Foreword by Hanne Kjaeholm. Text by Michael Sheridan.

The Danish architect and industrial designer Poul Kjaerholm has always been quietly revered in Modernist design circles, but in recent years his work has attained cult status amongst a younger generation of designers and connoisseurs. This exquisite monograph presents a comprehensive retrospective view of Kjaerholm's work, and also shows the history out of which his aesthetic grew. It features seven shorter essays by the American architect and Kjaerholm expert Michael Sheridan, along with several hundred photographs and descriptive copy. It is the deepest and widest ranging study of Kjaerholm's work to date.

Presents 110 Danish chairs and charts their success at home and abroad from the mid-20th century until the present day In the mid-20th century design became a cultural phenomenon that placed Denmark on the world map. Danish Design emerged in 1949 as a real brand, when American journalists started to write about Danish furniture in relation to a furniture exhibition by Snedkerlauget in Copenhagen. 'Den runde stol' made by Hans. J. Wegner was given the name 'The Chair'. This was not only the beginning of a great export adventure but also a challenge for the Danish designers, who became world recognized for their obsession with creating the perfect chair. The chair has always been the touchstone of designers and the design historians' favourite object. It touches and reflects the body it carries with arms, legs, seat and back. Besides this point, the chair is one of our most culture-bearing design objects and it tells a story about the period and the society from which it was created. In a very unique way this book shows, not just in words but also with drawings and photos how Danish chairs are built on historical furniture types, which are then refined into the infinite. The message and the explanation for the international success of Danish furniture is this; Danish furniture design is based on foreign culture and the best creations of former times.

In this profusely illustrated study, a noted furniture designer brings together more than 40 examples of chairs that combine practicality and elegance to transcend the confines of period and fashion. Featured are such modern "classics" as Thonet's Bentwood armchair, Breuer's Wassily chair, van der Rohe's Barcelone chair, and many more. Each chair is described in detail with the aid of photographs, Mr. Meadmore's own explanatory drawings and some reproductions of the original designer's plans. The author also explores the ways in which the designers approached and solved inherent problems of function and aesthetics. The scale drawings in this book are all one-eighth of full size, allowing easy assessment of dimensions and visual comparison of size and proportion. Many of these chairs are housed in museum collections; others are still being produced today. Now, this inexpensive edition of The Modern Chair enables students of furniture and any interested reader to make a thorough study of the most important chairs of modern times.

Objects: USA 2020 hails a new generation of artist-craftspeople by revisiting a groundbreaking event that redefined American art. In 1969, an exhibition opened at the Smithsonian Institution that redefined American art. Objects: USA united a cohort of artists inventing new approaches to art-making by way of craft media. Subsequently touring to twenty-two museums across the country, where it was viewed by over half a million Americans, and then to eleven cities in Europe, the exhibition canonized such artists as Anni Albers, Sheila Hicks, Wharton Esherick, Wendell Castle, and George Nakashima, and introduced others who would go on to achieve widespread art-world acclaim, including Dale Chihuly, Michele Oka Doner, J. B. Blunk, and Ron Nagle. Objects: USA 2020 revisits this revolutionary exhibition and its accompanying catalog--which has become a bible of sorts to curators, gallerists, dealers, craftspeople, and artists--by pairing fifty participants from the original exhibition with fifty contemporary artists representing the next generation of practitioners to use--and upend--the traditional methods and materials of craft to create new forms of art. Published to coincide with an exhibition of the same title at the renowned gallery R & Company, and featuring essays by some of the foremost authorities on craft at the intersection of art, including Glenn Adamson, curator and former director of the Museum of Arts & Design; James Zemaitis, curator and former head of twentieth-century design at Sotheby's; and Lena Vigna, curator of exhibitions at the Racine Art Musuem; an interview with Paul J. Smith, the cocurator of Objects: USA; archival photographs of the original exhibition and important historical works; and lush full-color images of contemporary works, Objects: USA 2020 is an essential art historical reference that traces how craft was elevated to the status of museum-quality art, and sets its trajectory forward.

Depicts and describes more than two hundred examples of twentieth century Danish chair design

- In 2022, legendary furniture designer Fritz Hansen will celebrate its 150th anniversary - To mark the occasion, a completely revised new edition of the successful 2017 book is being released - This book is exactly what a coffee table book should be, with striking photography, concise writing, and an appealing design - If Scandinavian design is the epitome of stylish interiors, then Fritz Hansen is lifestyle at its best - the perfect inspiration for design lovers and professionals alike When you step into the headquarters of Fritz Hansen in Allerød, northwest of Copenhagen, you breathe in the spirit of a company that has made design history. The showroom, a mecca for students of design and architecture, displays pieces that have become icons, including the Series 7 chair, the Swan lounge chair, and the Lissoni sofa. A recurring theme in the history of the Danish furniture maker is its collaborations with big-name visionary designers like Arne Jacobsen, Poul Kjærholm, and Piero Lissoni. With these influxes of fresh energy and an unwavering commitment to Fritz Hansen's core values of creativity, the finest craftsmanship, and the utmost attention to even the smallest details, the company has succeeded in placing its products in the collective consciousness of humanity as well as in the offices of the President of the UN General Assembly, the Crown Plaza Hotel in Bangkok, the Banquet Hall of Oxford's venerable St. Catherine's College, New York's Museum of Modern Art, and private homes all over the world. With over 150 breathtaking photos, this thoughtfully designed coffee table book recounts the history of an exclusive brand, the marvellous pieces of furniture that has made it so revered, and provides examples of how a single piece of furniture can beautify an entire room or building, and fire the imagination of those who live there. Whether you're leaving the world of Fritz Hansen in Allerød or closing this book, it will be with a wealth of new creative ideas and the knowledge that before sustainability became a trendy buzzword, Fritz Hansen was already practicing it in its purest sense, true to its motto of "Crafting Timeless Design.

Furniture and household objects especially those of wood and metal featuring more than 60 designers from Denmark, Sweden, Norway, and Finland. Scandinavian Modern style, from the 1930s through the 1970s, is shown in hundreds of photographs. Designers, manufacturers, and distributors are documented, while detailed captions with current prices, a large bibliography, and an index make this book a valuable reference and a must for all collectors, dealers, and researchers of Scandinavian design.

A richly illustrated presentation of Danish Mid-Century furniture classics and the iconic designers who created them Danish design plays an important part in what has come to be known as the Mid- Century Modern style. Timeless furniture pieces, such as the Hans J. Wegner's Y-Chair and Finn Juhl's Chieftain Chair, influenced designers all over the world and are still considered classics. This book is the first to present an overview of the furniture created by Danish designers and architects, in the period between 1945-1975, tracing the movement from beginning to end. Design history expert Lars Dybdahl provides thorough descriptions and analyses of particular furniture pieces, never failing to situate them within a historical and cultural context. The book is richly illustrated, showcasing the aesthetic development from post-war Denmark to the swinging sixties and seventies.