Inspired by the discovery of long-overlooked interviews conducted just before his death, this is the first biography of the visionary fashion designer Charles James. Christian Dior described him as the inspiration for the “New Look.” Salvador Dalí called his work “soft sculpture,” and Virginia Woolf exclaimed, “He is a genius.” As George Bernard Shaw tells us, only unreasonable men change the world. This portrait of the life and times of Charles James—winner of two Coty awards, and the subject of a 2014 Metropolitan Museum of Art show—draws on the glamour of Europe in the 1930s, and the dazzle of New York City from the ’40s through the ’70s as it travels with James from his birth to privilege in England in 1906 and follows his career through his complex and turbulent relationships with exceptional women such as Elsa Schiaparelli and Eleanor Lambert, ending with his penurious death in New York’s fabled Chelsea Hotel. As engrossing as a novel, as dramatic as grand opera, James’s story will provoke, rivet, and inspire.

Charles James, often considered to be America's first couturier, was renowned in the 1940s and 1950s as a master at sculpting fabric for the female form and creating fashions that defined mid-century glamour. Although James had no formal training as a dressmaker, he created strikingly original and complex designs, including intricate ball gowns worn by members of high society in New York and Europe. This lavishly illustrated book offers a comprehensive study of James' life and work, highlighting his virtuosity and inventiveness as well as his influence on subsequent fashion designers. Featuring exciting new photography of the spectacular evening dresses James produced between 1947 and 1955, this publication includes enlightening details of these intricate creations alongside vintage photographs and rarely seen archival items, such as patterns, muslins, dress forms and sketches. A detailed and illustrated chronology of James' life describes his magnetic personality, his unorthodox design processes, his colourful supporters - such as Salvador Dali, Elsa Schiaparelli, Christian Dior, and Cristobal Balenciaga - and profiles of a number of his famous clients, such as Gypsy Rose Lee.

"If a stitch is crooked, the whole dress is torn to shreds" Virginia Woolf, 1933. Charles Wilson Brega James (1906-78) was one of the most celebrated and sought-after couturiers of his day, and won ecstatic praise for his highly innovative designs. Without formal training, he created some of the most ambitious, dramatic couture of the twentieth century and, with the breathless support of the UK and American press, came to be the designer of choice for powerful clients including Marlene Dietrich and socialite Austine Hearst. In this book, the first in a new series examining the working methods and dressmaking practices of great designers, James's reputation is re-examined and his most breathtaking designs are analyzed in exacting detail-- from magnificent eveningwear to chic accessories. Timothy A. Long explores the previously unstudied methods James employed-- uncovering a geometric rigour and passion for materials that enabled the designer to create revolutionary garments. Featuring detailed illustrations and new garment photography, this is the perfect introduction to James's stunning work - valuable to dressmakers, designers and scholars alike.

Millennial Hospitality II is an etiquette book for the 21 Century. It suggests how we might interact with aliens and answers many questions the readers had after reading Millennial Hospitality.

Avant-garde designs from "America's First Couturier" British-American designer Charles James (1906-78), "America's First Couturier," is famed for the extraordinarily elegant evening gowns he created in the 1930s through the 1950s for society ladies on both sides of the Atlantic. From the beginning of his career, James also designed revolutionary unisex styles. The famous eiderdown evening jacket, designed in 1937 for women, was revived as a cult unisex design object in 1970s New York. The eiderdown jacket and James' other unisex designs share with his ball gowns a sculptural, architectural presence and a rigorously cerebral design process grounded in science and mathematics. James is regarded as a visionary thinker in the world of fashion, introducing lasting innovations in both technique and methodology. Charles James: The Couture Secrets of Shapegoes beyond the evening gowns, focusing on some of James' unisex designs and his life in the artist community at the Chelsea Hotel, where he lived from 1964 until his death in 1978. He remained restlessly creative in this period, his rooms at the Chelsea serving as a studio, workshop, and archive. In 1973 he wrote The Charles James Approach to Structural Design; this allowed a glimpse into his thinking at that time and is included in this publication in facsimile. Edited by Homer Layne, James' last assistant, and Professor Dorothea Mink, with a preface by fashion designer Rick Owens, this volume reveals a new facet of James' groundbreaking body of work.

