“Her complexion was as though she had been immersed in a mixture of one part whisky and three parts white wine. (Would she have tasted like the cocktail as well? I don’t know, sir.) Her eyes, nose, lips and ears had all had their own pretty little stories to tell. Together, the sum total told a gargantuan story. Her hair was darker than the road under her feet and was oozing out of her cap like a cascade of crude oil. Her figure was like that of a balloon that was on a diet, if balloons dieted at all, and then tied in the middle with a string.” “Aren’t you a little too young to be acting funny with me?” What?? I saw that the silly girl had got it all wrong. The situation needed correction on an emergency basis. I immediately started nodding my head to convey to her that I indeed was younger than her but realised that the second part of the question about acting funny needed shaking of the head. So, I stopped the nodding halfway through and took up the shaking. This was a cross between nothing and nothing. I ended up making a complete fool of myself. The girl was getting impatient and had no time for my antics.” “To sit in the beautiful garden with a glass of chilled beer whenever a drizzle the size and sharpness of pine needles came down from the sky to ever-so-lightly caress us to the accompaniment of mournful songs from the HMV record player that was in the barracks was heaven on the Earth. Lord, did we savour the moments so very thoroughly! Nostalgia threatens to drown me as I relive those days sitting in my upright chair at home now”

Newfoundland songs are diverse in origin. Vast numbers of them come from the British Isles, especially from England and Ireland; many are composed in Newfoundland, usually on English or Irish models; a lesser number of American, Canadian, and French songs are current. The ballads to be found in the Child collection are probably the oldest now sung. Then there are many seventeenth- and eighteenth-century broadside ballads, particularly English, and many nineteenth-century compositions. Such are the backgrounds from which the compilers of this volume have drawn their unusually interesting and delightful collection of ballad texts and ballad music. Expeditions to the island in 1920 and 1929 furnished the tunes; and a genuine interest in folk-literature assured the care and accuracy of the work.

"His real name was Arthur Jones. He was born in Liverpool in 1929, the illegitimate son of a working-class Lancashire girl, and he grew up in orphanages with little education. Too young to see action in the World War II naval battles he would later write about so movingly, he joined the Royal Navy in 1946 and served fourteen unremarkable years." "Arthur Jones then bought an old sailboat and tried his hand at smuggling whiskey cross-Channel. In his early thirties he sailed into a Mediterranean limbo, scraping a living from charters by day and haunting the bars of Ibiza by night. When he was drunk, which was often, he could be loud and obnoxious and had the scars to prove it. He had no family, no attachments, no accomplishments." "Then came a midlife sea change. Arthur Jones looked into his future, imagined greatness, and began to claw his way to it. Having taught himself to sail, he taught himself to write. He was a natural at both. As Tristan Jones, in his midforties, he sailed out of Brazil's Mato Grosso and into a Greenwich Village apartment to write six books in three years and reinvent his past." "The Tristan Jones of his books was born in a storm at sea in 1924 on his father's tramp steamer; was torpedoed three times in epic World War II engagements; completed the first circumnavigation of Iceland; traveled farther north and farther up the Amazon River than any sailor before him; and sailed more than 400,000 miles, 180,000 of them solo. Readers loved his books and crowded his lectures and signings. He had a bard's voice and a street performer's delivery. He had more reknown than he could have dreamed." "Having invented a life, Tristan Jones tried to live it. After the amputation of his left leg in 1982 he sailed more than halfway around the world. He lost his right leg in 1991 yet still returned briefly to sea. But as his body failed him, so too did his spirits. It was as if the life from which he'd bodily lifted himself were pulling him down again. He died a bitter man."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Jack Kane, self-declared protector of 1896 New York, has a problem. He has just witnessed the explosion of a ship in New York Harbor and must now solve the mystery of its destruction. He is well into his investigations when a second ship is destroyed. Are they related? Is someone trying to throw New York and the entire country into chaos? The clues all seem to point to a huge plot by a diabolical mastermind. But who is behind it all and what is he trying to accomplish? Jack has only hours to discover the secret and thwart the villains behind the destruction. But will he be in time?

Moving away from the explicitly political content of his previous novels, Victor Hugo turns to social commentary in The Man Who Laughs, an 1869 work that was made into a popular film in the 1920s. The plot deals with a band of miscreants who deliberately deform children to make them more effective beggars, as well as the long-lasting emotional and social damage that this abhorrent practice inflicts upon its victims.