Finalist for the National Book Critics Circle Award • One of the New York Times’ Ten Best Books of the Year • Longlisted for the Joyce Carol Oates Prize “A triumph.”—New York Magazine From one of the most celebrated new voices in American literature, a brilliantly inventive and “enthralling” (Oprah Daily) novel about the eternal bonds of family and the mysteries of love and loss—“already earning its author comparisons to Toni Morrison” (Lit Hub). ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Oprah Daily, Time, The Washington Post, Los Angeles Times, The Guardian, Esquire, Vulture, Ms. Magazine, Vox, Mental Floss, BookPage, Kirkus Reviews, Publishers Weekly I don’t want to tell you what happened. I want to tell you how it felt. Cassandra Williams is twelve; her little brother, Wayne, is seven. One day, when they’re alone together, there is an accident and Wayne is lost forever. His body is never recovered. The missing boy cleaves the family with doubt. Their father leaves, starts another family elsewhere. But their mother can’t give up hope and launches an organization dedicated to missing children. As C grows older, she sees her brother everywhere: in bistros, airplane aisles, subway cars. Here is her brother’s face, the light in his eyes, the way he seems to recognize her, too. But it can’t be, of course. Or can it? Then one day, in another accident, C meets a man both mysterious and familiar, a man who is also searching for someone and for his own place in the world. His name is Wayne. Namwali Serpell’s remarkable new novel captures the uncanny experience of grief, the way the past breaks over the present like waves in the sea. The Furrows is a bold exploration of memory and mourning that twists unexpectedly into a story of mistaken identity, double consciousness, and the wishful—and sometimes willful—longing for reunion with those we’ve lost.

Finalist for the National Book Critics Circle Award • One of the New York Times’ Ten Best Books of the Year • Longlisted for the Joyce Carol Oates Prize “A triumph.”—New York Magazine From one of the most celebrated new voices in American literature, a brilliantly inventive and “enthralling” (Oprah Daily) novel about the eternal bonds of family and the mysteries of love and loss—“already earning its author comparisons to Toni Morrison” (Lit Hub). ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Oprah Daily, Time, The Washington Post, Los Angeles Times, The Guardian, Esquire, Vulture, Ms. Magazine, Vox, Mental Floss, BookPage, Kirkus Reviews, Publishers Weekly I don’t want to tell you what happened. I want to tell you how it felt. Cassandra Williams is twelve; her little brother, Wayne, is seven. One day, when they’re alone together, there is an accident and Wayne is lost forever. His body is never recovered. The missing boy cleaves the family with doubt. Their father leaves, starts another family elsewhere. But their mother can’t give up hope and launches an organization dedicated to missing children. As C grows older, she sees her brother everywhere: in bistros, airplane aisles, subway cars. Here is her brother’s face, the light in his eyes, the way he seems to recognize her, too. But it can’t be, of course. Or can it? Then one day, in another accident, C meets a man both mysterious and familiar, a man who is also searching for someone and for his own place in the world. His name is Wayne. Namwali Serpell’s remarkable new novel captures the uncanny experience of grief, the way the past breaks over the present like waves in the sea. The Furrows is a bold exploration of memory and mourning that twists unexpectedly into a story of mistaken identity, double consciousness, and the wishful—and sometimes willful—longing for reunion with those we’ve lost.

"You reap what you sow. The fiends in the furrows : an anthology of folk horror is a collection of nine short stories that hew both to the earthy traditions and blaze new trials in Folk Horror ... Themes of rural isolation and insularity, paranoia, mindless and monstrous ritual, as well as arcane ceremonies clashing against modern preoccupations run through these stories."--Amazon.com

"A dazzling debut, establishing Namwali Serpell as a writer on the world stage."--Salman Rushdie, The New York Times Book Review Longlisted for the Center for Fiction First Novel Prize - "Clear-eyed, energetic and richly entertaining."--The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review - Time - Tordotcom - Kirkus Reviews - BookPage 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives--their triumphs, errors, losses and hopes--emerge through a panorama of history, fairytale, romance and science fiction. From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines, this gripping, unforgettable novel is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time. Praise for The Old Drift "An intimate, brainy, gleaming epic . . . This is a dazzling book, as ambitious as any first novel published this decade."--Dwight Garner, The New York Times "A founding epic in the vein of Virgil's Aeneid . . . though in its sprawling size, its flavor of picaresque comedy and its fusion of family lore with national politics it more resembles Salman Rushdie's Midnight's Children."--The Wall Street Journal "A story that intertwines strangers into families, which we'll follow for a century, magic into everyday moments, and the story of a nation, Zambia."--NPR

This story appears in the short story collection, What Leads A Man To Murder Furrows run deep A countryside mental facility, isolated in the hills of rural Virginia. An award-winning psychiatrist, reticent about revealing his methods. An ambitious journalist, still a little green around the edges. When the three come together under mysterious circumstances, mischief rules the day. Not the benevolent kind. Experience the thrill and horror of Gladwell Hollow and uncover the secrets of its deepest furrows. “Even though I write horror and have read thousands of horror stories, very few have ever sparked anything within. This is one of them.” ~ Justin Boote, author of A Murder’s Confession “Great story! The writing flows beautifully.” ~ Sarah Gribble, author of Beast, and The Apprentice “I totally admire Chase’s ability to shift from one type of story to another... Superb writing!” ~ Ann Levy, author of Elaine and Lucien “A story worthy of a Vincent Price narration.” ~ William J. DeProspo, author of Unlikely Outcome “Excellent, excellent! I loved reading this. It went by so fast...” ~ Mike Van Horn, author of How to Grow Your Business without Driving Yourself Crazy and Aliens Crashed In My Backyard “Two thumbs up! I may never be able to run near a corn field again.” ~ Jennifer Kelly, author of Lathan’s Adventures “...concise and chilling.” ~ Peggy Ernest “WOW! Made me laugh; shocked me; terrified me; rolled me in! The ending was perfect. I loved it. Joslyn Chase has a very real gift.” ~ Peggy Nolan-prem, author of Chaos

The Fiends in the Furrows II: More Tales of Folk Horror is a collection of short stories of Folk Horror, honoring its rich and atmospheric traditions. Fans of Folk Horror will find herein more terrifying tales of rural isolation, urban alienation, suburban superstition, pastoral paranoia, as well as mindless and monstrous ritual that epitomize the atmospheric dread of this fascinating and developing subgenre. FEATURING: Alys Hobbs, "Yan" - Coy Hall, "Hour of the Cat's Eye - Elizabeth Twist, "The Complete Compleat Gardener - Neil McRobert, "A Well-Fed Man" - Shawn Wallace, "The Binding Tide" - Jack Lothian, "A Deed Without a Name" - Hazel King, "The Hanging Tree and The Old Tom Pit" - Sara Century, "The Death of a Drop of Water - Kristi DeMeester, "A Ritual for Pleasure and Atonement - Tim Major, "The Slow King" - Tracy Fahey, "Dearg-an-Daol"