In a time of political violence and religious censorship, Julian of Norwich dared to speak about love and her understanding of God through her remarkable book of 'Showings' or revelations. This series of sixteen visions came to her during a severe illness when she was thirty. Her message is that God who is all love, all goodness, and the source of all existence, will make all things well. Yet Julian also asks: 'How shall all be well?' in the face of suffering and pain. Superb illustration and calligraphy combine with translations and insights to provide a fascinating account of Julian's world.

"Dr. Gloria Durka gives us in one book an experi-ence of meditation, an insight into a righ can compli-cated social epoch, a quiet argument for women's rights, and a practical encounter with a thinker".... Dr. Anthony Padovano, Ramapo College of New Jer

Julian of Norwich, an anchoress of the fourteenth century, has captured the imagination of our time in a remarkable way. She shares with her readers the deepest and most intimate experiences of her life through her writings.This detailed study of Julian attempts not only to penetrate her theological ideas but also brings to life her world and her life as an anchoress. Grace Jantzen has more than an academic interest in Julian's writings and sets out to integrate scholarly findings with contemporary spirituality. There is much in the thought of this extraordinary woman mystic which is excitingly relevant; her insights into spiritual growth and wholeness foreshadow the modern interest in psychotherapy and her image of Christ as mother has resounding implications for Christian feminist theology.In a new introduction to this edition, the author explores what it might mean to be an anchoress in post modernity, and how reflections on Julian of Norwich and her desire for God can enable us to become the space of divine transformation.This is a book not only for those who have a scholarly interest in Julian, but also for anyone drawn to Christian mysticism and the place of women within that tradition.Julian of Norwich, an anchoress of the fourteenth century, has captured the imagination of our time in a remarkable way. She shares with her readers the deepest and most intimate experiences of her life through her writings.

The fourteenth-century anchorite known as Julian of Norwich offered fervent prayers for a deeper understanding of Christ's passion. The holy woman's petitions were answered with a series of divine revelations that she called "shewings." Her mystic visions revealed Christ's sufferings with extreme intensity, but they also confirmed God's constant love for humanity and infinite capacity for forgiveness. Julian of Norwich's Revelations of Divine Love have had a lasting influence on Christian thought. Written in immediate, compelling terms, her experiences remain among the most original and accessible expressions of medieval mysticism. This edition contains both the short text, which is mainly an account of the shewings and Julian's initial analysis of their meaning, and the long text, completed some 20 years later and offering daringly speculative interpretations.

This historical biography follows the extraordinary life of Julian of Norwich. She lived through the dreadful bubonic plague that killed close to 50% of Europeans. Being an anchoress, she ‘sheltered in place’ and developed a deep wisdom that she shared in her book, Showings, which was the first book in English by a woman. A theologian way ahead of her time, Julian develops a feminist understanding of God as mother at the heart of nature’s goodness. Fox shares what isn’t typically written in a medieval history book: Julian of Norwich’s teachings that goes beyond religion and spirituality. It also contains sensible advice on how to live in light during this unpredictable times. If you’re into feminist history books or lives about female authors, this one is definitely for you!

* Includes passages from Scripture and opportunities to reflect and pray * Ideal for use during Advent or Lent

Unlike other brief summaries of Julian's life in 14th-century Norwich, England, this book goes in-depth to uncover the political, cultural, social and religious milieu that formed and deeply influenced her development as a woman and a Christian mystic.

For centuries readers have comfortably accepted Julian of Norwich as simply a mystic. In this astute book, Denys Turner offers a new interpretation of Julian and the significance of her work. Turner argues that this fourteenth-century thinker's sophisticated approach to theological questions places her legitimately within the pantheon of other great medieval theologians, including Thomas Aquinas, Bernard of Clairvaux, and Bonaventure.Julian wrote but one work in two versions, a Short Text recording the series of visions of Jesus Christ she experienced while suffering a near-fatal illness, and a much expanded Long Text exploring the theological meaning of the "showings" some twenty years later. Turner addresses the apparent conflict between the two sources of Julian's theology: on the one hand, her personal revelation of God's omnipotent love, and on the other, the Church's teachings on and her own witnessing of evil in the world that deserves punishment, even eternal punishment. Offering a fresh and elegant account of Julian's response to this conflict--one that reveals its nuances, systematic character, and originality--this book marks a new stage in the century-long rediscovery of one of the English language's greatest theological thinkers.

The Showings of Divine Love is a book of Christian mystical devotions written by Julian of Norwich. It is believed to be the first published book in the English language to be written by a woman. At the age of thirty, 13 May 1373, Julian was struck with a serious illness. As she prayed and prepared for death, she received a series of sixteen visions on the Passion of Christ and the Virgin Mary. Saved from the brink of death, Julian of Norwich dedicated her life to solitary prayer and the contemplation of the visions she had received. She wrote a short account of her visions probably soon after the event. About twenty or thirty years after her illness, near the end of the fourteenth century, she wrote down her visions and her understanding of them. This is the Grace Warrack translation that brought this great work the recognition it deserved.

Julian of Norwich (ca. 1343&–ca. 1416), a contemporary of Geoffrey Chaucer, William Langland, and John Wyclif, is the earliest woman writer of English we know about. Although she described herself as &“a simple creature unlettered,&” Julian is now widely recognized as one of the great speculative theologians of the Middle Ages, whose thinking about God as love has made a permanent contribution to the tradition of Christian belief. Despite her recent popularity, however, Julian is usually read only in translation and often in extracts rather than as a whole. This book presents a much-needed new edition of Julian&’s writings in Middle English, one that makes possible the serious reading and study of her thought not just for students and scholars of Middle English but also for those with little or no previous experience with the language. &• Separate texts of both Julian&’s works, A Vision Showed to a Devout Woman and A Revelation of Love, with modern punctuation and paragraphing and partly regularized spelling. &• A second, analytic edition of A Vision printed underneath the text of A Revelation to show what was left out, changed, or added as Julian expanded the earlier work into the later one. &• Facing-page explanatory notes, with translations of difficult words and phrases, cross-references to other parts of the text, and citations of biblical and other sources. &• A thoroughly accessible introduction to Julian&’s life and writings. &• An appendix of medieval and early modern records relating to Julian and her writings. &• An analytic bibliography of editions, translations, scholarly studies, and other works. The most distinctive feature of this volume is the editors&’ approach to the manuscripts. Middle English editions habitually retain original spellings of their base manuscript intact and only emend that manuscript when its readings make no sense. At once more interventionist and more speculative, this edition synthesizes readings from all the surviving manuscripts, with careful justification of each choice involved in this process. For readers who are not concerned with textual matters, the result will be a more readable and satisfying text. For Middle English scholars, the edition is intended both as a hypothesis and as a challenge to the assumptions the field brings to the business of editing.