The first in-depth analysis of some of the most important epic poems of the Spanish Golden Age, Myth and Identity in the Epic of Imperial Spain breathes new life into five of these long- neglected texts. Elizabeth Davis demonstrates that the epic must not be overlooked, for doing so creates a significant gap in one's ability to appraise not only the cultural practice of the imperial age, but also the purest expression of its ideology. Davis's study focuses on heroic poetry written from 1569 to 1611, including Alonso de Ercilla's La Araucana, undeniably the most significant epic poem of its time. Also included are Diego de Hojeda's La Christiada, Juan Rufo's La Austriada, . Lope de Vega's Jerusalén Conquistada, and Cristóbal de Virués's Historia del Monserrate. Examining these epics as the major site for the construction of cultural identities and Renaissance nationalist myths, Davis analyzes the means by which the epic constructs a Spanish sense of self. Because this sense of identity is not easily susceptible to direct representation, it is often derived in opposition to an "other," which serves to reaffirm Spanish cultural superiority. The Spanish Christian caballeros are almost always pitted against Amerindians, Muslims, Jews, or other adversaries portrayed as backward or heathen for their cultural and ethnic differences. The pro-Castilian elite of sixteenth-century Spain faced the daunting task of constructing unity at home in the process of expansion and conquest abroad, yet ethnic and regional differences in the Iberian Peninsula made the creation of an imperial identity particularly difficult. The epic, as Davis shows, strains to convey the overriding image of a Spain that appears more unified than the Spanish empire ever truly was. An important reexamination of the Golden Age canon, Myth and Identity in the Epic of Imperial Spain brings a new twist to the study of canon formation. While Davis does not ignore more traditional approaches to the literary text, she does apply recent theories, such as deconstruction and feminist criticism, to these poems, resulting in an innovative examination of the material. Confronting such issues as canonicity, gender, the relationship between literature and Golden Age culture, and that between art and power, this publication offers scholars a new perspective for assessing Golden Age and Transatlantic studies

In medieval literature, when humans and animals meet—whether as friends or foes—issues of mastery and submission are often at stake. In the Skin of a Beast shows how the concept of sovereignty comes to the fore in such narratives, reflecting larger concerns about relations of authority and dominion at play in both human-animal and human-human interactions. Peggy McCracken discusses a range of literary texts and images from medieval France, including romances in which animal skins appear in symbolic displays of power, fictional explorations of the wolf’s desire for human domestication, and tales of women and snakes converging in a representation of territorial claims and noble status. These works reveal that the qualities traditionally used to define sovereignty—lineage and gender among them—are in fact mobile and contingent. In medieval literary texts, as McCracken demonstrates, human dominion over animals is a disputed model for sovereign relations among people: it justifies exploitation even as it mandates protection and care, and it depends on reiterations of human-animal difference that paradoxically expose the tenuous nature of human exceptionalism.

The legends belong to the vast corpus of German hagiography, yet the currency of these particular versions is documented today only by virtue of their inclusion in this Icelandic legendary.

Little, if anything, is known historically of Arthur, yet for centuries the romances of Arthur and his court dominated the imaginative literature of Europe in many languages. The roots of this vast flowering of the Arthurian legend are to be found in early Welsh tradition, and this volume gives an account of the Arthurian literature produced in Wales, in both Welsh and Latin, during the Middle Ages. The distinguished contributors offer a comprehensive view of recent scholarship relating to Arthurian literature in early Welsh and other Brythonic sources. The volume includes chapters on the 'historical' Arthur, Arthur in early Welsh verse, the legend of Merlin, the tales of Culhwch ac Olwen, Geraint, Owain, Peredur, The Dream of Rhonabwy and Trystan ac Esyllt. Other chapters investigate the evidence for the growth of the Arthurian theme in the Triads and in the Historia Regum Britanniae of Geoffrey of Monmouth, and discuss the Breton connection and the gradual transmission of the legend to the non-Celtic world. The volume, which is unique in offering a comprehensive discussion of the subject, will appeal widely to medievalists, to Welsh and Celtic scholars, and to those non-specialists who have felt the fascination of the figure of Arthur and wish to know more.