It is no exaggeration to call Gay Byrne a colossus of the Irish broadcasting scene. Throughout the latter half of the twentieth century, as host of both the Late Late Show and the Gay Byrne Show, he played a seminal role in the shift in Irish society and culture from the Church-dominated fearful state of the early 1960s to the modern multicultural Ireland we live in today. The Gaybo Revolution examines the significance of Gay Byrne's influence on this maturation of Irish society, while simultaneously highlighting the centrality of the talk show genre in Irish life. Equally reviled and revered, Byrne has been referred to as "the great window-opener" and a "media lay priest". But his influence in single-channel Ireland is undeniable. Using letters to the editor, media articles, recent studies of Irish culture, quotes from Byrne himself and a re-examination of the original broadcasts, The Gaybo Revolution explores how Byrne and his talk shows, on both radio and television, provided a forum for popular debate and acted as catalysts for change in Irish life. It analyses and discusses the impact on Irish society of such controversies as Church denunciations of the Late Late Show, the Brian Trevaskis affair, the development of the Irish Women's Liberation Movement, the Ann Lovett letters, and the seminal interviews with Annie Murphy, Pádraig Flynn and Terry Keane. In the final section of the book, the modern history of the Late Late Show, the development of Irish TV and radio talk shows in the post-Byrne era and the contrasting nature of TV talk shows in the UK and US are explored. The Gaybo Revolution will appeal to all those who wish to understand the evolution of Irish society and culture in the late twentieth century and the substantial impact of Irish media on this change.

This book traces the turbulent history of queer visibility in the Irish media to explore the processes by which a regionally based media system shaped queer identities within a highly conservative and religious population. The book details the emergence of an LGBTQ rights movement in Ireland and charts how this burgeoning movement utilised the media for the liberatory potential of advancing LGBTQ rights. However, mainstream media institutions also exploited queer identities for economic purposes, which, coupled with the eruption of the AIDS pandemic in the 1980s, disrupted the mainstreaming goals of queer visibility. Drawing on industrial, societal and production culture determinants, the author identifies the shifting contours of queer visibility in the Irish media, uncovering the longstanding relationship between LGBTQ organising and the Irish media. This book is suitable for students and scholars in gender studies, media studies, cultural studies and LGBTQ studies.

The first history of contraception in twentieth-century Ireland to explore the lived experiences of Irish men and women and activists.

This book examines the history of journalists and journalism in twentieth-century Ireland. While many media institutions have been subjected to historical scrutiny, the professional and organisational development of journalists, the changing practices of journalism, and the contribution of journalists and journalism to the evolution of modern Ireland have not. This book rectifies the deficit by mapping the development of journalism in Ireland from the late 1880s to today. Placing the experiences of journalists and the practice of journalism at the heart of its analysis, it examines, for the first time, the work of journalists within the ever-changing context of Irish society. Based on strong primary research - including the previously un-consulted journals and records produced by the many journalistic representative organisations that came and went over the decades - and written in an accessible and engaging style, The Fourth Estate will appeal to anyone interested in journalism, history, the media and the development of Ireland as a modern nation.

NEW YORK TIMES BESTSELLER NEW YORK TIMES • 10 BEST BOOKS OF THE YEAR NATIONAL BESTSELLER The Atlantic: 10 Best Books of 2022 Best Books of the Year: Washington Post, New Yorker, Salon, Foreign Affairs, New Statesman, Chicago Public Library, Vroman's “[L]ike reading a great tragicomic Irish novel.” —James Wood, The New Yorker “Masterful . . . astonishing.” —Cullen Murphy, The Atlantic "A landmark history . . . Leavened by the brilliance of O'Toole's insights and wit.” —Claire Messud, Harper’s Winner • 2021 An Post Irish Book Award — Nonfiction Book of the Year • from the judges: “The most remarkable Irish nonfiction book I’ve read in the last 10 years”; “[A] book for the ages.” A celebrated Irish writer’s magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.

This illustrated compendium celebrates LGBTQIA+ history and culture, written by and according to culture icon Justin Elizabeth Sayre! Based on Sayre's five-part show in New York City, From Gay to Z is a humorous collection of the rich legacy of gay culture, told through the letters of the alphabet. From ABBA to addiction, hair and makeup to HIV, Fannie Flagg to fierce, Sayre offers their own perspective on the things that have influenced gay culture today, including iconic figures, historical moments, ongoing issues in the LGBTQIA+ community, and everything in between. As gay culture is always evolving and different for everyone, this book does not serve as a definitive guide—instead, Sayre encourages readers to use this knowledge to reflect on the things that have informed their personal identities. Engagingly written and beautifully designed, From Gay to Z is a distinctive and dynamic look at gay culture for LGBTQIA+ readers everywhere. STRONG VOICE AND ENGAGING CONTENT: Sayre's writing is lively, engaging, and rich. The entries have their own style and contain humorous anecdotes, facts, commentary, and more—all told through Sayre's animated yet authoritative voice. BELOVED, WELL-KNOWN AUTHOR: Sayre is active and well-known in the LGBTQIA+ community and beyond. They've been recognized as one of "LA's 16 Most Talented LGBT Comics" by Frontiers Magazine, and their debut comedy album, The Gay Agenda, was named one of 2016's "Best Things in Comedy" by The Comedy Bureau. They host their own podcast, Sparkle & Circulate, where they interview performers, writers, and other creative minds of the LGBTQIA+ community. As an activist, Justin's charity benefit show, "Night of a Thousand Judys," raises money for the Ali Forney Center for Homeless LGBTQIA+ youth and is now in its 7th year. Perfect for: • LGBTQIA+ people of all ages • Fans of Trixie and Katya's Guide to Modern Womanhood • Those looking for a birthday or holiday gift for their LGBTQIA+ friends and family

A new volume in the Handbook of Sports Medicine and Science series from the International Olympic Committee, this volume Canoeing provides an accessible and comprehensive summary of the topic. Provides a concise, authoritative overview of the science, medicine and psycho-social aspects of canoeing Offers guidance on medical aspects unique to the training and coaching of canoe athletes The only book on this subject endorsed by the Medical Commission of the International Olympic Committee (IOC) and the International Canoe Federation (ICF) Written and edited by global thought leaders in sports medicine

Exploring how television tells stories about poverty in ideological ways, Devils and Angels examines how poverty is explained on factual, fictional, and fund-raising television.