A New York Times Notable Book and Winner of The Los Angeles Times Book Prize, Neville's debut remains "a flat-out terror trip" (James Ellroy) and "one of the best Irish novels, in any genre, of recent times" (John Connolly). Northern Ireland’s Troubles may be over, but peace has not erased the crimes of the past. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the twelve people he slaughtered. Every night, at the point of losing his mind, he drowns their screams in drink. But it’s not enough. In order to appease the ghosts, Fegan is going to have to kill the men who gave him orders. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan’s vendetta threatens to derail a hard-won truce and destabilize the government, old comrades and enemies alike want him dead.

Fegan has been an IRA killer in northern Ireland. Now that peace has come, he is haunted day and night by the ghosts of his innocent victims. In order to appease the spirits, he's going to have to kill the men who had given him orders.

A merciless assassin stalks Belfast and Detective Inspector Jack Lennon has been assigned to the case. As Lennon unravels a far-reaching conspiracy involving collusion among Loyalists, IRA members, and law enforcement, he discovers that his estranged former lover and their daughter are in the killer's cross-hairs. To catch the assassin and save the only family he has, Lennon blurs the line between friend and enemy by teaming up with an enigmatic killer named Fegan.

Blood has always been thicker than water for two Northern Irish brothers caught in the Belfast foster system, but a debt of past violence will be paid by not just them, but also by those they left behind. Ciaran Devine, who made Belfast headlines seven years ago as the “schoolboy killer,” is about to walk free. At the age of twelve, he confessed to the brutal murder of his foster father; his testimony mitigated the sentence of his older brother, Thomas, who was also found at the crime scene, covered in blood. But DCI Serena Flanagan, the only officer who could convince a young, frightened Ciaran to speak, has silently harbored doubts about his confession all this time. Ciaran’s release means several things: a long-anticipated reunion with Thomas, who still wields a dangerous influence over his younger brother; the call-to-action of a man bent on revenge for his father’s death; and major trouble for Ciaran’s assigned probation officer. Meanwhile, Serena Flanagan has just returned to the force from her battle with breast cancer, only to endure the pitying looks of her coworkers and a mountain of open case files. She will soon discover that even closed cases can unleash terror on the streets of Belfast.

A powerful debut set in Belfast and London in the latter years of the twentieth century.

Part one: new monsters; contains seven chilling stand-alone tales that traverse and blend the genres of crime fiction, horror, and speculative fiction. Part two: old friends; contains five short pieces that reveal the origins or hidden backstories of Neville fan-favorite characters like Albert Ryan, Roberta Garrick, and Gerry Fegan

Lee Child, Eoin McNamee, and others explore the dark corners and alleyways of Belfast.

Stuart Neville, “the current master of neo-noir detective fiction” (Boston Globe), is back with a chilling new thriller Belfast, Northern Ireland: Rea Carlisle has inherited a house from an uncle she never knew. It doesn't take her long to clear out the dead man's remaining possessions, but one room remains stubbornly locked. When Rea finally forces it open, she discovers inside a chair, a table—and a leather-bound book, its pages filled with locks of hair, fingernails: a catalogue of victims. Horrified, Rea wants to go straight to the police but her family intervenes, fearing that scandal will mar her politician father's public image. Rea turns to the only person she can think of: disgraced police inspector Jack Lennon. He is facing suspension from the force and his new supervisor, DCI Serena Flanagan, is the toughest cop he's ever met. But a gruesome murder brings the dead man's terrifying journal to the top of the Belfast police's priority list.

For fans of Gillian Flynn and Tana French, a chilling story of a Northern Irish murder sixty years buried Sara Keane’s husband, Damien, has uprooted them from England and moved them to his native Northern Ireland for a “fresh start” in the wake of her nervous breakdown. Sara, who knows no one in Northern Ireland, is jobless, carless, friendless—all but a prisoner in her own house. When a blood-soaked old woman beats on the door, insisting the house is hers before being bundled back to her care facility, Sara begins to understand the house has a terrible history her husband never intended for her to discover. As the two women form a bond over their shared traumas, Sara finds the strength to stand up to her abuser, and Mary—silent for six decades—is finally ready to tell her story . . . Through the counterpoint voices—one modern Englishwoman, one Northern Irish farmgirl speaking from half a century earlier—Stuart Neville offers a chilling and gorgeous portrait of violence and resilience in this truly haunting narrative.

Fifteen-year-old Samuel Scott died while building the Titanic. As the ship sails to her doom, his ghost moves restlessly alongside the passengers and crew: Frederick Fleet: the young look-out who spotted the iceberg and who survived in a life-boat with (the unsinkable) Molly Brown; Howard Hartley Wallace: the heroic band-leader who played ragtime music as the freezing waters lapped at his feet; Harold Bride: the junior radio operator whose messages echoed on, long after the ship had disappeared to its icy grave ...