzzle will not be disappointed. Locked Room International discovers and publishes impossible crime mysteries from all over the world, by authors past and present.

This story starts from an ordinary and ordinary young man Zhang song. Let's see how Zhang Song led his brothers to fight together and become a generation of urban kingpins.

Mystery crime fiction written in the Golden Age of Murder "Edwards has done mystery readers a great service by providing the first-ever anthology of golden age short stories in translation, with 15 superior offerings from authors from France, Japan, Denmark, Austria, Germany, Holland, Mexico, Russia, and elsewhere; even Anton Chekhov makes a contribution." —Publishers Weekly STARRED review Today, translated crime fiction is in vogue—but this was not always the case. A century before Scandi noir, writers across Europe and beyond were publishing detective stories of high quality. Often these did not appear in English and they have been known only by a small number of experts. This is the first ever collection of classic crime in translation from the golden age of the genre in the 20th century. Many of these stories are exceptionally rare, and several have been translated for the first time to appear in this volume.

"... a work of great importance." Soji Shimada, author of "The Toko Zodiac Murders" "Death Among the Undead" is the only novel ever to have achieved first place in all four major annual mystery fiction rankings in Japan. It was an overnight sensation and was turned into a film and a manga. Its success was due to the novel twist of adding zombies to a shin honkaku country house setting, but fans of locked room mysteries and closed circle plots need not worry. The iron-clad rules regarding the zombies' behaviour and existence are rigorously observed, and are used to create the boundaries of the mystery in a highly ingenious way. A dozen students decide to rent a boarding house in the mountains. A nearby bioterrorism event results in the house being surrounded by zombies. Initially they are repelled by the occupants using swords and spears, but then a murder occurs inside a room locked on the inside. A human could not have made the bite marks that killed the victim, but a zombie could not have got into the room to make them. More murders occur. Theories abound, but are knocked down as soon as they are proposed. The solution is an extraordinary exercise in deduction. Locked Room International translates and publishes the works of international impossible crime authors past and present.

A ground-breaking work of Asian American fiction in a brand new edition.

Unblinking in its vision of a nation in a chaotic, hellish period in its history, Tokyo Year Zero is a “brilliant, perplexing, claustrophobic … exhilarating” crime novel (The New York Times Book Review). It's August 1946—one year after the Japanese surrender—and women are turning up dead all over Tokyo. Detective Minami of the Tokyo Metropolitan Police—irreverent, angry, despairing—goes on the hunt for a killer known as the Japanese Bluebeard—a decorated former Imperial soldier who raped and murdered at least ten women amidst the turmoil of post-war Tokyo. As he undertakes the case, Minami is haunted by his own memories of atrocities that he can no longer explain or forgive.

In these twelve interconnected tales, David Peace—acclaimed author of the Red Riding Quartet, Occupied City, and Tokyo Year Zero—weaves fact and fiction as he takes up the brief but fiercely lived life of the early-twentieth-century Japanese writer Ryūnosuke Akutagawa. Unique and offbeat, Patient X delves into Akutagawa’s rich and complicated private life: his fears and battles with mental illness; his complex reaction to the Westernization of Japan; his exacting creative process; and his suicide, weaving these facets into a hauntingly evocative portrait. But Patient X is more than a paean to one remarkable writer: it is also an incandescent exploration of the act and obsession of writing itself, and of the role of the artist in times that darkly mirror our own.

The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions

Stories based on traditional Japanese folklore.