The debate over women's roles in the Southern Baptist Convention's conservative ascendance is often seen as secondary to theological and biblical concerns. Elizabeth Flowers argues, however, that for both moderate and conservative Baptist women--all of whom had much at stake--disagreements that touched on their familial roles and ecclesial authority have always been primary. And, in the turbulent postwar era, debate over their roles caused fierce internal controversy. While the legacy of race and civil rights lingered well into the 1990s, views on women's submission to male authority provided the most salient test by which moderates were identified and expelled in a process that led to significant splits in the Church. In Flowers's expansive history of Southern Baptist women, the "woman question" is integral to almost every area of Southern Baptist concern: hermeneutics, ecclesial polity, missionary work, church-state relations, and denominational history. Flowers's analysis, part of the expanding survey of America's religious and cultural landscape after World War II, points to the South's changing identity and connects religious and regional issues to the complicated relationship between race and gender during and after the civil rights movement. She also shows how feminism and shifting women's roles, behaviors, and practices played a significant part in debates that simmer among Baptists and evangelicals throughout the nation today.

In this feminist investigation into the art of preaching--one of the oldest and least studied rhetorical traditions--Roxanne Mountford explores the relationship between bodies, space, race, and gender in rhetorical performance and American Protestant culture. Refiguring delivery and physicality as significant components of the rhetorical situation, The Gendered Pulpit: Preaching in American Protestant Spaces examines the strategies of three contemporary women preachers who have transgressed traditions, rearranged rhetorical space, and conquered gender bias to establish greater intimacy with their congregations. Mountford’s examinations of the rhetoric inherent in preaching manuals from 1850 to the present provide insight into how "manliness” has remained a central concept in American preaching since the mid-nineteenth century. The manuals illustrate that the character, style, method of delivery, and theological purpose of preachers focused on white men and their cultural standing, leaving contemporary women preachers searching for ways to accommodate themselves to the physicality of preaching. Three case studies of women preachers who have succeeded or failed in rearranging rhetorical space provide the foundation for the volume. These contemporary examples have important implications for feminist theology and also reveal the importance of gender, space, and bodies to studies of rhetoric in general. Mountford explores the geographies of St. John’s Lutheran Church and the preaching of Rev. Patricia O’Connor who reformed rhetorical space through the delivery of her sermons. At Eastside United Church of Christ, Mountford shows, Rev. Barbara Hill employed narrative style and prophetic utterance in the tradition of black preaching to address gender bias and institute change in her congregation. The final case study details the experiences of Pastor Janet Moore and her struggles at Victory Hills United Methodist Church, where the fractured congregation could not be united even with Pastor Moore’s focus on theological purpose and invention strategies.

Turn the Pulpit Loose features the lives and words of eighteen women evangelists including Sojourner Truth and Evangeline Booth, and lesser-known figures such as Jarena Lee (an African Methodist from the early 1800s) and Uldine Utley (a child evangelist in the early 1900s) who helped to shape American religious life from the nation’s infancy to the present. Highlighting substantial primary sources – sermons, articles, diaries, letters, speeches, and autobiographies – Priscilla Pope-Levison weaves together fascinating narratives of each woman’s life: her conversion and calling to preach, her primary evangelistic method, and her reflections about women in general. This anthology, complete with photographs of each evangelist, is an indispensable resource for a wide range of academic fields, including religion, history, women's studies, and literature.

Should women who preach, preach as women? Preaching Women argues that far from being a gender-neutral space, the pulpit is a critical place in which a gender imbalance can begin to be redressed. There is a vital need for women preachers to speak out of their experience of living as women in today’s culture and church Filling a glaring gap in the literature around homiletics, Filling a glaring gap in the literature around homiletics, Preaching Women considers reasons why women preachers should preach from their experiences as women, what women bring to preaching that is missing without us, and how women preachers can go about the task of biblical preaching. With a foreword by Libby Lane.

