The mystery of private investigator Lew Griffin is revealed in the conclusion of this critically acclaimed, groundbreaking series. In his old house in uptown New Orleans, Lew Griffin stands alone in a dark room, looking out. Behind him on the bed is a body. Instead of speaking, he reflects on his life—his failing relationship, his missing son, the fact that he hasn’t written in years—and how the two of them ended up there. In a novel as much about identity as about crime, the answers to Lew’s personal mysteries begin to become clear in the series’ brilliantly constructed climax.

Time: 1975. Location: New York City.The murder of Roger "s musician friend, Gideon Whiting, turns Roger "s world up-side-down. His wife, Natalie, lies to him. His best friend, Ted, lies to him. His boss and U.S. Senate candidate, Charlie Holt, lies to him. And Lieutenant Tarrington, a homicide detective, is convinced Roger killed Gideon †but is Tarrington who he claims to be, or is he lying, too?Peggy Curtis, the blond bombshell who dropped into Roger "s life one snowy night after he left Gideon "s apartment, might be the only person who can unravel the Gordian knot facing Roger, yet she has serious credibility problems, and is the last person he would want to rely on with his life and freedom on the line.The drug cartel masterminding much of the chaos seeks an address book it thinks Roger took from Gideon. As their ruthless pursuit intensifies, the police learn of the book and join the chase. The problem is, Roger doesn "t have what they want and he must get it before they decide he is expendable.

"The co-founder of the Red Hot Chili Peppers chronicles his life from his birth in Australia and upbringing on the streets of Los Angeles through his rise to Rock and Roll Hall of Fame inductee." --

A reimagining of the life of the poet-painter William Blake. Set in 1790, at the onset of The Industrial Revolution, William suffers from the death of his beloved younger brother, Robert. Catherine (Kate) Blake attempts to comfort her husband, but cannot dispel his grief. During this spell of anxiety, William is visited by an ominous creature: The Ghost of a Flea. The Flea reveals a vested interest in William's spiritual well-being -- the result of an unorthodox wager. Will William triumph over The Flea's sinister meddling? Or will he fall victim to The Flea's corruption?

Who ever heard of a cat that didn't eat birds? The house people had picked me out of my litter to be a mouser. Callie was getting too old for the job. So it was mine. But I didn't plan on getting dive-bombed by a mockingbird building her nest...or adopting the baby who fell out. No joke! I'm a cat, but I do not eat birds. Mice, yes. Birds, no. Flea -- that's what I named her -- couldn't even fly. She was so scared when she toppled onto my head that she said, "Eat me...it's quicker than starving to death." She was pathetic. I had to help her. The first step was protecting Flea -- and me -- from the monster rats in the barn (that's saying a mouthful!) and Bullsnake under the woodpile. Next, Callie and I had to teach Flea to fly. After all, how could she stay up North with us when her bird family was flying to Florida. I'm not a Florida kind of cat. It's just too hot for us furry types. I know I'll miss my Flea. But she'll come back -- after she's seen the world!

An astonishingly disagreeable ant meets his match in this pitch-perfect picture book comedy from Arthur Yorinks and Sergio Ruzzier. Was there ever an ant as mean as this mean ant? Not likely. This ant is so mean that leaves fall off trees when he walks by. This ant is so mean that grapes shrivel when he looks at them. But when this mean ant finds himself lost in the desert and meets a fly that defies explanation . . . well, nothing is the same again. With this first in a planned trilogy, celebrated picture book creators Arthur Yorinks and Sergio Ruzzier team up for a hilariously slapstick tale that will make a raucous read-aloud for any storytime.

The Autobiography of a Flea is an unsigned erotic novel. A flea recounts the story of a stunning youthful girl called Bella, whose flourishing sexuality is explored by a number of men and even her best friend Julia.

A wildly insightful look at the hilarious and haunting paintings of one of downtown New York's most renowned painters. John Lurie alternatively exposes or addresses the larger, enduring myths of culture through sketches of seemingly lost childhood reveries and cryptic symbolism.