A beautiful and evocative look at identity and creativity, The Gallery of Unfinished Girls is a stunning debut in magical realism. Perfect for fans of The Walls Around Us and Bone Gap. Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile in the past year. Her lack of inspiration might be because her abuela is in a coma. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings. Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate. At the Estate, Mercedes can create in ways she hasn’t ever before. But Mercedes can’t take anything out of the Estate, including her new-found clarity. Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality. “A dreamy and subtle work of art, The Gallery of Unfinished Girls explores love, family, and the maddening, magical drive to create art.”—Adi Alsaid, author of Let's Get Lost

For fans of Miss Peregrine's Home for Peculiar Children, Girl, Interrupted, and A.S. King, National Book Award-finalist Adele Griffin tells the fully illustrated story of a brilliant young artist, her mysterious death, and the fandom that won't let her go. From the moment she stepped foot in NYC, Addison Stone’s subversive street art made her someone to watch, and her violent drowning left her fans and critics craving to know more. I conducted interviews with those who knew her best—including close friends, family, teachers, mentors, art dealers, boyfriends, and critics—and retraced the tumultuous path of Addison's life. I hope I can shed new light on what really happened the night of July 28. —Adele Griffin

In this heart-pounding and sharply written thriller from J.A. Jance, the “grand master of the genre” (The Providence Journal), Ali Reynolds’s personal life is thrown into turmoil just as two men show up on the scene—a former employee of her husband’s who has just been released from prison and a serial killer who sets his sights a little too close to home. Mateo Vega, a one-time employee of Ali Reynold’s husband, B. Simpson, has spent the last sixteen years of his life behind bars. According to the courts, he murdered his girlfriend. But Mateo knows that her real killer is still on the loose, and the first thing he’s going to do when he gets a taste of freedom is track him down. After being granted parole, a wary Mateo approaches Stu Ramey of High Noon Enterprises for a reference letter for a job application, but to his surprise, Stu gives him one better: He asks him to come on board and work for B. once again. Just as Mateo starts his new job, though, chaos breaks out at High Noon—a deadbeat tenant who is in arrears has just fled, and tech expert Cami Lee has gone missing. As Ali races to both find a connection between the two disappearances and help Mateo clear his name with the help of PI J.P. Beaumont, tragedy strikes in her personal life, and with lives hanging in the balance, she must thread the needle between good and evil before it’s too late.

Tilly has been given an ultimatum from her mother— she can attend the summer dance program of her dreams in NYC if she puts her deposit in for fall admission to Georgetown but Matilda Castillo schemes how to get the best of both worlds. With her deposit in, and a deferment until next year, Tilly sets out to pursue her dream of professional dancing. But in the cutthroat world of dance, she may have made a few enemies. Matilda Castillo has always followed the rules, but when she gets injured senior year, she's sure her dreams of becoming a contemporary dancer have slipped away. So when Tilly gets a once-in-a-lifetime opportunity to spend the summer with a New York dance troupe, nothing can stop her from saying yes—not her mother, not her fears of the big city, and not the commitment she made to Georgetown. Tilly's mother allows her to go on two conditions: one, Tilly will regularly visit her abuela in New Jersey, and two, after the summer, she'll give up dancing and go off to college. Armed with her red vintage sunglasses and her pros and cons lists, Tilly strikes out, determined to turn a summer job into a career—and figure out how to break it to her mother later. Along the way she meets new friends ... and new enemies. Tilly isn't the only one desperate to dance, and fellow troupe member Sabrina Wolfrik intends to succeed at any cost. But despite dodging sabotage and blackmail attempts from Sabrina, Tilly can't help but fall in love with the city, especially since Paolo, a handsome musician from her past, is also calling New York home for the summer. As the weeks wind down and the competition with Sabrina heats up, Tilly's future is on the line. She must decide whether to follow her mother's dream of college or leap into the unknown to pursue her own dreams. A modern take inspired by Little Red Riding Hood, Everywhere You Want to Be features: A strong, charismatic female lead; soft boy love interest; mean girl antagonist A clean and wholesome romance, and passionate career choice Tie-in with Christina June’s It Started With Goodbye, and No Place Like Here Perfect for fans of Elise Bryant, Morgan Matson, and Sarah Dessen

A moving story of family and a life-long love affair in 1950s London, from the New York Times bestselling author of The House at Tyneford. London, 1958. It's the eve of the sexual revolution, but in Juliet Montague's conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that's all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.