In the formative years of the Methodist Church in the United States, women played significant roles as proselytizers, organizers, lay ministers, and majority members. Although women's participation helped the church to become the nation's largest denomination by the mid-nineteenth century, their official roles diminished during that time. In Beyond the Pulpit, Lisa Shaver examines Methodist periodicals as a rhetorical space to which women turned to find, and make, self-meaning. In 1818, Methodist Magazine first published "memoirs" that eulogized women as powerful witnesses for their faith on their deathbeds. As Shaver observes, it was only in death that a woman could achieve the status of minister. Another Methodist publication, the Christian Advocate, was America's largest circulated weekly by the mid-1830s. It featured the "Ladies' Department," a column that reinforced the canon of women as dutiful wives, mothers, and household managers. Here, the church also affirmed women in the important rhetorical and evangelical role of domestic preacher. Outside the "Ladies Department," women increasingly appeared in "little narratives" in which they were portrayed as models of piety and charity, benefactors, organizers, Sunday school administrators and teachers, missionaries, and ministers' assistants. These texts cast women into nondomestic roles that were institutionally sanctioned and widely disseminated. By 1841, the Ladies' Repository and Gatherings of the West was engaging women in discussions of religion, politics, education, science, and a variety of intellectual debates. As Shaver posits, by providing a forum for women writers and readers, the church gave them an official rhetorical space and the license to define their own roles and spheres of influence. As such, the periodicals of the Methodist church became an important public venue in which women's voices were heard and their identities explored.

Women have been among the most dynamic and successful ministers in all Protestant denominations; but in divinity school, Sarah Sentilles discovered that some of the best and brightest were having trouble and even leaving the church altogether. What was happening? To find out, she entered the lives of female ministers — women of various ages, races, and denominations — and emerged with the first real portrait of what it's like to lead as a woman of faith today. Filled with humor, heartbreak, and triumph, the women's stories take us from calls to the pulpit through ordinations and service. Despite many churches' resistance — conscious or not — to re-imagining what it means to be a minister, many of these women are achieving remarkable transformations in their congregations. In their inspiring determination to perform the creative, life-giving work to which they are called, these women illuminate a way that the church can revitalize itself. What's at stake is nothing less than the future of the church itself.

Margaret Meuse Clay, who barely escaped a public whipping in the 1760s for preaching without a license; "Old Elizabeth," an ex-slave who courageously traveled to the South to preach against slavery in the early nineteenth century; Harriet Livermore, who spoke in front of Congress four times between 1827 and 1844--these are just a few of the extraordinary women profiled in this, the first comprehensive history of female preaching in early America. Drawing on a wide range of sources, Catherine Brekus examines the lives of more than a hundred female preachers--both white and African American--who crisscrossed the country between 1740 and 1845. Outspoken, visionary, and sometimes contentious, these women stepped into the pulpit long before twentieth-century battles over female ordination began. They were charismatic, popular preachers, who spoke to hundreds and even thousands of people at camp and revival meetings, and yet with but a few notable exceptions--such as Sojourner Truth--these women have essentially vanished from our history. Recovering their stories, Brekus shows, forces us to rethink many of our common assumptions about eighteenth- and nineteenth-century American culture.

Few have consoled the church as ably as the fourteenth-century mystic Julian of Norwich. However, her prophetic gifts have received little scholarly attention. Drawing on contemporary homiletical theory and the history of Christian spirituality, Donyelle C. McCray presents Julian as a preacher, examining the apostolic dimensions of Julian’s vocation as an anchoress and highlighting the steps she took to align herself with renowned preachers like Saint Cecelia, Mary Magdalene, and the apostle Paul. Like Paul, Julian saw Jesus’ body as her primary text, placed human weakness at the center of her theology, and used her own confined body as a rhetorical tool. Yet she navigated a web of censorship that threatened to silence her. To voice her convictions, Julian developed a novel approach to authority and exploited the fluidity of the medieval English sermon genre. McCray charts this process, revealing Julian as a central personality in the history of preaching whose best contemporary parallels operate outside the pulpit in august figures like retreat leader Evelyn Underhill, gospel singer Mother Willie Mae Ford Smith, and street preacher Reverend Billy.

Invites preachers to consider how gender affects the way sermons are understood and calls them to preaching that relates to the entire congregation.