A YA novel set in a seaside New England town in the 1920s, where twelve-year-old Clare discovers a mysterious glass house and falls in love with Jack, the ghost of a boy who can't remember how he died.

Marti Mickkleson sees ghosts. Only her great-grandmother believes her. Since she died the day before Marti was born, her support isn't worth much in the world of the living. When Marti wakes up in a compromising position with her estranged father standing over her, she thinks he owes her a big apology. After all, he's dead and talking to her-and she talks back. Instead, he claims he was murdered and demands she go home and do something about it. She agrees-anything to get her father out of her life and into his own afterlife. In Bicklesburg, she finds her once formidable mother in the throes of dementia, her perfect-prom-queen sister now a lawyer married to a not-so-perfect man, and her bad-boy high school boyfriend a private security guard watching over the family fortress. When her mother wanders away and is found cradling a bloodstained garden gnome, she and Grandma Bertie must uncover a murderer before Marti ends up a ghost herself.

In a 1920s seaside town, Clare discovers a mysterious glass house in the backyard of her new summer home. There she falls in love with Jack, the ghost of a boy who can’t remember who he was before he died. Their romance is a haven for her from the cruel pranks of her society friends, especially her best friend, Bridget, who can’t wait to grow up and embark on romances of her own. As Clare begins to suspect an affair between her mother and Bridget's father, she retreats to the glass house. But that haven begins to crack when she realizes that Jack has lied to her about his name . . . From a dazzling and fearless new voice comes a shimmering story full of wonder and mystery, in a world where every character is haunted by lingering ghosts of love.

A rambling old smuggler's inn, a strange map, an attic packed with treasures, squabbling guests, theft, friendship, and an unusual haunting mark this smart mystery in the tradition of the Mysterious Benedict Society books. Illustrations.

For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.

For decades, artists and photographers have used the Glass House--architect Phillip Johnson's landmark home in New Canaan, Connecticut--as inspiration for works of art. Now, with THE GLASS HOUSE COLORING BOOK, we can all do the same. With 36 black-and-white drawings by David Crotty, an introduction by Pulitzer Prize-winning architecture critic Paul Goldberger, and cover art by Vik Muniz, the 96-page softcover presents Johnson's home in ways that invite creative exploration and reinterpretation. Now owned and operated by the National Trust for Historic Preservation, the Glass House is a 49-acre landscape that comprises 14 architecturally diverse structures built between 1949 and 1995. In addition to Johnson's glass-and-steel residence (1949), the coloring book's perforated pages include illustrations of the compound's chain-link Ghost House; the skylit Sculpture Gallery; the stone-walled "doghouse"; and interior furnishings designed by Mies van der Rohe. Conceived by Scott Drevnig, deputy director of the Glass House, the pages of the THE GLASS HOUSE COLORING BOOK provide dozens of opportunities for exploration, experimentation, and delight. For decades, artists and photographers have used the Glass House--architect Phillip Johnson's landmark home in New Canaan, Connecticut--as inspiration for works of art. Now, with THE GLASS HOUSE COLORING BOOK, we can all do the same, and make the Glass House a canvas of our own. With 36 black-and-white drawings by David Crotty, an illuminating introduction by Pulitzer Prize-winning architecture critic Paul Goldberger, and cover art by Vik Muniz, the sophisticated 96-page softcover presents Johnson's home in ways that invite creative exploration and reinterpretation. As a historic site now owned and operated by the National Trust for Historic Preservation, the Glass House is a pastoral 49-acre landscape that comprises 14 architecturally diverse structures built between 1949 and 1995. In addition to Johnson's groundbreaking glass-and-steel residence (1949), the coloring book includes drawings of the compound's chain-link Ghost House; the skylit Sculpture Gallery; the stone-walled "doghouse"; and a collection of architect-designed furniture, including iconic pieces by Mies van der Rohe. Conceived by Scott Drevnig, deputy director of the Glass House, THE GLASS HOUSE COLORING BOOK--like the compound itself--serves as a canvas for exploration, experimentation, and delight.

SHORTLISTED FOR THE SCOTIABANK GILLER PRIZE A Time Magazine Must Read Book of 2020 A Globe and Mail Top 100 Book of the Year #1 national bestseller New York Times bestseller From the award-winning author of Station Eleven, a captivating novel of money, beauty, white-collar crime, ghosts and moral compromise in which a woman disappears from a container ship off the coast of Mauritania and a massive Ponzi scheme implodes in New York, dragging countless fortunes with it. Vincent is a bartender at the Hotel Caiette, a five-star glass-and-cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it’s the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: “Why don’t you swallow broken glass.” Leon Prevant, a shipping executive for a company called Neptune-Avramidis, sees the note from the hotel bar and is shaken to his core. Thirteen years later, Vincent mysteriously disappears from the deck of a Neptune-Avramidis ship. Weaving together the lives of these characters, The Glass Hotel moves between the ship, the skyscrapers of Manhattan and the wilderness of remote British Columbia, painting a breathtaking picture of greed and guilt, fantasy and delusion, art and the ghosts of our pasts.

Philip Johnson designed some of America’s greatest modern architectural landmarks—most notably the Glass House. This new publication, with a foreword by Paul Goldberger and essay by Philip Johnson, presents an exclusive tour of the Glass House, its grounds, treasures, and patrons, and honors the legacy of one of modern architecture’s most famous creations. Johnson’s private residence on forty-seven acres in New Canaan, Connecticut, which opened to the public in 2007, preserves some of the most exciting innovations in the fields of architecture, art, and landscape design, executed under the tutelage of Johnson and partner David Whitney over the course of nearly fifty years. This book serves as a virtual visit to the modern masterpiece and its grounds. Included are photographs of the interiors and exterior facades, as well as snapshots of Johnson and guests on the premises. An introduction to the work of Philip Johnson, The Glass House appeals to visitors of the house and enthusiasts of modern architecture and design.

The Haunted Looking Glass is the late Edward Gorey's selection of his favorite tales of ghosts, ghouls, and grisly goings-on. It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations. ALGERNON BLACKWOOD, "The Empty House" W.F. HARVEY, "August Heat" CHARLES DICKENS, "The Signalman" L.P. HARTLEY, "A Visitor from Down Under" R.H. MALDEN, "The Thirteenth Tree" ROBERT LOUIS STEVENSON, "The Body-Snatcher" E. NESBIT, "Man-Size in Marble" BRAM STOKER, "The Judge's House" TOM HOOD, "The Shadow of a Shade" W.W. JACOBS, "The Monkey's Paw," WILKIE COLLINS, "The Dream Woman" M.R. JAMES, "Casting the Runes"

From the author of Some Kind of Animal comes a wildly unique story about an invisible girl struggling to see herself in a world obsessed with appearances. Pie is the ghost in your house. She is not dead, she is invisible. The way she looks changes depending on what is behind her. A girl of glass. A girl who is a window. If she stands in front of floral wallpaper she is full of roses. For Pie’s entire life it’s been Pie and her mother. Just the two of them, traveling across America. They have slept in trains, in mattress stores, and on the bare ground. They have probably slept in your house. But Pie is lonely. And now, at seventeen, her mother’s given her a gift. The choice of the next city they will go to. And Pie knows exactly where she wants to go. Pittsburgh—where she fell in love with a girl who she plans to find once again. And this time she will reveal herself. Only how can anyone love an invisible girl? A magnificent story of love, and friendship, and learning to see yourself in a world based on appearances, I Am the Ghost in Your House is a brilliant reflection on the importance of how much more there is to our world than what meets the eye.