Trapped on a flood ravaged island full of orphans, natives and wealthy citizens of the prosperous city Lux, a young girl named Geneva finds herself enslaved at an orphanage with no future and a past she can't remember. That all changes when she meets someone who promises her that there's more in store for her than she ever could have imagined. Her once dull life rapidly spirals out of control as she starts to acquire new magical powers that may be the key to unlocking an ancient legend along with her true identity. But first she must master these powers, all while trying to keep them secret from her friends and the evil head mistress at the orphanage. Before she knows it, Geneva is in over her head and has inadvertently wrapped her friends into her web of magic and lies and now all of their lives hang in the balance once the head mistress finds out her plan to prove that the legend of Lux may not be a legend at all! Who will Geneva trust and how far will she go to save her friends and find out her true identity?

This invaluable tool seriously discusses profound truths that apply to every facet of life. Biblical truth should be made applicable to the total personality. The "inescapable questions of life" are answered from the standard of God's authoritative Word.

Five starred reviews! Mother-son team Jonah and Jeanette Winter bring to life one of the most secretive scientific projects in history—the creation of the atomic bomb—in this “astonishing…beautifully told” (Kirkus Reviews, starred review) picture book. At a former boy’s school in the remote desert of New Mexico, the world’s greatest scientists have gathered to work on the “Gadget,” an invention so dangerous and classified they cannot even call it by its real name. They work hard, surrounded by top security and sworn to secrecy, until finally they take their creation far out into the desert to test it, and afterward the world will never be the same.

A New York Times bestseller A WASHINGTON POST “FEEL-GOOD BOOK guaranteed to lift your spirits” “A warm, charming tale about the rewards of revealing oneself, warts and all.” —People The story of a solitary green notebook that brings together six strangers and leads to unexpected friendship, and even love Clare Pooley's next book, Iona Iverson's Rules for Commuting, is forthcoming Julian Jessop, an eccentric, lonely artist and septuagenarian believes that most people aren't really honest with each other. But what if they were? And so he writes—in a plain, green journal—the truth about his own life and leaves it in his local café. It's run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves—and soon find each other In Real Life at Monica's Café. The Authenticity Project's cast of characters—including Hazard, the charming addict who makes a vow to get sober; Alice, the fabulous mommy Instagrammer whose real life is a lot less perfect than it looks online; and their other new friends—is by turns quirky and funny, heartbreakingly sad and painfully true-to-life. It's a story about being brave and putting your real self forward—and finding out that it's not as scary as it seems. In fact, it looks a lot like happiness. The Authenticity Project is just the tonic for our times that readers are clamoring for—and one they will take to their hearts and read with unabashed pleasure.

Geneva Sommers, a young orphan girl on a quest to know who she is, has always wished for a different life. With the help of her fellow outcast friends, Geneva plans to escape the orphanage to uncover the truth and save her island. But first, she must learn to master her newly acquired magic powers.

As seen on TikTok, Daniel Black’s Perfect Peace is the heartbreaking portrait of a large, rural southern family’s attempt to grapple with their mother’s desperate decision to make her newborn son into the daughter she will never have—“a complex, imaginative story of one unforgettable black family in mid-twentieth century Arkansas” (Atlanta Magazine). When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.” From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events—while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment. “A morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren’t born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.”—Mat Johnson, award-winning author of Invisible Things “Part cautionary tale, part folk tale, part fable, Daniel Black’s Perfect Peace is a complete triumph...In Emma Jean Peace, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.”—Larry Duplechan, Lambda Literary Award-winning author of Got ’Til It’s Gone

Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

Can you live a life of lies? That's exactly what Geneva finds herself doing to protect everyone she loves. While Geneva and her friends embark on a dangerous mission to fulfill her destiny, the dark forces that seek her powers are closing in, putting everyone she cares about at risk. Geneva must lie about who she is, what she knows and her true feelings. Are all these lies worth it or will she go too far and lose everything she's been fighting for?

Using case studies and the results of extensive fieldwork, this book considers the nature of state power and legal violence in liberal democracies by focusing on the interaction between law, science, and policing in India. The postcolonial Indian police have often been accused of using torture in both routine and exceptional criminal cases, but they, and forensic psychologists, have claimed that lie detectors, brain scans, and narcoanalysis (the use of “truth serum,” Sodium Pentothal) represent a paradigm shift away from physical torture; most state high courts in India have upheld this rationale. The Truth Machines examines the emergence and use of these three scientific techniques to analyze two primary themes. First, the book questions whether existing theoretical frameworks for understanding state power and legal violence are adequate to explain constant innovations of the state. Second, it explores the workings of law, science, and policing in the everyday context to generate a theory of state power and legal violence, challenging the monolithic frameworks about this relationship, based on a study of both state and non-state actors. Jinee Lokaneeta argues that the attempt to replace physical torture with truth machines in India fails because it relies on a confessional paradigm that is contiguous with torture. Her work also provides insights into a police institution that is founded and refounded in its everyday interactions between state and non-state actors. Theorizing a concept of Contingent State, this book demonstrates the disaggregated, and decentered nature of state power and legal violence, creating possible sites of critique and intervention.