'Unfinished Gestures' presents the social and cultural history of courtesans in South India, focusing on their encounters with colonial modernity in the 19th and early 20th centuries.

“An absolutely sensational historical thriller—with an ending so shocking that I literally jumped up out of my chair!”—Max Byrd, author of Grant New Year’s Eve, 1945. The assassin steps out of the Atlantic Ocean in the middle of a raging nor’easter. Cool and efficient, she’s a weapon of war superbly trained in the ancient arts of subterfuge and murder. And even though she’s outnumbered, she’s got one major advantage: No one knows she’s coming. Professor Mikhal Lammeck’ s specialty is the history and weaponry of assassins. But even Lammeck is caught off guard when the Secret Service urgently requests his help: A gruesome double murder and suicide in Massachusetts has set off alarm bells. It’s only a hunch, but all too soon Lammeck suspects the unthinkable. In the waning days of the war, someone wants one last shot to alter history. An assassin is headed to Washington, D.C., to kill the most important soldier of them all: the U.S. commander in chief. As Lammeck and a killer at the top of her profession circle the streets of the capital in the hunt for FDR, one of them will attempt to kill the world’s most powerful man; the other, to save him. And between them, for an instant, history will hang in the balance. . . . Praise for The Assassins Gallery “Provide[s] thriller readers with one of their best reads of the year. . . . The powerful climax deserves the term 'heart-stopping.'”—Publishers Weekly (starred review) “Ingenious . . . A solid, satisfying treat for the armchair historian.”—Kirkus Reviews “An exciting thriller that rings so true it's difficult to tell where fact ends and fiction begins. Robbins is a master—at the top of his game with this one.”—Steve Berry, New York Times bestselling author of The Templar Legacy “If you read one book this year, make it The Assassins Gallery. Mesmerizing plotting, characters you'll never forget, and a wealth of invaluable historical seasoning that make you wonder ... did it actually happen this way? Only one word will do to describe this novel: masterpiece.”—Brian Haig, bestselling author of Man in the Middle “Nobody is better than David L. Robbins at making yesterday feel like today and fiction feel like fact. This is his most audacious book yet and probably his best.”—Lee Child, New York Times bestselling author of One Shot

This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, shedding light on the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren’t enough to keep her and her family fed. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.

Magical realism can lay claim to being one of most recognizable genres of prose writing. It mingles the probable and improbable, the real and the fantastic, and it provided the late-twentieth century novel with an infusion of creative energy in Latin America, Africa, Asia, and beyond. Writers such as Alejo Carpentier, Gabriel García Márquez, Isabel Allende, Salman Rushdie, Ben Okri, and many others harnessed the resources of narrative realism to the representation of folklore, belief, and fantasy. This book sheds new light on magical realism, exploring in detail its global origins and development. It offers new perspectives of the history of the ideas behind this literary tradition, including magic, realism, otherness, primitivism, ethnography, indigeneity, and space and time.

"It’s an in-depth look at varied time periods and artists, which readers interested in gossip, drama, or art history will enjoy." Library Journal, Starred Review Scandal, shock and rivalry all have negative connotations, don’t they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous “negatives” can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack, and therefore drawing the interest of a public who might not be drawn to the objects alone. There would be no Sistine Chapel by Michelangelo had rival Raphael not tricked the pope into assigning him the commission, certain that Michelangelo, who had never before worked with frescoes, would botch the job and become a laughing stock. Scandal and shock have proven to be powerful weapons when harnessed and wielded willfully and well. That scandal is good for exposure has been so obviously the case that many artists have courted it intentionally, which we will define as shock: intentionally overturning expectations of the majority in a way that traditionalist find dismaying or upsetting, but which a certain minority avant-garde find exciting. From Damien Hirst presenting the public with a shark embalmed in formaldehyde and entombed in a glass case to Marcel Duchamp trying to convince the art community that a urinal is a great sculpture shock has been a key promotional tool. The Devil in the Gallery is a guided tour of the history of art through it scandals, rivalries, and shocking acts, each of which resulted in a positive step forward for art in general and, in most cases, for the careers of the artists in question. In addition to telling dozens of stories, lavishly illustrated in full color, of such dramatic moments and arguing how they not only affected the history of art but affected it for the better, we will also examine the proactive role of the recipients of these intentionally dramatic actions: The art historians, the critics and even you, the general public. The Devil likes to lurk in dark corners of the art world, morphing into many forms. Let us shed light upon him.