Ebenezer Howard is recognised as a pioneer of town planning throughout the industrialised world; Britain's new towns, deriving from the garden cities he founded, are his monument. But Howard was more than a town planner. He was first and foremost a social reformer, and his garden city was intended to be merely the first step towards a new social and industrial order based on common ownership of land. This is the first comprehensive study of Howard's theories, which the author traces back to their origins in English puritan dissent and forward to Howard's attempt to build his new society in microcosm at Letchworth and Welwyn.

The founder of the Garden City Association outlines his radical new approach to urban planning. First published in 1898.

Earth Perfect? Nature, Utopia and the Garden is an eclectic, yet rigorous reflection on the relationship--historical, present and future--between humanity and the garden. Through the lens of Utopian Studies--the interdisciplinary field that encompasses fictions all the way through to actual political projects, and urban ideals; in a nutshell, addressing the human natural drive towards the ideal--Earth Perfect? brings together a selection of inspiring essays, each contributed by foremost writers from the fields of architecture, history of art, classics, cultural studies, farming, geography, horticulture, landscape architecture, law, literature, philosophy, urban planning and the natural sciences. Through these joined voices, the garden emerges as a site of contestation and a repository for symbolic, spiritual, social, political and ecological meaning. Questions such as: "what is the role of the garden in defining humanity's ideal relationship with nature?" and "how should we garden in the face of catastrophic ecological decline?" are addressed through wideranging case studies, including ancient Roman Gardens in Pompeii, Hieronymus Bosch's Garden of Earthly Delights, the Gardens of Versailles, organic farming in New England and Bohemia's secret gardens, as well as landscape in contemporary architecture. Issues relating to the utopian garden are explored thematically rather than chronologically, and organised in six chapters: "Being in nature", "inscribing the garden", "green/house", "The garden politic", "economies of the garden" and "how then shall we garden?". each essay is both individual in scope and part of the wider discourse of the book as a whole, and each is lusciously illustrated, bringing to life the subject with diverse visual material ranging from photography to historical documents, maps and artworks.

The Art of Building a Garden City is a well-researched guide to the history of the garden city movement and the delivery of a new generation of communities for the 21st Century. Bringing together key findings from the TCPA’s campaign work, and drawing on lessons from the first garden cities, the new towns programme and other large-scale developments, it identifies what steps need to be taken in order to deliver the highest standards of design and place making today.

Looking Backward: 2000-1887 is a utopian science fiction novel by Edward Bellamy, a lawyer and writer from Chicopee Falls, Massachusetts; it was first published in 1887. According to Erich Fromm, Looking Backward is "one of the most remarkable books ever published in America".

The two authors complement each other beautifully, one a visionary and gutsy politician, the other a gifted academic with a deep rooted social conscience. With the benefit of a century of post Letchworth Garden City knowledge and the lessons of two World Wars, their timely released book re-brands the Garden City from a social as well as a technical point of view. It says it's a manifesto for 21st Century Garden Cities of To-Morrow, but it could equally be a manifesto for decent human urban survival on our cherished Planet. It concentrates on the role of each citizen - his or her responsibilities and opportunities. It advocates restoring basic human values back to ordinary people, away from the `I'm doing you a favour' private pro-bono benefaction and/or cash-starved governmental institutions that seem to know the cost of everything, but the value of nothing.

This book provides an interdisciplinary overview of the role of gardens in cities throughout different historical periods. It shows that, thanks to various forms of spatial and social organisation, gardens are part of the material urban landscape, biodiversity, symbolic and social shape, and assets of our cities, and are increasingly becoming valued as an ‘order’ to follow. Gardens have long been part of the development of cities, serving different purposes through the ages: shaping neighborhoods to promote health or hygiene, introducing aesthetic or biological elements, gathering the citizens around a social purpose, and providing food and diversity in times of crisis. Highlighting examples that can serve as the basis for comparisons, the chapters offer a brief panorama of experiences and models of gardens in the city – in the European context and in various periods of history – while also discussing issues related to garden cities, urban agriculture and community gardens. The contributors are university staff from various disciplines in the human and life sciences, in discourse with other academics but also with practitioners who are interested in experiences with urban gardens and in promoting an awareness of their spatial, social and ‘philosophical’ goals throughout history. The book will appeal to urban geographers, sociologists and historians, but also to urban ecologists dealing with ecosystem services, biodiversity and sustainable development in cities. From a more operational standpoint, landscape planners and architects are sure to find many of the projects enlightening and inspirational.

Rosemary Wakeman provides a sweeping history of "new towns"--those created by fiat rather than out of geographic or economic logic and often intended to break with the tendencies of past development. Heralded throughout the twentieth century as solutions to congestion, environmental threats, architectural malaise, and cultural anomie, today they are often seen as sad, pernicious, or merely suburban. Wakeman shows that hundreds of such towns sprang from templates and designs not only in North America and across Europe but around the world, revealing how different cultures dreamed of (re)organizing themselves. Wakeman also illuminates the missteps and unanticipated results of the initial optimistic choices and impulses.