Traces the five-hundred year history and wide-ranging influence of the Roman historian's unflattering book about the ancient Germans that was eventually extolled by the Nazis as a bible.

A UNIQUE EXPLORATION OF GERMAN CULTURE, FROM SAUSAGE ADVERTISEMENTS TO WAGNER Sitting on a bench at a communal table in a restaurant in Regensburg, his plate loaded with disturbing amounts of bratwurst and sauerkraut made golden by candlelight shining through a massive glass of beer, Simon Winder was happily swinging his legs when a couple from Rottweil politely but awkwardly asked: "So: why are you here?" This book is an attempt to answer that question. Why spend time wandering around a country that remains a sort of dead zone for many foreigners, surrounded as it is by a force field of historical, linguistic, climatic, and gastronomic barriers? Winder's book is propelled by a wish to reclaim the brilliant, chaotic, endlessly varied German civilization that the Nazis buried and ruined, and that, since 1945, so many Germans have worked to rebuild. Germania is a very funny book on serious topics—how we are misled by history, how we twist history, and how sometimes it is best to know no history at all. It is a book full of curiosities: odd food, castles, mad princes, fairy tales, and horse-mating videos. It is about the limits of language, the meaning of culture, and the pleasure of townscape.

From international bestselling author Harald Gilbers comes the heart-pounding story of Jewish detective Richard Oppenheimer as he hunts for a serial killer through war-torn Nazi Berlin in Germania. Berlin 1944: a serial killer stalks the bombed-out capital of the Reich, preying on women and laying their mutilated bodies in front of war memorials. All of the victims are linked to the Nazi party. But according to one eyewitness account, the perpetrator is not an opponent of Hitler's regime, but rather a loyal Nazi. Jewish detective Richard Oppenheimer, once a successful investigator for the Berlin police, is reactivated by the Gestapo and forced onto the case. Oppenheimer is not just concerned with catching the killer and helping others survive, but also his own survival. Worst of all, solving this case is what will certainly put him in the most jeopardy. With no other choice but to futher his investigation, he feverishly searches for answers, and a way out of this dangerous game.

Tacitus is universally recognised as ancient Rome's greatest writer of history, and his account of the Roman Empire in the first century AD has been fundamental in shaping the modern perception of Rome and its emperors. This Companion provides a new, up-to-date and authoritative assessment of his work and influence which will be invaluable for students and non-specialists as well as of interest to established scholars in the field. First situating Tacitus within the tradition of Roman historical writing and his own contemporary society, it goes on to analyse each of his individual works and then discuss key topics such as his distinctive authorial voice and his views of history and freedom. It ends by tracing Tacitus' reception, beginning with the transition from manuscript to printed editions, describing his influence on political thought in early modern Europe, and concluding with his significance in the twentieth century.

In their youth, Manni and Franzi, together with their brothers, Ziggy and Sebastian, captured Germany's collective imagination as the Flying Magical Loerber Brothers -- one of the most popular vaudeville acts of the old Weimar days. The ensuing years have, however, found the Jewish brothers estranged and ensconced in various occupations as the war is drawing near its end and a German surrender is imminent. Manni is traveling through the Ruhr Valley with Albert Speer, who is intent on subverting Hitler's apocalyptic plan to destroy the German industrial heartland before the Allies arrive; Franzi has become inextricably attached to Heinrich Himmler's entourage as astrologer and masseur; and Ziggy and Sebastian have each been employed in pursuits that threaten to compromise irrevocably their own safety and ideologies. Now, with the Russian noose tightening around Berlin and the remnants of the Nazi government fleeing north to Flensburg, the Loerber brothers are unexpectedly reunited. As Himmler and Speer vie to become the next Führer, deluded into believing they can strike a bargain with Eisenhower and escape their criminal fates, the Loerbers must employ all their talents -- and whatever magic they possess -- to rescue themselves and one another. Deftly written and darkly funny, Germania is an astounding adventure tale -- with subplots involving a hidden cache of Nazi gold, Hitler's miracle U-boats, and Speer's secret plan to live out his days hunting walrus in Greenland -- and a remarkably imaginative novel from a gifted new writing talent.

“The first biography of an important personality from the beginnings of Rome’s empire” (Graham Sumner, coauthor of Arms and Armour of the Imperial Roman Soldier). Nero Claudius Drusus Germanicus (Drusus the Elder) was the first conqueror of Germania (the Netherlands and Germany) and one of ancient Rome’s most beloved military heroes. Yet there has never been a full volume dedicated to his remarkable story, achievements, and legacy. Eager for Glory brings this heroic figure back to life for a modern audience. Drusus was a stepson of Augustus through his marriage to Livia. As a military commander he led daring campaigns by sea and land that pushed the northern frontiers of Rome’s empire to the Elbe River. He oversaw one of the largest developments of military infrastructure of the age. He married Marc Antony’s daughter, Antonia, and fathered Germanicus, Rome’s most popular general, and the future emperor Claudius. He was grandfather of Caligula. He died when he was only twenty-nine and was revered in death. Drawing on ancient texts, evidence from inscriptions and coins, the latest findings in archaeology, as well as astronomy and medical science, Lindsay Powell has produced a long overdue and definitive account of this great Roman.

Reflections on the laws of history from the standpoint of someone straddling the Berlin Wall. Heiner Muller, East German author of Hamletmachine and Medea, was the preeminent German successor of Bertholt Brecht at the end of the twentieth century. In this collection of essays, stories, and interviews conducted by Sylvere Lotringer, Muller reflects on the laws of history from the standpoint of someone straddling the Berlin Wall. Muller saw the wall as both repression and protection of his compatriots from the inevitable triumph of capitalism. His work evokes the wit and compactness of Brecht, with an added psychotropic dimension. Haunted by World War II, Muller was a leading figure in European contemporary literature, whose writing anticipates a future beyond the bipolarity of twentieth-century politics.