Kelly Sparks is the undisputed gadget champ at Danville School. Then Albert Einstein Jones, an alumnus of Young Inventor's Camp, joins her class. Kelly could give up the gadget crown gracefully -but she'd much rather let the spitballs and smelly goo fly!

An Army ambulance sped by. No siren, only a dome on its roof flashing red. It halted in front of the high-security Tech Area, where several men wearing silver coveralls and carrying glistening instruments rushed out. Dr. Orr and Oppenheimer walked quickly toward a rolling gurney that held a man half wrapped in an aluminum body bag. The man was shaking. Something bad had happened. Very bad. For a moment Stephen believed he was back in London. He was on the roof again, and there were bombs falling... Copyright © Libri GmbH. All rights reserved.

It is 1943, and 11-year-old Dewey Kerrigan is traveling west on a train to live with her scientist father—but no one, not her father nor the military guardians who accompany her, will tell her exactly where he is. When she reaches Los Alamos, New Mexico, she learns why: he's working on a top secret government program. Over the next few years, Dewey gets to know eminent scientists, starts tinkering with her own mechanical projects, becomes friends with a budding artist who is as much of a misfit as she is—and, all the while, has no idea how the Manhattan Project is about to change the world. This book's fresh prose and fascinating subject are like nothing you've read before. Everyone who deals with middle-grade kids — parents, teacher, librarians — is busy answering questions about a movie they have heard so much about, but are too young to see. Green Glass Sea will answer their questions and more.

A NATIONAL BESTSELLER A programmer, musician, and father of virtual reality technology, Jaron Lanier was a pioneer in digital media, and among the first to predict the revolutionary changes it would bring to our commerce and culture. Now, with the Web influencing virtually every aspect of our lives, he offers this provocative critique of how digital design is shaping society, for better and for worse. Informed by Lanier’s experience and expertise as a computer scientist, You Are Not a Gadget discusses the technical and cultural problems that have unwittingly risen from programming choices—such as the nature of user identity—that were “locked-in” at the birth of digital media and considers what a future based on current design philosophies will bring. With the proliferation of social networks, cloud-based data storage systems, and Web 2.0 designs that elevate the “wisdom” of mobs and computer algorithms over the intelligence and wisdom of individuals, his message has never been more urgent.

The first time that Apple, Google and Microsoft found themselves sharing the same digital space was 1998. They were radically different companies and they would subsequently fight a series of pitched battles for control of different parts of the digital landscape. They could not know of the battles to come. But they would be world-changing. This new edition of Digital Wars looks at each of these battles in turn. Accessible and comprehensive, it analyses the very different cultures of the three companies and assesses exactly who are the victors on each front. Thoroughly updated to include information on the latest developments and rising competitors Samsung, it also include a completely new chapter on how China moved from being the assembly plant for music players and smartphones, to becoming the world's biggest smartphone business.

Examines the unusual, secret, unheralded, and forgotten inventions that were used as weapons and military systems by the United States since World War I.

Whether you're a would-be entrepreneur, a hard-core geek, or just a gadget lover, it is hard to imagine a bigger thrill than inventing something and sharing your creation with the world--and maybe even making a profit somewhere along the way. Gadget Nation celebrates that spirit through the irresistible, often quirky stories of more than 100 amateur inventors and their gizmos, from lighted slippers to an alarm clock that rolls away from you when you reach for the snooze button.

Contains fold-out blueprints of the gadgets used by the teen superspy in Anthony Horowitz's series. This work includes information from the first six books and technical specifications of the gadgets used in the series, as well as classified memos and secret reports.

Imagine: the first Star Wars book that actually moves, bringing to life the most memorable scenes from the epic: Obi-Wan battles Darth Maul The Millennium Falcon zooms away from an exploding Death Star Luke rides a galloping Tauntaun, Yoda twirls his green lightsaber, Boba Fett blasts up, up and away! And of course the most memorable scene of all—red and blue lightsabers flashing, Luke and Darth Vader fight the ultimate battle between good and evil. It’s a marriage made in a galaxy far, far away: phenomenal Scanimation meets Star Wars, the enduring epic that’s sold $42 billion in ticket sales and earned the title #1 Boys Action Toy License of all time. Created by Rufus Butler Seder, Star Wars: A Scanimation Book presents 12 of the most memorable scenes, in a landscape, i.e., movie format. It’s an homage from an artist obsessed with the earliest forms of capturing visual motion to an artist obsessed with the most advanced. But that’s not what young fans will care about—this is having pure movie magic in the palm of your hand, to replay again and again.

To some philosophers, seeking to understand the human condition, technology is a necessary guide. But to think through the complex human phenomenon of technology we must tackle philosophy of science, philosophy of culture, moral issues, comparative civilizational studies, and the economics of specific industrial and military technologies in their historical contexts. The philoso pher wants to grasp the technological factor in this troubled world, even as we see it is only one factor, and that it does not speak openly for itself. Put directly, our human troubles to a considerable extent have been transformed, exaggerated, distorted, even degraded, perhaps transcended, by what engi neers and scientists, entrepreneurs and politicians, have wrought. But our problems are ancient, problems of dominations, struggles, survival, values in conflict, greed and insane sadisms. To get some conceptual light on the social reality which seems immediately to be so complicated, a philosopher will need to learn from the historians of technology. A few years ago, the philosopher Elisabeth Straker concluded that "a his torical philosophy of technology [is required] since history - and history alone - provides all those concepts that form part of the repertoire of the philosoph ical analysis of technology". And she added that this goes far beyond the triviality that like other cultural achievements technology has its historical development. Now historical comprehension is no substitute for a logical methodology in the analysis of technological problems.