Diseases and injuries were major concerns for ancient Egyptians. This book, featuring some sixty-four objects from the Metropolitan Museum, discusses how both practical and magical medicine informed Egyptian art and for the first time reproduces and translates treatments described in the spectacular Edwin Smith Papyrus.

The Middle Kingdom (ca. 2030–1650 B.C.) was a transformational period in ancient Egypt, during which older artistic conventions, cultural principles, religious beliefs, and political systems were revived and reimagined. Ancient Egypt Transformed presents a comprehensive picture of the art of the Middle Kingdom, arguably the least known of Egypt’s three kingdoms and yet one that saw the creation of powerful, compelling works rendered with great subtlety and sensitivity. The book brings together nearly 300 diverse works— including sculpture, relief decoration, stelae, jewelry, coffins, funerary objects, and personal possessions from the world’s leading collections of Egyptian art. Essays on architecture, statuary, tomb and temple relief decoration, and stele explore how Middle Kingdom artists adapted forms and iconography of the Old Kingdom, using existing conventions to create strikingly original works. Twelve lavishly illustrated chapters, each with a scholarly essay and entries on related objects, begin with discussions of the distinctive art that arose in the south during the early Middle Kingdom, the artistic developments that followed the return to Egypt’s traditional capital in the north, and the renewed construction of pyramid complexes. Thematic chapters devoted to the pharaoh, royal women, the court, and the vital role of family explore art created for different strata of Egyptian society, while others provide insight into Egypt’s expanding relations with foreign lands and the themes of Middle Kingdom literature. The era’s religious beliefs and practices, such as the pilgrimage to Abydos, are revealed through magnificent objects created for tombs, chapels, and temples. Finally, the book discusses Middle Kingdom archaeological sites, including excavations undertaken by the Metropolitan Museum over a number of decades. Written by an international team of respected Egyptologists and Middle Kingdom specialists, the text provides recent scholarship and fresh insights, making the book an authoritative resource.

She also considers for the first time how, in general, the use of a grid system influenced composition as a whole. Numerous line drawings of paintings and reliefs with superimposed grids, either derived from actual grid traces surviving on monuments, or calculated according to the systems used by the Egyptians themselves, illustrate the text.

Musaicum Books presents to you a meticulously edited Ancient Egypt collection. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Historical Books: History of Ancient Egypt Archaeology of Ancient Egypt Literature of Ancient Egypt Mythology of Ancient Egypt Primary Sources of the Ancient Egyptian History: The Book of the Dead Papyrus of Ani The Rosetta Stone Hymn to the Nile The Laments of Isis and Nephthys Great Hymn to Aten Hymn to Osiris-Sokar The Precepts of Ptah-Hotep The Victory of Ramses II Over the Khita An Account of the Battle of Megiddo Charm for the Protection of a Child Stories and Poems of Ancient Egypt: Tale of the Doomed Prince The Magic Book The Dialogue of a Misanthrope with His Own Soul Ancient Egyptian Love Poems The Egyptian Book of Herodotus

Various attempts have been made to systematize the mammals depicted in Egyptian tomb paintings, inscriptions, carvings, figurines and other objects, and as mummies, but there are many discrepancies, variable spellings and names, including now obsolete Latin names, and mis-identifications. The Egyptian artists themselves sometimes used the wrong hieroglyph or drew some parts of animals incorrectly. Dale Osborn’s comprehensive reassessment, presented here in a facsimile reissue, catalogues around 100 separate species, ranging from hedgehogs to hippopotami, Anubis Baboons to Zebu cattle, that can be identified in Egyptian art from prehistoric, through Pre-Dynastic to Late Kingdom times. Profusely illustrated, the catalogue is arranged by Order, then species, each entry providing the relevant hieroglyph, a brief description of the animal, its natural habitat and distribution, and a narrative on its depiction in Egyptian art through time, by location, types of illustration or object, and context (tomb etc). Known errors and discrepancies, either in original scripts or classical and/or modern literature, are listed. Mammals are abundantly depicted in tomb paintings and inscriptions. Common scenes include hunts, processions, wild animals being led on chains, domesticated animals in household and working environments, and satirical scenes. Such scenes provide many insights into the lives of Egyptians and their relationships with animals, that are further enhanced by many decorative figurines and statues and, often poignantly, by the mummies of mostly small animals including cats and dogs.

Have you ever looked at photographs of the pyramids and wondered about the people who created them? How did they live from day to day? Why was the Nile River so important to their survival? What role did all of their gods and goddesses play in the way they led their lives? Meet Kebi—young Egyptian girl who works hard to help her family, while she says her prayers to the god Habi and watches to see if the Nile waters are rising as they should. Too little means possible starvation and drought. Too much means lost homes and floods. It is a fascinating life—and one just waiting to be explored.

This text explains the cultural and historical background to the fascinating and complex world of Egyptian myth, with each chapter dealing with a particular theme.