This catalogue offers the first comprehensive study of James’s life and work, highlighting his virtuosity and inventiveness as well as the colorful cast of benefactors and clients who supported him.

“You won’t leave this hypnotic book without feeling that James Brown is still out there, howling.”—The Boston Globe From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, black and white, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history, illuminating not only our understanding of the immensely troubled, misunderstood, and complicated Godfather of Soul, but the ways in which our cultural heritage has been shaped by Brown’s enduring legacy. Praise for Kill ’Em and Leave “A tour de force of cultural reportage.”—The Seattle Times “Thoughtful and probing.”—The New York Times Book Review “Masterly . . . powerful.”—Los Angeles Review of Books “McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to ‘the real James Brown’] as we’ll ever get.”—David Hajdu, The Nation “A feat of intrepid journalistic fortitude.”—USA Today “[McBride is] the biographer of James Brown we’ve all been waiting for. . . . McBride’s true subject is race and poverty in a country that doesn’t want to hear about it, unless compelled by a voice that demands to be heard.”—Boris Kachka, New York “Illuminating . . . engaging.”—The Washington Post “A gorgeously written piece of reportage that gives us glimpses of Brown’s genius and contradictions.”—O: The Oprah Magazine

From the bestselling author of the acclaimed Chaos and Genius comes a thoughtful and provocative exploration of the big ideas of the modern era: Information, communication, and information theory. Acclaimed science writer James Gleick presents an eye-opening vision of how our relationship to information has transformed the very nature of human consciousness. A fascinating intellectual journey through the history of communication and information, from the language of Africa’s talking drums to the invention of written alphabets; from the electronic transmission of code to the origins of information theory, into the new information age and the current deluge of news, tweets, images, and blogs. Along the way, Gleick profiles key innovators, including Charles Babbage, Ada Lovelace, Samuel Morse, and Claude Shannon, and reveals how our understanding of information is transforming not only how we look at the world, but how we live. A New York Times Notable Book A Los Angeles Times and Cleveland Plain Dealer Best Book of the Year Winner of the PEN/E. O. Wilson Literary Science Writing Award

What it takes to be a genius: nine essential and contradictory ingredients. What does it take to be a genius? A high score on an IQ test? Brilliant physicist Richard Feynman's IQ was too low for membership in Mensa. Suffering from varying degrees of mental illness? Creativity is often considered a marker of mental health. Be a child prodigy like Mozart, or a later bloomer like Beethoven? Die tragically young, like Keats, or live to a ripe old age like Goethe? In The Genius Checklist, Dean Keith Simonton examines the key factors in creative genius and finds that they are more than a little contradictory. Simonton, who has studied creativity and genius for more than four decades, draws on both scientific research and stories from the lives of famous creative geniuses that range from Isaac Newton to Vincent van Gogh to Virginia Woolf. He explains the origin of IQ tests and the art of estimating the IQ of long-dead historical figures (John Stuart Mill: 200; Charles Darwin: 160). He compares IQ scores with achieved eminence as measures of genius, and he draws a distinction between artistic and scientific genius. He rules out birth order as a determining factor (in the James family alone, three geniuses at three different birth-order positions: William James, firs-tborn; Henry James, second born; Alice James, born fifth and last); considers Malcolm Gladwell's 10,000 hour rule; and describes how the “lone” genius gets enmeshed in social networks. Genius, Simonton explains, operates in ways so subtle that they seem contradictory. Genius is born and made, the domain of child prodigies and their elders. Simonton's checklist gives us a new, integrative way to understand geniuses—and perhaps even to nurture your own genius!