'Mind you, it was a pukka, respectable opium-house, and not one of those stifling, sweltering chandoo-khanas that you can find all over the City.' Kipling first became famous for his pungent, harsh and shocking stories of northwest India, where he grew up. This is just a small selection from his inexhaustibly contentious and various early work. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Rudyard Kipling (1865-1936). Kipling's works available in Penguin Classics are Captains Courageous, Just So Stories, Kim, Plain Tales from the Hills, Selected Poems, The Jungle Books and The Man Who Would Be King: Selected Stories.

His name was Charlie Mears; he was the only son of his mother who was a widow and he lived in the north of London coming into the City every day to work in a bank. He was twenty years old and suffered from aspirations.

Throughout this text, Valerie Shaw addresses two key questions: 'What are the special satisfactions afforded by reading short stories?' and 'How are these satisfactions derived from each story's literary techniques and narrative strategies?'. She then attempts to answer these questions by drawing on stories from different periods and countries - by authors who were also great novelists, like Henry James, Flaubert, Kafka and D.H. Lawrence; by authors who specifically dedicated themselves to the art of the short story, like Kipling, Chekhov and Katherine Mansfield; by contemporary practitioners like Angela Carter and Jorge Luis Borges; and by unfairly neglected writers like Sarah Orne Jewett and Joel Chandler Harris.

Paragon of English virtues or racist imperialist? Andrew Lycett (acclaimed biographer of Ian Fleming) has returned to primary sources to tell the intricate story of a misunderstood genius who became Britain's most famous and highest earning author. Among the many new sources, Lycett has discovered previously unpublished letters that illuminate Kipling's crucial years in India, his first girlfriend (the model for Mrs Hauksbee of Plain Tales from the Hills), his parents' decision to send him back to England to boarding school; and in his adult life his use of opium, his frustrating times in London and the brief peace he found in America before the devastating loss of both his young daughter and, in the First World War, his son. Lycett also uncovers the extraordinary story of Kipling's great love for Flo Garrard, daughter of the crown jeweller, and unravels the complicated yet enthralling saga of the American family the Balestiers, and of Carrie Balestier who became Kipling's wife. This biography is full of new material on Kipling's financial dealings with Lord Beaverbrook, his friendships with T.E. Lawrence, the painter Edward Burne-Jones and the Prime Minister Stanley Baldwin (who was his cousin).

These tales are remarkable not just for the range of Indian places and situations they describe or their wealth of historical detail but also for their sensitive and by and large fair representations of both British and Indian characters. Kipling takes on the thorny issues of empire, race, miscegenation and the practice of ???going native', and uses them as literary tropes, to examine human culture, religion and society.

A reading of Kipling's fiction about himself and India that links experience with narrative strategy and ideology.

In this exciting re-reading of the classic work of Haggard and Kipling, Gail Ching-Liang Low examines the representational dynamics of colonizer versus colonized. Exploring the interface between the native 'other' as a reflection and as a point of address, the author asserts that this 'other' is a mirror reflecting the image of the colonizer - a 'cultural cross-dressing'. Employing psychoanalysis, anthropology and postcolonial theory, Low analyzes the way in which fantasy and fabulation are caught up in networks of desire and power. White Skins/Black Masks is a fascinating entry into the current debate of post-colonial theory.